She becomes depressed and explores magic more deeply, often with powerful but inconsistent results.

She also explores research that identifies mood disorders in such famous writers and artists as Ernest Hemingway ( who shot himself after electroconvulsive treatment ), Virginia Woolf ( who drowned herself when she felt a depressive episode coming on ), composer Robert Schumann ( who died in a mental institution ), and even the famed visual artist Michelangelo.

" She explores the idea that " shyness is a form of deviance: a problem for society as much as for the individual ", and concludes that, to some extent, " we are all impostors, faking our way through social life ".

She explores every inch of Karabekian's home, constantly asking him questions.

She offers her protagonist a way out into a new order that breaks with the law of the father, creating a " monstrous " text that explores the possibilities of a lesbian identity .”

She explores sound with her voice which gives her a very expressive, playful sound.

She presents the history of the geisha community and explores the context in which geisha traditionally were in the forefront of fashion, which for the modern geisha is no longer true.

She explores God as he relates to nothing ( ness ) and everything.

She explores the idea that there can be peace in death.

She follows this up by appointing an informateur who explores the options of a new cabinet.

She also explores the labels that she says patriarchal society places on women to prolong what she sees as male domination of society.

She explores the feeling of loneliness throughout the tales.

She explores different musical styles, with the albums absolute ego and material displaying Electronica influences.

She explores the world inside the camp, trying out Japanese and American hobbies before taking up baton twirling.

She also explores the " silencing " of underrepresented groups: women, people of colour, and poor whites.

She is perhaps best known for her authorship of Trains: A Memoir of a Hidden Childhood during and after World War II which explores not only her survival of the Holocaust as a ' hidden child ' but also the psychological toll of keeping her identity hidden, even to herself, in post World War II Poland.

She explores how the use of contemporary media in productions, such as the Penny Woolcock film of the opera, affects perception of the two sides of the political conflict.

She co-produced the multi-platform documentary project, Service: when women come marching home, and created True Rep, a repertory company that explores trauma and resilience through testimonial theater and film, bridging actors, writers, directors, musicians and artists with the human ( e ) service sector.

Frances Cress Welsing ( born March 18, 1935 in Chicago ) is an African American psychiatrist practicing in Washington, D. C .. She is noted for her " Cress Theory of Color Confrontation ", which explores the practice of white supremacy.

She also explores the history of American photography in relation to the idealistic notions of America put forth by Walt Whitman and traces these ideas through to the increasingly cynical aesthetic notions of the 1970s, particularly in relation to Arbus and Andy Warhol.

She co-founded the Ecosophical Research Association in 1984, an organization that explores myth, with a focus on cryptozoology.

She also explores the traumatic situation facing farm workers and other farming families in similar positions to hers.

She movingly explores the tensions in the triangular relationship between Alexander and his two lovers, Hephaistion and Bagoas, and suggests that Alexander went mad with grief over Hephaistion's untimely death.

She not only explores their marital relations, including their failings and desires, but also mentions Sun Yat-sen's political career and Song Qingling's feelings of isolation and loneliness after her husband died.

She was a near contemporary of better-known American artist Mary Cassatt and also received her training in Philadelphia and France.

She is the author of a number of works of science fiction, fantasy and feminist literary criticism such as How to Suppress Women's Writing, as well as a contemporary novel, On Strike Against God, and one children's book, Kittatinny.

She created hits with the songs " Got a Hold on Me " ( Top 10 pop and # 1 adult contemporary ) and " Love Will Show Us How " (# 30 ).

She wrote it in French to her father, who was still living in England while Anne was completing her education at Mechelen, in the contemporary Netherlands, now Belgium.

She drew on and blended styles from Chinese histories, narrative poetry and contemporary Japanese prose.

She discussed the type of contemporary actress she wanted to emulate and explained that there were two in particular that she was influenced by: Faye Dunaway and Catherine Deneuve.

She conceded, but with irritation and anger, according to contemporary reports.

She adds that beginning the assignment was an " extraordinary risk " for Chagall, as he had finally become well known as a leading contemporary painter, but would now end his modernist themes and delve into " an ancient past ".

She was the first woman to appear on provincial coins in 16 BC and her portrait images can be chronologically identified partially from the progression of her hair designs, which represented more than keeping up with the fashions of the time as her depiction with such contemporary details translated into a political statement of representing the ideal Roman woman.

She was influenced in using native plant species from: her many successful Reef Point experiences ; studying the contemporary books from the U. S. and abroad advocating the advantages of native palettes ; and from visiting the influential British garden authors William Robinson at Gravetye Manor in Sussex, and Gertrude Jekyll at Munstead Hall in Surrey, both in England.

" She went on to note however that " Childe's Marxism frequently differed from contemporary ' orthodox ' Marxism ; partly because he had studied Hegel, Marx and Engels as far back as 1913 and still referred to the original texts rather than later interpretations, and partly because he was selective in his acceptance of their writings.

She is said now to preside over the contemporary festival as well.

She is especially interested in showing how authors portrayed the many configurations of family relationships, from the early immigrant narratives of journeying to a new world, through novels that stress intergenerational conflicts, to contemporary works about the struggle of modern women to form nontraditional gender roles.

She was an avid reader and critic of contemporary literature, reviewing for publications such as the London Evening Standard, The Spectator, The Daily Mail, The Times, The Sunday Times and Books & Bookmen.

She took a keen interest in the work of young contemporary artists, such as Stanley Spencer, and she was particularly close to Mark Gertler and Dora Carrington, who were regular visitors to Garsington during the war, whilst Gilbert Spencer lived for a while in a house on the Garsington estate.

She would give the first performances of many works by other contemporary French composers.

She began her career in the contemporary Christian music industry but uncomfortable with that image and industry, she left it behind and rebranded herself as " Sam ", thus transitioning into the mainstream market after meeting producer T-Bone Burnett.

She has also published a critical study of contemporary Canadian women's texts,

She argues that some fans see this as a " stumbling block ", perhaps unconsciously, to recognising the character's masculinity and at a wider level, in constructing a notion of contemporary masculinity.

She is probably among the world's first three female film-makers, after Alice Guy and contemporary with Laura Bayley.

She collaborated with talented craftsman such as Jim Steinman and David Foster who helped her devise more adult contemporary songs.

She has also been highly-credited for remaining one of country's most popular female artists for over three decades, maintaining her success by continually incorporating contemporary musical sounds without changing her traditional vocal style.

She is a rhetorical illustration used by atheists and other religious skeptics as a contemporary version of Russell's teapot, sometimes mentioned in conjunction with the Flying Spaghetti Monster.

She was regarded as an ideal wife and mother according to the contemporary Serbian ideal and described as a humble person.

She tried to write contemporary mainstream fiction in the early 1970s and then gave up, turning to ancient Egypt for inspiration.