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Page "Life After God" ¶ 9
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She and explores
She becomes depressed and explores magic more deeply, often with powerful but inconsistent results.
She also explores research that identifies mood disorders in such famous writers and artists as Ernest Hemingway ( who shot himself after electroconvulsive treatment ), Virginia Woolf ( who drowned herself when she felt a depressive episode coming on ), composer Robert Schumann ( who died in a mental institution ), and even the famed visual artist Michelangelo.
" She explores the idea that " shyness is a form of deviance: a problem for society as much as for the individual ", and concludes that, to some extent, " we are all impostors, faking our way through social life ".
She explores every inch of Karabekian's home, constantly asking him questions.
She offers her protagonist a way out into a new order that breaks with the law of the father, creating a " monstrous " text that explores the possibilities of a lesbian identity .”
She explores sound with her voice which gives her a very expressive, playful sound.
She presents the history of the geisha community and explores the context in which geisha traditionally were in the forefront of fashion, which for the modern geisha is no longer true.
She explores God as he relates to nothing ( ness ) and everything.
She explores the idea that there can be peace in death.
She follows this up by appointing an informateur who explores the options of a new cabinet.
She also explores the labels that she says patriarchal society places on women to prolong what she sees as male domination of society.
She explores different musical styles, with the albums absolute ego and material displaying Electronica influences.
She explores the world inside the camp, trying out Japanese and American hobbies before taking up baton twirling.
She also explores the " silencing " of underrepresented groups: women, people of colour, and poor whites.
She is perhaps best known for her authorship of Trains: A Memoir of a Hidden Childhood during and after World War II which explores not only her survival of the Holocaust as a ' hidden child ' but also the psychological toll of keeping her identity hidden, even to herself, in post World War II Poland.
She explores how the use of contemporary media in productions, such as the Penny Woolcock film of the opera, affects perception of the two sides of the political conflict.
She co-produced the multi-platform documentary project, Service: when women come marching home, and created True Rep, a repertory company that explores trauma and resilience through testimonial theater and film, bridging actors, writers, directors, musicians and artists with the human ( e ) service sector.
Frances Cress Welsing ( born March 18, 1935 in Chicago ) is an African American psychiatrist practicing in Washington, D. C .. She is noted for her " Cress Theory of Color Confrontation ", which explores the practice of white supremacy.
She also explores the history of American photography in relation to the idealistic notions of America put forth by Walt Whitman and traces these ideas through to the increasingly cynical aesthetic notions of the 1970s, particularly in relation to Arbus and Andy Warhol.
She co-founded the Ecosophical Research Association in 1984, an organization that explores myth, with a focus on cryptozoology.
She also explores the traumatic situation facing farm workers and other farming families in similar positions to hers.
She movingly explores the tensions in the triangular relationship between Alexander and his two lovers, Hephaistion and Bagoas, and suggests that Alexander went mad with grief over Hephaistion's untimely death.
She explores contemporary music as well as the traditional repertoire.
She not only explores their marital relations, including their failings and desires, but also mentions Sun Yat-sen's political career and Song Qingling's feelings of isolation and loneliness after her husband died.

She and feeling
She had the feeling that, under the mouldering leaves, there would be the bodies of dead animals, quietly decaying and giving their soil back to the mountain.
She said with intense feeling: `` Come near, let me feel your arms.
She used to tell me, `` When I stand there and look at the flag blowing this way and that way, I have the wonderful, safe feeling that Americans are protected no matter which way the wind blows ''.
She walked back to the house and entered, feeling herself returning, sensing some kind of opportunity in the empty building.
She stood up, smoothing her hair down, straightening her clothes, feeling a thankfulness for the enveloping darkness outside, and, above everything else, for the absence of the need to answer, to respond, to be aware even of Stowey coming in or going out, and yet, now that she was beginning to cook, she glimpsed a future without him, a future alone like this, and the pain made her head writhe, and in a moment she found it hard to wait for Lucretia to come with her guests.
She knew she was feeling afraid and inwardly laughed at herself.
She stood still over the leg of lamb, rubbing herbs into it, quite suddenly conscious of a nausea in her stomach and a feeling of wrath, a sensation of violence that started her shivering.
She described herself as having the same kind of `` irresponsible '' feeling as she had once experienced under hypnosis.
She smiled and bowed, recalling the princess-in-a-carriage feeling she had enjoyed when she was a child.
She had changed into a cocktail dress, and the whole evening should have been before her, but already she was beginning to get a tight feeling at the back of her neck.
She wondered, with a baffled feeling of helplessness.
She expressed reservations over the eventual winner David Cameron, feeling that he did not, like the other candidates, have a proven track record, and she was later a leading figure in parliamentary opposition to his A-List policy, which she has said is " an insult to women ".
She wrote of the Americans, " The boy learns to make advances and rely upon the girl to repulse them whenever they are inappropriate to the state of feeling between the pair ", as contrasted to the British, where " the girl is reared to depend upon a slight barrier of chilliness ... which the boys learn to respect, and for the rest to rely upon the men to approach or advance, as warranted by the situation.
She reported feeling streams of a mysterious fluid running through her body and was relieved of her symptoms for several hours.
She explained that she had been feeling low in the six months before her admission.
She crossed into Pennsylvania with a feeling of relief and awe, and recalled the experience years later:
She later stated in an interview, " I didn't want to do Willow as someone who's feeling sorry for herself.
She initially rejects the idea of marriage and romance, feeling that it would break up her family and separate her from the sisters she adores.
She gives the curious feeling of being charged with power which can find no ordinary outlet.
She once indicated, " I am to some extent influenced by them — not in any technical sense, but in the choice of subject matter and the feeling and atmosphere they could achieve.
She is less distanced from the family than Desire, though, and seems to have some feeling at least for Delirium, and also seems to miss Destruction so much that she is able to manipulate Dream into feeling guilty over Destruction's abadoning of his duty.
She does not say much, and consequently appears brusque, but her speech at Morpheus ' wake in The Wake reveals her sympathy and feeling for him.
She was also feeling socially excluded by the other two members, who had ' been best friends a lot longer ', and whom, she says, were ' no longer inviting her out with them '.
She loved cartoons as a child and wanted to be a voice actress from the age of eight, but instead chose a " practical " career, feeling she would never be able to realize her ambition.

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