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She and has
She has shared her husband's greatness, but only within the confines of their home ; ;
She has rarely been photographed with him and, except for Carl's seventy-fifth anniversary celebration in Chicago in 1953, she has not attended the dozens of banquets, functions, public appearances, and dinners honoring him -- all of this upon her insistence.
She has small, broad, capable hands and an enormous energy.
She has studied and observed and she is convinced that her young man is going to be endlessly enchanting.
She has the small, highly developed body of a prime athlete, and holds in contempt the `` girls who just move sex ''.
She has a pretty bad cold ''.
She hesitated, she hopped, she rolled and rocked, skipped and jumped, but in some two weeks she started to pace, From that time to this she has shown steady improvement and now looks like one of the classiest things on the grounds.
She has been acting as a prostitute.
She teamed up with another beauty, whose name has been lost to history, and commenced with some fiddling that would have made Nero envious.
She replied, `` I know of one man that has not been friendly with him.
`` She says she has to finish a story ''.
She gave a fine portrayal of Auntie Mame on Broadway in 1958 and has appeared in live television from `` Captain Brassbound's Conversion '' to `` Camille ''.
She has to have at least one car herself.
She is the most beautiful thing you ever laid eyes on, and her dancing has a feminine suavity, lightness, sparkle, and refinement which are simply incomparable.
) She has since turned to Bellini, whose opera `` Beatrice Di Tenda '' in a concert version with the American Opera Society introduced her to New York last season.
She has a good, firm delivery of songs and adds to the solid virtues of the evening.
She is just home from a sojourn in London where she has become the sweetheart of a young fellow named Ronnie ( we never do see him ) and has been subjected to a first course in thinking and appreciating, including a dose of good British socialism.
She also has a habit of constantly changing her hairstyle, and in every appearance by her much is made of the clothes and hats she wears.
She has a maid called Maria who prevents the public adoration from becoming too much of a burden on her employer, but does nothing to prevent her from becoming too much of a burden on others.
She has authored over fifty-six novels and she has a great dislike of people taking and modifying her story characters.
" She first met Poirot in the story Cards on the Table and has been bothering him ever since.
She also has a remarkable ability to latch onto a casual comment and connect it to the case at hand.

She and auburn
She had a fair complexion, blue eyes and her hair colour was between reddish-blonde and auburn ; these were typical traits in the Trastámara family which descended from Peter I of Castile.
She has dark skin and crew-cut style auburn hair.
She has auburn fur and wears a green tartan dress.
She has medium-length auburn hair, wears glasses, and dresses conservatively.
She has auburn brown hair which is seen in a stylized ponytail, sky blue eyes, and her signature color is pink.
She was a little over five feet tall, with a lithe figure, auburn hair, and hazel eyes.
She later stated that the cushioning, due to her thick auburn hair, helped save her life.
She looked ravishing: auburn hair, classical face, deep eyes, an aura of sensuality.
* Lieutenant Silver ( Bethany Craig ): She has auburn hair and blue-grey eyes.
She was released in a Toys R Us exclusive three-pack in 1997 as Volga ; her filecard lists her real name as " Daina L. Janack ", suggesting she's meant to be the same character as Daina / Vorona, despite a distinctly different hair color ( Daina was shown as blonde in the comics, whereas Volga had auburn hair ).

She and hair
She rubbed her eyes and stretched, then sat up, her hands going to her hair.
She was nude to the waist and her tumbled abundance of black hair did not conceal the knife slashes on her back.
She stood up, smoothing her hair down, straightening her clothes, feeling a thankfulness for the enveloping darkness outside, and, above everything else, for the absence of the need to answer, to respond, to be aware even of Stowey coming in or going out, and yet, now that she was beginning to cook, she glimpsed a future without him, a future alone like this, and the pain made her head writhe, and in a moment she found it hard to wait for Lucretia to come with her guests.
She was wearing her dark hair in two, thick braids to attain an `` American Girl '' effect she thought was appropriate to Halloween.
She leaned unconcerned against the broken porch fence, brushing and drying her wet, gilded hair in the sun.
She jumped out onto the flat expanse of rock and, seating herself, shook her short-cut brown hair and tilted her chin far upward.
She looked good, with her short tousled hair and no make-up.
She was said to have had red hair kept in curls, blue eyes, and fair skin and she was very beautiful, intelligent, charming, desirable, elegant, friendly, and gentle, but she was considered to be insane.
Catherine was quite short in stature with long red hair, wide blue eyes, a round face, and a fair complexion. She was descended, on her maternal side, from the English royal house ; her great-grandmother Catherine of Lancaster, after whom she was named, and her great-great-grandmother Philippa of Lancaster were both daughters of John of Gaunt and granddaughters of Edward III of England.
She claimed to feel " jubilant " when cutting off her long hair.
She is described as having heavy blonde hair which fell past her knees, a beautiful complexion, hazel eyes which changed colour, a full, high bosom, and a natural grace which made her appear to " walk on air "; these were the physical attributes that were highly appreciated in Italy during that period.
She played a reckless socialite in Coquette ( 1929 ), a role where she no longer had her famous ringlets, but rather a 1920s bob ; Pickford had cut her hair in the wake of her mother's death in 1928.
She employed two private hairdressers who would style her hair on a regular basis in the White House.
She was also very self-conscious about her bright red hair and at the age of thirteen, attempted to dye it dark with disastrous results.
She later explained her belief that her hair – which " had never been combed and ... stood out like a bushel basket " – might have saved her life.
" She puts a touch of rouge on her own and on her child ’ s cheeks and then, as Suzuki does her hair, asks her, " What will they say?
She has a round, rosy snub-nosed face and brown hair.
She was therefore obligated to cut her hair to rid herself of the splotch and in turn she made all of the ladies at Court do the same, which they did “ with tears in their eyes .” This aggressive vanity became a tenet of Elizabeth ’ s Court throughout the entirety of her reign, particularly as she grew older.
She had fair skin, straw-blond hair, and blue eyes.
She touched his hair and then kissed him again.
She was transformed into a narwhal herself, and her hair, which she was wearing in a twisted knot, became the characteristic spiral narwhal tusk.
She is described by the author as a " regular snow-maiden " with curly golden hair and blue eyes, " pale and slender " and " always carrying herself " like a very proper young lady.
She became entranced with the hippie lifestyle after seeing Joe Namath's hair on television.
" She sports the same curly spiked hair as her two sons.
She grows content only when her courtiers assure her that Octavia is homely by Elizabethan standards: short, low-browed, round-faced and with bad hair.

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