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Page "Dimple Kapadia" ¶ 8
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She and looked
She had reached a point at which she didn't even care how she looked.
She looked around.
She looked at him, lips compressed.
She looked more like twenty-five or six.
She set the dipper on the edge of the deck, leaving it for him to stretch after it while she looked on scornfully.
She looked down at her hands, too.
She looked up and saw that, without knowing it, Mrs. Coolidge was holding it aloft.
She looked at him in surprise.
She looked back toward the schoolroom.
She looked at the girl speculatively from eyes which had paled with the years ; ;
She felt the look and looked back because she could not help it, seeing that he was neither as old nor as thick as she had at first believed.
She looked mighty interested, though.
She looked at him impudently over the corner of the paper.
She it was who had looked to see if I was wearing shoes upon learning that I couldn't drive.
She looked confused at this, and I felt sure it had been a wrong response for me to make.
She must have looked temptingly pretty to the dean as he put the crown on her head.
She looked at me provocatively.
She looked around, self-consciously.
She certainly looked Japanese, and perhaps she could not really blame the young men.
She looked crestfallen, as if he had somehow disappointed the whole human race.
She looked well-fed and prosperous, but he didn't get the impression he was being propositioned the way he'd been hoping.
She looked out at the corn field, the great green deep acres of it rolled out like the sea in the field beyond the whitewashed fence bordering the grounds.
She looked as if she were accusing me of some fraud.
She looked about sixty, though I recalled that the chart gave her age as forty-four.
She looked good, with her short tousled hair and no make-up.

She and ravishing
She was also featured in Cyril Connolly's The Rock Pool, Harold Acton's The Soul's Gymnasium as " Muriel ," in several novels by Vita Sackville-West and in the well-known Virginia Woolf's Orlando: A Biography as the ravishing " Princess Sasha ".
Designers Falguni & Shane Peacock noted, " She is comfortable in her own skin and looks ravishing in whatever she wears, be it a bikini, short or long dress or even a saree.

She and auburn
She had a fair complexion, blue eyes and her hair colour was between reddish-blonde and auburn ; these were typical traits in the Trastámara family which descended from Peter I of Castile.
She has dark skin and crew-cut style auburn hair.
She has auburn fur and wears a green tartan dress.
She has medium-length auburn hair, wears glasses, and dresses conservatively.
She has auburn brown hair which is seen in a stylized ponytail, sky blue eyes, and her signature color is pink.
She was a little over five feet tall, with a lithe figure, auburn hair, and hazel eyes.
She later stated that the cushioning, due to her thick auburn hair, helped save her life.
* Lieutenant Silver ( Bethany Craig ): She has auburn hair and blue-grey eyes.
She was released in a Toys R Us exclusive three-pack in 1997 as Volga ; her filecard lists her real name as " Daina L. Janack ", suggesting she's meant to be the same character as Daina / Vorona, despite a distinctly different hair color ( Daina was shown as blonde in the comics, whereas Volga had auburn hair ).
She has auburn hair and is 18 inch ( 460 mm ) tall.

She and hair
She rubbed her eyes and stretched, then sat up, her hands going to her hair.
She was nude to the waist and her tumbled abundance of black hair did not conceal the knife slashes on her back.
She stood up, smoothing her hair down, straightening her clothes, feeling a thankfulness for the enveloping darkness outside, and, above everything else, for the absence of the need to answer, to respond, to be aware even of Stowey coming in or going out, and yet, now that she was beginning to cook, she glimpsed a future without him, a future alone like this, and the pain made her head writhe, and in a moment she found it hard to wait for Lucretia to come with her guests.
She was wearing her dark hair in two, thick braids to attain an `` American Girl '' effect she thought was appropriate to Halloween.
She leaned unconcerned against the broken porch fence, brushing and drying her wet, gilded hair in the sun.
She jumped out onto the flat expanse of rock and, seating herself, shook her short-cut brown hair and tilted her chin far upward.
She was said to have had red hair kept in curls, blue eyes, and fair skin and she was very beautiful, intelligent, charming, desirable, elegant, friendly, and gentle, but she was considered to be insane.
Catherine was quite short in stature with long red hair, wide blue eyes, a round face, and a fair complexion. She was descended, on her maternal side, from the English royal house ; her great-grandmother Catherine of Lancaster, after whom she was named, and her great-great-grandmother Philippa of Lancaster were both daughters of John of Gaunt and granddaughters of Edward III of England.
She claimed to feel " jubilant " when cutting off her long hair.
She is described as having heavy blonde hair which fell past her knees, a beautiful complexion, hazel eyes which changed colour, a full, high bosom, and a natural grace which made her appear to " walk on air "; these were the physical attributes that were highly appreciated in Italy during that period.
She played a reckless socialite in Coquette ( 1929 ), a role where she no longer had her famous ringlets, but rather a 1920s bob ; Pickford had cut her hair in the wake of her mother's death in 1928.
She employed two private hairdressers who would style her hair on a regular basis in the White House.
She was also very self-conscious about her bright red hair and at the age of thirteen, attempted to dye it dark with disastrous results.
She later explained her belief that her hair – which " had never been combed and ... stood out like a bushel basket " – might have saved her life.
" She puts a touch of rouge on her own and on her child ’ s cheeks and then, as Suzuki does her hair, asks her, " What will they say?
She has a round, rosy snub-nosed face and brown hair.
She was therefore obligated to cut her hair to rid herself of the splotch and in turn she made all of the ladies at Court do the same, which they did “ with tears in their eyes .” This aggressive vanity became a tenet of Elizabeth ’ s Court throughout the entirety of her reign, particularly as she grew older.
She had fair skin, straw-blond hair, and blue eyes.
She touched his hair and then kissed him again.
She was transformed into a narwhal herself, and her hair, which she was wearing in a twisted knot, became the characteristic spiral narwhal tusk.
She is described by the author as a " regular snow-maiden " with curly golden hair and blue eyes, " pale and slender " and " always carrying herself " like a very proper young lady.
She became entranced with the hippie lifestyle after seeing Joe Namath's hair on television.
" She sports the same curly spiked hair as her two sons.
She grows content only when her courtiers assure her that Octavia is homely by Elizabethan standards: short, low-browed, round-faced and with bad hair.

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