She also has a habit of constantly changing her hairstyle, and in every appearance by her much is made of the clothes and hats she wears.

The article began, " She goes barefooted when she feels like it, wears Levi's to class because they're more comfortable, and carries her Autoharp with her everywhere she goes so that in case she gets the urge to break into song it will be handy.

She wears a jewelled pendant bearing the pearl known as La Peregrina set beneath two diamonds.

She possibly wears the necklace of six hundred pearls the Earl bequeathed to her in his will.

She wears a belt of intertwined snakes, a fertility symbol.

She wears a pink sweater, tight white pants and pink shoes.

She wears a white shirt, a yellow skirt, and white ballet shoes.

She wears short dresses for sports events.

She wears a white veil or stola ; her priests wore white cloths, showing her connection to the highest gods of Heaven, Jupiter and Dius Fidius.

She wears ridiculous outfits ( which often bare her midriff ), has bright red hair, a big nose ( think Pete Townshend ) and perpetually chews gum.

She wears a greyish brown robe-like sweater and later an actual turtleneck sweater underneath the robe-like sweater starting in " The Great Radish Caper.

" She also wears the pop-top from a soda can as a necklace pendant.

She wears three wedding rings, one for each husband-Damballa, Agwe and Ogoun.

She also agrees to give up her tight-fitting clothes and wears a formal dress, glasses, a hat and a woman's suit in court.

She wears the coronet of a Countess, not a Viscountess, and at the foot of her tomb is a coroneted eagle, a reminder of the Stanleys ' armorial crest.

She wears a miniskirted version of Superman's costume, but does not have Superman's exact powers.

She wears anklets with bells, and though seldom seen, she can be heard by the tinkling of her anklets.

She wears plain blue robes and sits with her hands in her lap.

She wears her hair in two loose pigtails, tied by her signature green bows.

She wears a yellow talisman on her forehead until exchanging it for a tulip shaped name tag.

She wears a long sheet dress and she is depicted with a long wig, Hathoric cow horns, the solar disk and tall feathers mounted on a modius.

She wears a red shirt with short sleeves, white gloves, black skirt with a red line on the bottom and black high heels.

She wears a cloak with black fringe border, and has a Tā moko | moko design on her chin.

" She later wrote in a letter, " Every woman back home wears a halo now, and those who represent her had better keep theirs on, too.

She was nude to the waist and her tumbled abundance of black hair did not conceal the knife slashes on her back.

She had black eyes, long and intriguingly tilted, and the way she walked was melody.

She giggled during the ceremony, and Mousie Chandler, who was one of Linda's bridesmaids, said John glared black as death at her.

She makes the argument that grouping all people of African descent together regardless of their unique ancestral circumstances would inevitably deny the lingering effects of slavery within the American community of slave descendents, in addition to denying black immigrants recognition of their own unique ancestral backgrounds.

" She has also rejected an immigrant designation for African-Americans and instead prefers the term " black " or " white " to denote the African and European U. S. founding populations.

She argues that the convergence of sexism and racism during slavery contributed to black women having the lowest status and worst conditions of any group in American society.

She argues that slavery allowed white society to stereotype white women as the pure goddess virgin and move black women to the seductive whore stereotype formerly placed on all women.

She suggests this explains the low numbers of black women who participated in the feminist movement in the 1970s, pointing to Louis Harris ' Virginia Slims poll done in 1972 for Philip Morris that she says showed 62 percent of black women supported " efforts to change women's status " and 67 percent " sympathized with the women's rights movement ", compared with 45 and 35 percent of white women ( also Steinem, 1972 ).

She may grow up learning all about the scientific facts of colors, but has no way of experiences colors other than black or white.

She slowly began to turn into a black poplar, the bark spreading up her legs from the earth, but just before the woody stiffness finally reached her throat and as her arms began sprouting twigs her husband Andraemon heard her cries and came to her.

She screamed: " Instead of a son, I am given a daughter, dark and ugly, with a great nose and black eyes.

She then proposes that black people are given their own land.

She was from Mississippi and had graduated from Fisk University, a historically black college.

She stayed with Sam Green, a free black minister living in East New Market, Maryland ; she also hid near her parents ' home at Poplar Neck in Caroline County, Maryland.

She knew that white people in the South had buried valuables when Union forces threatened the region, and also that black men were frequently assigned to digging duties.

She raced around Hazzard with her cousins, first in a yellow and black 1974 Plymouth Road Runner ( later on it was a Plymouth Satellite ) and then, from the mid-second season, in her trademark white 1980 Jeep CJ-7 christened " Dixie " with a Golden Eagle emblem on the hood ( and the name " Dixie " on the hood sides ).

She also became acquainted with Frederick Douglass and became an activist for black civil rights.

" She produced visualizations for the Hayden's " Big Bang Theatre " and worked with the Denver Museum of Nature and Science to produce high-resolution data-driven visualizations of terabytes of scientific data for " Black Holes: The Other Side of Infinity ," a digital dome program on black holes.

She explained that if the public came to see her they would wear their best clothes, so she should reciprocate in kind ; Norman Hartnell dressed her in gentle colours and avoided black to represent " the rainbow of hope ".

She and her husband were booed by a crowd of two to three thousand people brandishing sticks and black flags.

She has also been recognized for playing a pivotal role in crossing racial boundaries in the recording industry, where black artists were once considered to be substandard.

She prohibited visitors — including the studio brass — from her sets and demanded that black flats or screens surround her to prevent extras and technicians from watching her.

She also performed for black regiments as the only white member of an acting troupe formed by Hattie McDaniel, which included Lena Horne and Ethel Waters.