High Mannerism: Venus, Cupid, Folly and Time by Bronzino, c. 1545 ; National Gallery | National Gallery, London

Late Mannerism | Mannerist façade of the church of San Giovanni Evangelista, by Simone Moschino ( 1604 ), with sculpture by Giambattista Carra da Bissone

The rhyolitic tuff portal of the " church house " at Colditz Castle, Free State of Saxony | Saxony, designed by Andreas Walther II ( 1584 ), is a clear example of the exuberance of " Antwerp Mannerism "

The subject's elongated proportions, reminiscent of 16th-century Mannerism | Mannerist painters, reflect Ingres's search for the pure form of his model.

The Annunciation from Ohrid, one of the most admired icon s of the Paleologan Mannerism from the Church of Clement of Ohrid | St. Climent.

Terminal figures copied from French and Antwerp 16th-century Mannerism | Mannerist pattern books.

The rhyolitic tuff portal of the " church house " at Colditz Castle, Saxony, designed by Andreas Walther II ( 1584 ), is a clear example of the exuberance of " Antwerp Mannerism ".

# REDIRECT Mannerism

# Redirect Mannerism

# REDIRECT Mannerism

# REDIRECT Mannerism

# REDIRECT Mannerism

# REDIRECT Mannerism

*# St. Bartholomew's parish church with Manneristic, magnificent, architectural tombstone of Stanisław Przyjemski on the north wall of the main nave seems to be the most characteristic example of local Mannerism.

Term figures were a particularly characteristic feature of the 16th-century style in furniture and carved interior decoration that is called Antwerp Mannerism.

Strapwork is a frequent element of grotesques -- arabesque or candelabra figures filled with fantastical creatures, garlands and other elements — which were a frequent decorative motif in 16th century Mannerism, and revived in the 19th century and which may appear on walls — painted, in frescos, carved in wood, or molded in plaster or stucco -- or in graphic work.

But by the 1500s Mannerism had overtaken the Renaissance and it was this style that caught on in Europe.

Muscovite Mannerism: Harrowing of Hell, by Dionisius and his workshop.

In Parmigianino's Madonna with the Long Neck ( 1534-40 ), Mannerism makes itself known by elongated proportions, highly stylized poses, and lack of clear perspective.

English Mannerism: Henry Howard, Earl of Surrey, 1546, a rare English Mannerist portrait by a Flemish immigrant.

Other parts of Northern Europe did not have the advantage of such intense contact with Italian artists, but the Mannerist style made its presence felt through prints and illustrated books, the purchases of Italian works by rulers, and others, artists ' travels to Italy, and the example of individual Italian artists working in the North is called Northern Mannerism.

Tintoretto's Last Supper ( at right ) epitomizes Mannerism by taking Jesus and the table out of the middle of the room.

One of the qualities most admired by his contemporaries was his terribilità, a sense of awe-inspiring grandeur, and it was the attempts of subsequent artists to imitate Michelangelo's impassioned and highly personal style that resulted in Mannerism, the next major movement in Western art after the High Renaissance.

He was soon seen as the ideal model by those disliking the excesses of Mannerism: the opinion ... was generally held in the middle of the sixteenth century that Raphael was the ideal balanced painter, universal in his talent, satisfying all the absolute standards, and obeying all the rules which were supposed to govern the arts, whereas Michelangelo was the eccentric genius, more brilliant than any other artists in his particular field, the drawing of the male nude, but unbalanced and lacking in certain qualities, such as grace and restraint, essential to the great artist.

The most famous of these is the Villa d ' Este, a World Heritage Site, whose construction was started in 1549 by Pirro Ligorio for Cardinal Ippolito II d ' Este and which was richly decorated with an ambitious program of frescoes by famous painters of late Roman Mannerism, such Livio Agresti ( a member of the " Forlì painting school ") or the Zuccari brothers.

As the main panels themselves became more dramatic, during Mannerism, predellas were no longer painted, and they are rare by the middle of the 16th century.

In some ways Eclecticism is reminiscent of Mannerism in that the term was used pejoratively for much of the period of its currency, although, unlike Mannerism, Eclecticism never amounted to a movement or constituted a specific style: it is characterized precisely by the fact that it was not a particular style.

From Fontainebleau, the new styles, transformed by Mannerism, brought the Renaissance to Antwerp and thence throughout Northern Europe.

Extending the general rubric of Renaissance culture, the visual arts of the High Renaissance were marked by a renewed emphasis upon the classical tradition, the expansion of networks of patronage, and a gradual attenuation of figural forms into the style later termed Mannerism.

In the 16th century, from the examples engraved for Sebastiano Serlio's treatise on architecture, caryatids became a fixture in the decorative vocabulary of Northern Mannerism expressed by the Fontainebleau School and the engravers of designs in Antwerp.

His works are characterized by a strong mood invoked by broad gestures and flickering light that create spiritual emotion and are credited with reinvigorating Italian art, especially fresco art, which was subsumed with formalistic Mannerism.

He had an important effect on Dutch art when in 1585 he showed his friend Hendrick Goltzius drawings he had by Bartholomeus Spranger, then the leading artist of Northern Mannerism, who was based in Prague as Rudolf's court artist.

His Trattato dell ' arte della pittura, scoltura et architettura ( Milan, 1584 ) is in part a guide to contemporary concepts of decorum, which the Renaissance inherited in part from Antiquity but Mannerism elaborated upon.

When Mannerism matured after 1520 ( The year Raphael died ), all the representational problems had been solved.

Baroque Art is less complex, more realistic and more emotionally affecting than Mannerism.

During the Counter-Reformation, the Roman Catholic Church searched for religious art with which to counter the threat of Protestantism, and for this task the artificial conventions of Mannerism, which had ruled art for almost a century, no longer seemed adequate.

Despite this, his influence on the new Baroque style that eventually emerged from the ruins of Mannerism was profound.

Unconventional as a draughtsman, his treatment of human form is often exaggerated and eccentric ( hence his linkage, in the art historical literature, with European Mannerism ), whilst his ornamental style — profuse, eclectic, and akin to the self-consciously " German " strain of contemporary limewood sculptors — is equally distinctive.

In the last half of the 14th century, Paleologan saints were painted in an exaggerated manner, very slim and in contorted positions, that is, in a style known as the Paleologan Mannerism, of which Ochrid's Annunciation is a superb example.

Mannerism is a period of European art that emerged from the later years of the Italian High Renaissance around 1520.

It lasted until about 1580 in Italy, when a more Baroque style began to replace it, but Northern Mannerism continued into the early 17th century throughout much of Europe.

Depending on the historical account, Mannerism developed between 1510 and 1520 in either Florence, Rome, or both cities.

The earliest experimental phase of Mannerism, known for its " anti-classical " forms, lasted until about 1540 or 1550.

Hall, professor of art history at Temple University, notes in her book ' After Raphael ' Raphael's premature death marked the beginning of Mannerism in Rome.

Michelangelo was one of the great creative exponents of Mannerism.

Indeed, Michelangelo himself displayed tendencies towards Mannerism, notably in his vestibule to the Laurentian Library, in the figures on his Medici tombs, and above all in his Last Judgment.

The second period of Mannerism is commonly differentiated from the earlier, so-called " anti-classical " phase.

Mannerism as a stylistic category is less frequently applied to English visual and decorative arts, where local categories such as " Elizabethan " and " Jacobean " are more common.

Seventeenth-century Artisan Mannerism is one exception applied to architecture that relies on pattern books rather than direct precedents in Continental Europe.

El Greco attempted to express the religious tension with exaggerated Mannerism.