The first ' modern ' publication of Alcaeus ' verses appeared in a Greek and Latin edition of fragments collected from the canonic nine lyrical poets by Michael Neander, published at Basle in 1556.

His disputations prior to his becoming a Franciscan cover over 1, 600 pages in their modern edition.

Originally published in modern Hebrew, with a running commentary to facilitate learning, his Steinzaltz edition of the Talmud has also been translated into English, French, Russian and Spanish.

The spelling and names in both the 1609 – 1610 Douay Old Testament ( and in the 1582 Rheims New Testament ) and the 1749 revision by Bishop Challoner ( the edition currently in print used by many Catholics, and the source of traditional Catholic spellings in English ) and in the Septuagint ( an ancient translation of the Old Testament in to Greek, which is widely used by the Eastern Orthodox instead of the Masoretic text ) differ from those spellings and names used in modern editions which are derived from the Hebrew Masoretic text.

The Roman Breviary has undergone several revisions: The most remarkable of these is that by Francis Quignonez, cardinal of Santa Croce in Gerusalemme ( 1536 ), which, though not accepted by Rome ( it was approved by Clement VII and Paul III, and permitted as a substitute for the unrevised Breviary, until Pius V in 1568 excluded it as too short and too modern, and issued a reformed edition ( Breviarium Pianum, Pian Breviary ) of the old Breviary ), formed the model for the still more thorough reform made in 1549 by the Church of England, whose daily morning and evening services are but a condensation and simplification of the Breviary offices.

It was superseded by section 132 of the modern LDS edition, which contains a revelation received by Joseph Smith on eternal marriage and teaches the doctrine of plural marriage.

The numbers of the sections and versification differ from the edition published by The Church of Jesus Christ of Latter-day Saints and both modern editions differ from the original 1835 edition numeration.

In the 1929 edition of Encyclopedia Britannica he published what was then the most authoritative classification of Native American languages, and the first based on evidence from modern comparative linguistics.

This became the ' standard edition ' for the future and it featured some of the literary conventions that modern readers expectthere was still no spacing between words, little or no punctuation and no stage directions, but abbreviated names now denoted changes of speaker, lyrics are broken into ' cola ' and ' strophai ' or lines and stanzas, and a system of accentuation was introduced.

* The first modern Parallel Greek New Testament, using Erasmus ' 1522 edition ( used by Tyndale and the King James writers ).

Works printed from a single plate create an edition, in modern times usually each signed and numbered to form a limited edition.

Upon release of a special 10th Anniversary edition of Lost Souls, Publishers Weekly — the same periodical that criticized the novel's " amorality " a decade prior — deemed it a " modern horror classic " and acknowledged that Brite established a " cult audience.

* Otto Müller Verlag Salzburg 1969: Hildegard von Bingen: Lieder ( modern edition in adapted square notation )

Italian literature's first modern novel, I Promessi Sposi ( The Betrothed ), by Alessandro Manzoni, further defined the standard by " rinsing " his Milanese " in the waters of the Arno " ( Florence's river ), as he states in the Preface to his 1840 edition.

The modern interpretation, following that of Louis Duchesne, who compiled the major scholarly edition, is that the Liber Pontificalis was gradually and unsystematically compiled, and that the authorship is impossible to determine, with a few exceptions ( e. g. the biography of Pope Stephen II ( 752 – 757 ) to papal " Primicerius " Christopher ; the biographies of Pope Nicholas I and Pope Adrian II ( 867 – 872 ) to Anastasius ).

These revisions, which since the Clarendon edition of 1869 have been assumed to include all of Act III, scene v, and a portion of Act IV, scene I, are often indicated in modern texts.

His edition of Euclid in 1543, the first translation of the Elements into any modern European language, was especially significant.

The first edition of the Vocabolario degli Accademici della Crusca, which is the first great dictionary devoted to a modern European language ( Italian ), was published in 1612 ; the first edition of Dictionnaire de l ' Académie française dates from 1694.

A bibliography of first edition publications ( and modern editions where they ease understanding ) of proverb collections:

There is a modern edition ( and translation into German ) by Lothar Mundt, Rudolf Agricola.

The standard modern edition of Icelandic sagas is known as Íslenzk Fornrit.

There have been critical editions of particular tractates ( e. g. Henry Malter's edition of Ta ' anit ), but there is no modern critical edition of the whole Talmud.

This is the only case in modern history of a people of Britannic origin submitting without continued struggle to what they view as foreign domination.

While sovereignty has roots in antiquity, in its present usage it is essentially modern.

Neither is primary experience understood according to the attitude of modern empiricism in which nothing is thought to be received other than signals of sensory qualities producing their responses in the appropriate sense organs.

Shakespeare's Shylock, too, is of dubious value in the modern world.

But a modern Oedipus who is doomed because he cannot oppose his own childhood is only pathetic, and for renouncing the mystery in favor of psychological truth he gives up the claim on our sympathies.

A characteristic expression of such concern and inquiry is found in Joseph P. Lyford's Introduction To The Agreeable Autocracies, a recent paperback study of the institutions of modern democratic society.

The men who speculate on these institutions have, for the most part, come to at least one common conclusion: that many of the great enterprises and associations around which our democracy is formed are in themselves autocratic in nature, and possessed of power which can be used to frustrate the citizen who is trying to assert his individuality in the modern world ''.

As Sandburg said at the time: `` It is as ancient as the medieval European ballads brought to the Appalachian Mountains, it is as modern as skyscrapers, the Volstead Act, and the latest oil well gusher ''.

Here we may observe that at least one modern philosophy of history is built on the assumption that ideas are the primary objectives of the historian's research.

The Chicago contingent of modern critics follow Aristotle so far in this direction that it is hard to see how they can compare one poem with another for the purpose of evaluation.

Diplomatic is another area for which the dawn of the twentieth century marks the beginning of modern standards of scholarship.

This is certainly an irrational dogmatism, in which the modern mind attempts to understand the spirit of the sixteenth century on twentieth-century terms.

Rexroth is a longtime jazz buff, a name-dropper of jazz heroes, and a student of traditional as well as modern jazz.

In addition to his experiments in reading poetry to jazz, Patchen is beginning to use the figure of the modern jazz musician as a myth hero in the same way he used the figure of the private detective a decade ago.

This angry and exasperated stance which Patchen has maintained in his poetry for almost fifteen years has been successfully modulated into a kind of woe that is as effective as anger and still expresses his disapproval of the modern world.

But the firm has recognized the tight dollar and the tourist's desire to visit the `` smaller, less-traveled and relatively inexpensive countries '', and is now prepared to teach modern Greek and Portuguese through recordings.

Perhaps there is more truth than we are wont to admit in the conviction of that ornament of Tarheelia, Robert Ruark's grandfather, who was persuaded that the great curse of the modern world is `` all this gallivantin' ''.

The possibility of recall into the Army is part of the price that a modern American has to pay for the enviable heritage of liberty which he enjoys.

Under modern conditions, this is especially true of the ready reserve.

However, its modern one-story layout is designed to increase our production capacity, permit more efficient manufacturing, and substantially reduce current repair and maintenance costs.