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Page "Music of Texas" ¶ 17
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They and were
They crawled through the north fence and came on toward him, and now he saw that both were young, not more than nineteen or twenty.
They were dirty, their clothes were torn, and the girl was so exhausted that she fell when she was still twenty feet from the front door.
They were running from something.
They were a pair of lost, whipped kids, Morgan thought as he went to bed.
They passed ranches that were framed dark gray against the black hills.
They were tethered, army style, on stable lines.
They bawled questions that were not answered in the uproar.
They were about a mile off ; ;
They weren't sleeping, of course, but they thought they were doing him a favor by pretending.
They expected greater things from him, regardless of how trying the circumstances, and they were disappointed.
They were going to town, and they were both excited.
They were free.
They were in a fight, outweighed in both numbers and money.
They were sitting on their heels, rider-fashion, over by the still empty calf wagon.
They were considering it gravely, neither seeming to like what he planned.
They were silent for a little while, each looking glum.
They were all good men.
They were headed straight for each other on a collision course.
`` They were supposed to meet Thor at nine PM for a conference concerning the ad campaign for their soap, a new angle based on this SX-21 stuff ''.
They were married over the week-end, though he was easily sixty and she could not have been even thirty.
They were west of the Sabine, but only God knew where.
They were engulfed by the weird silence, broken only by the low, angry murmur of the river.
They were already swollen to bursting.

They and psychedelic
They continued the psychedelic theme later in the year with the double EP Magical Mystery Tour and the number one single " Hello, Goodbye " with its B-side " I Am The Walrus ".
They used alternative arts, street theatre, folk music, and psychedelic rock as a part of their lifestyle and as a way of expressing their feelings, their protests and their vision of the world and life.
They experience a psychedelic bad trip infused with Catholic prayer, represented through quick edits, sound effects, and over-exposed film.
They both went on to play in the Band of Joy, merging blues with newer psychedelic trends.
They began as a psychedelic rock group whose early singles were influenced by The Beatles, and diversified their sound through the use of instruments such as keyboards like the Mellotron, reed instruments, and by incorporating jazz and improvisational techniques in their music.
They would illuminate the stage with some cheap, old optokinetic disco light-show equipment which they had acquired, providing a psychedelic backdrop.
They produced " some of the most visceral and psychedelic music of all time ... and set a sonic template that influenced a generation, inspiring countless bands " ( Julian Woolsey, Rock Edition ).
They were at the forefront of the psychedelic music trend, beginning as early as 1966.
They originally starting out as a four-piece live psychedelic funk outfit with heavy George Clinton influences.
They released their debut single ' Love Makes Sweet Music ' / ' Feelin ' Reelin ', Squeelin ' in February 1967, making it one of the first recordings from the new British psychedelic movement.
They are producers of psychedelic trance music and hail from Hamburg, Germany.
They drew from various influences, particularly Yellow Magic Orchestra ( active since the late 1970s ), an electronic music group frequently cited as a pioneer of ambient house music, in addition to influences from Steve Reich, Brian Eno, reggae music, and 1970s psychedelic rock, including Pink Floyd.
They created dream-like soundscapes along with psychedelic walls of sound, and are regarded as precursors of contemporary world music, as well of new age music and ambient music.
* John Linnell of They Might Be Giants uses both a KP2 and KP3 in live performances and in a psychedelic improvisation feature he refers to as " The Future of Sound.
They both incorporate subtle jazz harmonies in their playing enriching the psychedelic passages on the album.
They distinguished themselves as interpreters of songs by other artists and in particular of 1960s psychedelic rock songs, although they also covered occasional oddities like " Bedazzled " by Dudley Moore.
They classified five levels of psychedelic experience.
They moved into psychedelic mode with their final single offering " 3. 30 " with lavish orchestration and harpsichords aplenty.
They also released a single out of this album-China. Mystica plays a combination of psychedelic and classic trance with elements of folk and rock. All 3 band members come from the town Ashdod in the south of Israel.
They have been doing a bunch of theme oriented gigs / festival that where created by them called Viernes Verdes ( Green Fridays ) that has had 10 editions so far and it takes place in Buenos Aires's main theaters, the band plays while there are psychedelic projections in the background which gain such importance as the band itself.
They have described their music using the term " maximum acid ", combining a heavy metal sound with psychedelic rock influences.
They only broke through at the end of 1967 with the psychedelic " Kites ", a Top 10 hit in the UK Singles Chart.
They are generally considered part of the Japanese psychedelic music scene alongside bands like Ghost and Acid Mothers Temple.
They produced and distributed drugs in hopes of starting a psychedelic revolution in the United States.

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