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They and were
They crawled through the north fence and came on toward him, and now he saw that both were young, not more than nineteen or twenty.
They were dirty, their clothes were torn, and the girl was so exhausted that she fell when she was still twenty feet from the front door.
They were running from something.
They were a pair of lost, whipped kids, Morgan thought as he went to bed.
They passed ranches that were framed dark gray against the black hills.
They were tethered, army style, on stable lines.
They bawled questions that were not answered in the uproar.
They were about a mile off ; ;
They weren't sleeping, of course, but they thought they were doing him a favor by pretending.
They expected greater things from him, regardless of how trying the circumstances, and they were disappointed.
They were going to town, and they were both excited.
They were free.
They were in a fight, outweighed in both numbers and money.
They were sitting on their heels, rider-fashion, over by the still empty calf wagon.
They were considering it gravely, neither seeming to like what he planned.
They were silent for a little while, each looking glum.
They were all good men.
They were headed straight for each other on a collision course.
`` They were supposed to meet Thor at nine PM for a conference concerning the ad campaign for their soap, a new angle based on this SX-21 stuff ''.
They were married over the week-end, though he was easily sixty and she could not have been even thirty.
They were west of the Sabine, but only God knew where.
They were engulfed by the weird silence, broken only by the low, angry murmur of the river.
They were already swollen to bursting.

They and forerunners
They are the natural forerunners of my later works, and only those who understand and comprehend these will be able to gain an understanding of the later works that goes beyond a fashionable bare minimum.
They were the forerunners of modern bunker-busting bombs.
The authors discuss similarities with teeth of galesaurids ( something like forerunners of the eucynodonts ), Cynognathus, chiniquodontids, teitheledontids, dromatheriids and various other small cynodonts of the European Upper Triassic ; They are all carnivores of one size or another.
They also appear to be forerunners of the Rusalki.
" They are considered major forerunners of the new jack swing movement.
They were forerunners of the modern Combat engineering vehicle and were named after their commander, Major General Percy Hobart.
They were forerunners of the BR Second Generation electric multiple unit fleet.
They, in turn, are usually seen as the forerunners of Yiddish theater.
They were the forerunners of today's senior citizens clubs.
They are clearly the forerunners and founders of the " Knights " of later Arab history.

They and post-punk
They influenced some early punk and post-punk bands, among them the Ramones and The Cult.
They were originally associated with the punk rock scene, appearing on the Live at the Roxy WC2 album — a key early document of the scene — and were later central to the development of post-punk.
They influenced numerous post-disco and post-punk music groups of the 1980s and 1990s.
They were variously characterised as part of a garage rock, New Wave or post-punk revival.
They were the first band of the post-punk era to have a synthesizer-based hit, with their single " Are ' Friends ' Electric?
He appeared on absurdist post-punk band They Might be Giants ' 1994 album John Henry, and he also worked with pop songwriters / singers Lloyd Cole and Matthew Sweet during this period.
They sounded at times like post-punk / dance group New Order, and a summation of this stage of their career can be found on their first studio album, Where It Is, which is a compilation of previously released material, consisting of singles and related B-Sides, pressed onto one individual long playing work.
They released a single on the recently formed 415 Records before recording their debut album, which has been deemed a " masterpiece of American post-punk ".
They formed one with Woods and Derrah a few weeks later, drawing inspiration from the " burgeoning local punk and post-punk scenes ".
They were post-punk, similar to Josef K or The Fall.
They were variously characterised as part of a garage rock, post-punk or New Wave revival.
They put out one percussive post-punk album, Mad Orphan ( 109 Records ), in 1988.
They were also influenced by various post-punk and gothic rock bands, including Public Image Ltd., Bauhaus, Joy Division, and especially Killing Joke.
They started to use elements of the traditional Macedonian folklore and Byzantine music blended with post-punk, darkwave and gothic rock.
They came to some prominence with a sound consisting largely of post-punk, spacious guitar hooks and dance-orientated beats, and have been compared to The Cure, and New Order / Joy Division.
They are one of the city's best remembered post-punk groups.
They were not, however, easy to fit into the spectrum of post-punk music.
They were variously characterised as part of a garage rock, New Wave or post-punk revival.

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