Today the altarpiece is dismantled and the predellas depicting the two final scenes, Entombment and Resurrection were sold to Kunsthistorisches Museum in Vienna in 1923 and 1930.

From 1586 is his altarpiece of the Madonna with Child and Saints, in the National Gallery of Parma.

Baldung's most sustained effort is the altarpiece of Freiburg, where the Coronation of the Virgin, and the Twelve Apostles, the Annunciation, Visitation, Nativity and Flight into Egypt, and the Crucifixion, with portraits of donors, are executed with some of that fanciful power that Martin Schongauer bequeathed to the Swabian school.

The altarpiece by Girolamo Mazzola Bedoli is now in the National Gallery of Parma.

The San Giovenale altarpiece was only discovered in 1961 in the church of San Giovenale at Cascia di Reggello, which is very close to Masaccio's hometown.

The central panel of the altarpiece ( The Madonna and Child ) is now in the National Gallery, London.

He is best known for the altarpiece in St. Mary's Basilica in Kraków, Poland.

An inscription on the altarpiece, presumably composed by Jan, credits Hubert with the inspiration and major role in the work, but today this is often regarded as overgenerous.

Its altarpiece is Annunciation by Cipriani.

One of his last works is the altarpiece, completed after his death by Lucas Cranach the Younger in 1555, for the Stadtkirche ( city church ) at Weimar.

Inside is an altarpiece by Gregorio Fernandez.

An altarpiece depicting the Adoration of the Magi ( 1748 – 50 ) is the work of Franz Anton Maulbertsch.

The altarpiece is truly one of Denmark's national treasures.

Keldby Church has a unique altarpiece and is also richly decorated with frescos.

The altarpiece of the Bielefeld church Neustädter Marienkirche from around 1400 is among the most prominent masterpieces of artwork of the German Middle Ages.

It is now widely believed that these three fragments came from the same large altarpiece depicting the ' Virgin and Child with Saints ', partly recorded in a later drawing now in Stockholm.

Nothing seems more natural than the conjunction of his name with that of Memling as the author of an altarpiece, since, though Memling's youth remains obscure, it is clear from the style of his manhood that he was taught in the painting-room of Van der Weyden.

The clearest evidence of the connection of the two masters is that afforded by pictures, particularly an altarpiece, which has alternately been assigned to each of them, and which may be due to their joint labours.

In this altarpiece, which is a triptych ordered for a patron of the house of Sforza, we find the style of Van der Weyden in the central panel of the Crucifixion, and that of Memling in the episodes on the wings.

Its main altarpiece is 30 meters high and divided in compartments of different sizes where are find bronze sculptures and canvas authored by Tibaldi, Zuccari or Leoni.

It is divided into three horizontal and three vertical levels marked off by pairs of Solomonic columns and meant to resemble an altarpiece.

The facade of the main church is Baroque with Salomonic columns heavily decorated in stucco forms to mimic an altarpiece.

The main facade of this church is designed as an altarpiece with two levels, a central bell tower and Tuscan columns and pilasters.

Church of San Felipe Neri The Church of San Felipe Neri is considered a classic example of Baroque with estipite ( inverted truncated pyramid ) columns from the end of the 18th century, and has a large gilded main altarpiece.

On November 26, 1510 Pier Soderini commissioned him an altarpiece for the Sala del Consiglio of Florence, now in the Museum of San Marco.

In 1514 he probably finished three tondos for the entrance of the church of Sant ' Andrea in Mantua, and then returned to Correggio: here, as an independent and increasingly renowned artist, he signed a contract for the Madonna altarpiece in the local monastery of St. Francis ( now in the Dresden Gemäldegalerie ).

Examples of his history pictures are The Pool of Bethesda and The Good Samaritan, executed in 1736 – 1737 for St Bartholomew's Hospital ; Moses brought before Pharaoh's Daughter, painted for the Foundling Hospital ( 1747, formerly at the Thomas Coram Foundation for Children, now in the Foundling Museum ); Paul before Felix ( 1748 ) at Lincoln's Inn ; and his altarpiece for St. Mary Redcliffe, Bristol ( 1756 ).

In 1655, the Franciscan Order of Reggio paid him 300 ducats for the altarpiece of Saint Luke Displaying a Painting of the Madonna and Child ( now in Nelson-Atkins Museum of Art, Kansas City ).

The Utraquist churches had retained the use of relics and images in church, but Scultetus now launched an iconoclastic crusade against images: beginning on 21 December 1619, images were removed from St. Vitus Cathedral, and on 27 – 28 December, a famous altarpiece by Lucas Cranach the Younger depicting the Virgin Mary was destroyed.

The Triptych of the Virgin or Miraflores altarpiece, now in Berlin, was given in 1445 to the Charterhouse of Miraflores near Burgos by John II of Castile ; it was described in the deed of gift as the work of great and famous Flandresco Rogel.

The altarpiece from the Sassetti chapel, the Adoration of the Shepherds, is now in the Florentine Accademia.

Yepes mentioned that there was an altarpiece, now lost, in the chapel of the Holy Child of La Guardia in the town, which Alonso de Fonseca, archbishop of Toledo, had ordered to be painted, representing the scenes of the abduction, prosecution, scourging and crucifixion of the child, as well as the apprehension and execution of his murderers.

In the same years Piero di Francesco del Pugliese asked him to paint the altarpiece with Apparition of the Virgin to St. Bernard, now in the Badia Fiorentina, Florence.

His first work, now lost, was an altarpiece for the church of Santa Sofia in 1448.

Among the other early Mantegna frescoes are the two saints over the entrance porch of the church of Sant ' Antonio in Padua, 1452, and an altarpiece of St. Luke and other saints ( at left ) for the church of S. Giustina, now in the Brera Gallery in Milan ( 1453 ).

On 6 August 1420 he was in Florence, where he painted his famous altarpiece depicting the Adoration of the Magi ( 1423 ), now in the Uffizi and regarded as one of the masterpieces of the International Gothic style.

Predella scenes are now often separated from the rest of the altarpiece in museums.

Dated to about 1428, the altarpiece ( now in the Cloisters of the Metropolitan Museum ) is permeated with loving attention to details and realism.

St Paul's Church, in the Jewellery Quarter, Birmingham, has an important enamelled stained glass east window made in 1791 by Francis Eginton, modelled on an altarpiece painted c. 1786 by West, now in the Dallas Museum of Art.

In the 1470s he commissioned the Donne Triptych, an triptych altarpiece by Hans Memling now in the National Gallery, London.

Christ and the Virgin in the House at Nazareth, c. 1631 – 1640, Cleveland Museum of ArtIn 1627 he painted the great altarpiece of St. Thomas Aquinas, now in the Museum of Fine Arts of Seville ; it was executed for the church of the college of that saint there.

His most noted paintings include Circumcision, formerly the high altarpiece in the church of the Gesù ( although now removed to a corridor behind the sacristy ), paintings for three chapels in Santa Maria in Aracoeli, and St Jerome preaching to Monks in the Desert in Santa Maria degli Angeli.

One of these, the altarpiece representing St Thomas receiving the Girdle of the Virgin, is now in the Lateran Museum and shows the affinity of Benozzo's early style to Angelico's.

Trevi's main museum is the Museo S. Francesco, attached to the Gothic church of that name, now secularized ; it contains some slight Roman lapidary material, but a more important collection of Umbrian painting from the late Middle Ages through the 17th century: the main work is the Coronation of the Virgin altarpiece by Lo Spagna, originally in San Martino.