The true artist is like one of those scientists who, from a single bone can reconstruct an animal's entire body.

If the circumstances are faced frankly it is not reasonable to expect this to be true.

That is particularly true of sovereignty when it is applied to democratic societies, in which `` popular '' sovereignty is said to exist, and in federal nations, in which the jobs of government are split.

On Fridays, the day when many Persians relax with poetry, talk, and a samovar, people do not, it is true, stream into Chehel Sotun -- a pavilion and garden built by Shah Abbas 2, in the seventeenth century -- but they do retire into hundreds of pavilions throughout the city and up the river valley, which are smaller, more humble copies of the former.

The resulting picture might appear a maze of restless confusions and contradictions, but it is more true to life than a portrait of an artificially contrived order.

`` What is more true than anything else??

To swim is true, and to sink is true.

One is not more true than the other.

that is, he is suspect, guilty, punishable, as is anyone in Mann's stories who produces illusion, and this is true even though the constant elements of the artist-nature, technique, magic, guilt and suffering, are divided in this story between Jacoby and Lautner.

A broader concept of imitation is needed, one which acknowledges that true invention is important, that the artist's creativity in part transcends the non-artistic causal factors out of which it arises.

It is true that New England, more than any other section, was dedicated to education from the start.

`` The man's true reputation is his work ''.

Though it centers around the brilliant and enigmatic figure of Charles 12,, the true hero is not finally the king himself.

Of few authors is this more true than of Heidenstam.

it is true that they are also extremely dull.

Years ago this was true, but with the replacement of wires or runners by radio and radar ( and perhaps television ), these restrictions have disappeared and now again too much is heard.

`` The main bunch is outside, but there are some over there inside the wall ''.

While the pattern is uneven, some having gained more than others, nationalism has in fact served the Western peoples well.

It is perhaps difficult to conceive, but imagine that tonight on London bridge the Teddy boys of the East End will gather to sing Marlowe, Herrick, Shakespeare, and perhaps some lyrics of their own.

An approach that has appealed to some choreographers is reminiscent of Charles Olson's statement of the process of projective verse: `` one perception must immediately and directly lead to a further perception ''.

He must construct transitions so that a dancer who is told to lie prone one second and to leap wildly the next will have some physical preparation for the leap.

To my knowledge, Lincoln remains the only Head of State and Commander-in-Chief who, while fighting a fearful war whose issue was in doubt, proved man enough to say this publicly -- to give his foe the benefit of the fact that in all human truth there is some error, and in all our error, some truth.

For the family is the simplest example of just such a unit, composed of people, which gives us both some immunity from, and a way of dealing with, other people.

Yet often fear persists because, even with the most rigid ritual, one is never quite free from the uneasy feeling that one might make some mistake or that in every previous execution one had been unaware of the really decisive act.

This almost trivial example is nevertheless suggestive, for there are some elements in common between the antique fear that the days would get shorter and shorter and our present fear of war.

Even in domains where detailed and predictive understanding is still lacking, but where some explanations are possible, as with lightning and weather and earthquakes, the appropriate kind of human action has been more adequately indicated.

In some areas, the progress is slower than in others.

Though sex in some form or other enters into all human activity and it was a good thing that Freud emphasized this aspect of human nature, it is fantastic to explain everything in terms of sex.

And the life they lead is undisciplined and for the most part unproductive, even though they make a fetish of devoting themselves to some creative pursuit -- writing, painting, music.

It is worth dwelling in some detail on the crisis of this story, because it brings together a number of characteristic elements and makes of them a curious, riddling compound obscurely but centrally significant for Mann's work.

But the highroad, according to the description of its traffic, belongs to life as it is lived in unawareness of death, while the way to the churchyard belongs to some other sort of life: a suffering form, an existence wholly comprised in the awareness of death.

His name is Praisegod Piepsam, and he is rather fully described as to his clothing and physiognomy in a way which relates him to a sinister type in the author's repertory -- he is a forerunner of those enigmatic strangers in `` Death In Venice '', for example, who represent some combination of cadaver, exotic, and psychopomp.

These desires presuppose a sense of causally efficacious powers in which one is involved, some working for one's good, others threatening ill.

It will readily be seen that in this suggested network ( not materially different from some of the networks in vogue today ) greater emphasis on monitoring is implied than is usually put into practice.

Merely having a mental image of some sort is not the all-important consideration.

There is probably some significance in the fact that two of the best incest stories I have encountered in recent years are burlesques of the incest myth.

His denials of extensive reading notwithstanding, it is no doubt safe to assume that he has spent time schooling himself in Southern history and that he has gained some acquaintance with the chief literary authors who have lived in the South or have written about the South.

But the most fundamental objection he has to poets appears in the Tenth Book, and it is derived from his doctrine of ideal forms.

In Plato's mind there is an irresolvable conflict between the poet and the philosopher, because the poet imitates only particular objects and is incapable of rising to the first level of abstraction, much less the highest level of ideal forms.

It is this larger theme of the `` quality of man '', a quality that transcends the ideological and flows into `` the human '', which now forms the pulsating heart of Malraux's artistic universe.

Lawrence Ferlenghetti and Bruce Lippincott have concentrated on writing a new poetry for reading with jazz that is very closely related to both the musical forms of jazz, and the vocabulary of the musician.

This is being done both by the revaluation of real property and by seeking out forms of personal property hitherto neglected or ignored.

The service is brief and variety in forms of worship is practiced.

It is possible that certain mutational forms may be produced such as antibiotic resistant strains.

The importance of knowing in what chemical forms the hormone may exist is accentuated by the recent observation that there exists an abnormally long-acting TSH in blood drawn from many thyrotoxic patients ( Adams, 1958 ).

Of all the possible forms of nonverbal expression, that which seems best to give release, and communicational expression, to complex and undifferentiated feelings is laughter.

in working with these patients the therapist eventually gets to do some at least private mulling over of the possible meaning of a belch, or the passage of flatus, not only because he is reduced to this for lack of anything else to analyze, but also because he learns that even these animal-like sounds constitute forms of communication in which, from time to time, quite different things are being said, long before the patient can become sufficiently aware of these, as distinct feelings and concepts, to say them in words.

We accomplish this by compiling a list of text forms as text is read by the computer.

The dictionary is a form dictionary, at least in the sense that complete forms are used as the basis for matching text occurrences with dictionary entries.

Also, the dictionary is divided into at least two parts: the list of dictionary forms and the file of information that pertains to these forms.

The first is compiling a list of text forms, assigning an information cell to each, and replacing text occurrences with the information cell assigned to the form of each occurrence.

For this step the computer memory is separated into three regions: cells in the W-region are used for storage of the forms in the text-form list ; ;

When, as in this case, the two forms match, the address Af is saved to represent the occurrence Af.

Text reading is terminated when a pre-determined number of forms have been stored in the text-form list.

The number of dictionary forms skipped since the last one matched is also saved.

If each text form is marked when matched with a dictionary form, the text forms not contained in the dictionary can be identified when all dictionary forms have been read.

The dictionary form is compared with each of these text forms.

The order is identical to the ordering of the forms they describe.