Ueda also cited Lemmings, Flashback and the original Prince of Persia games as influences, specifically regarding animation and gameplay style.

Sakaiminato was also where the photographer Shōji Ueda was born and ran a studio.

Just after the noon unofficial meeting was held in the Palace by Araki, Mazaki, Hayashi, and also other members of the Supreme War Council Abe Nobuyuki, Ueda Kenkichi, Terauchi Hisaichi, Nishi Giichi, Prince Asaka Yasuhiko, Prince Nashimoto Morimasa, and Prince Higashikuni Naruhiko.

Taking the fire as opportunity to leave the business world, Ueda began studying medicine under Tsuga Teishō, who in addition to teaching Ueda to be a doctor also taught him about colloquial Chinese fiction.

Some argue that Ueda also worked out this conflict in stories such as Tales of Moonlight and Rain by beginning his stories grounded on Chinese stories and moral and intellectual discourses and that he then foregrounded a Japanese sensibility by calling on supernatural elements and having his characters feel deep emotion ( as opposed to Chinese reliance on the intellect ).

The track that Miina and her childhood friend run on is said to be in Ueda, Nagano, also on the Nagano Shinkansen and Shinano Railway lines just south of Nagano City.

Rose of Versailles has also been dramatized for Takarazuka Revue by Shinji Ueda.

It also seriously injured Kenkichi Ueda, Division 9 commander of the Japanese Imperial Army,, Japanese Consul-General in Shanghai, and Shigemitsu Mamoru, Japanese Envoy in Shanghai.

She was also the character " Hiromi Ueda " in the 1995 TV series Kimi To Deatte Kara.

** Ueda also voices Barriered ( named Mr. Mime and voiced by Kayzie Rogers in the English adaption ), a Pokémon who serves Hanako / Delia.

" Heartbeat ~ Perfect Harmony ~") primarily by Asumi Nakata, Hitomi Terakado, Mayumi Asano, and Ema Kogure ( second version includes Satomi Arai and Ryoko Nagata ; third version also includes Kana Ueda )

It was directed by Fumito Ueda and developed at SCEI's International Production Studio 1, also known as Team Ico ; the same development team responsible for the cult hit Ico.

Though limiting the presence of enemies to only bosses was partly intended to differentiate the game from others, Ueda also expressed that it was to ensure that the programmers ' focus was entirely on the colossi so that their quality would be as high as possible.

Voiced by Miyuki Ueda, who also played as the voice of Chizuru Nanbara in Combattler V, as Erika in the Daimos series, and as Marie Antoinette in Rose of Versailles ; the latter was another series on which Nagahama, the creator of Voltes V, was one of the contributing directors.

Ueda commented that he purposely tried to distance Ico from conventional video games due to the negative image that video games were receiving at that time, in order to draw more people to the title.

Ueda wished the game to have a unique presentation and change how both players and developers perceived the idea of what bosses should be in video games.

It was designed and directed by Fumito Ueda, who wanted to create a minimalist game around a " boy meets girl " concept.

With the help of an assistant, Ueda created an animation in Lightwave to get a feel for the final game and to better convey his vision.

Ueda began working with producer Kenji Kaido in 1998 to develop the idea and bring the game to the PlayStation.

On reflection, Ueda noted that the subtracting design may have taken too much out of the game, and did not go to as great an extreme with Shadow of the Colossus.

Ueda opted not to provide the translation for Yorda's words as it would have overcome the language barrier between Ico and Yorda, and detracted from the " holding hands " concept of the game.

Ueda has stated that " the essence of the game is rather close to Ico ".

* In an issue of Official U. S. PlayStation Magazine, Japanese game designer Fumito Ueda cited Another World as an influence for his creation of Ico for the PlayStation 2.

At the last game of the year, manager Toshiharu Ueda delivered a farewell address at the post-game ceremony.

Kenji Kaido, producer of the game, and Fumito Ueda, lead designer of the game at Art Futura 2005

All elements of the game — including audio, gameplay and visuals — were used to achieve an atmosphere of a " lonely hero ", which Ueda considered important in the development of the game.

The game was programmed by Hideo Ueda.

Lead developer Fumito Ueda came up with the concept for Ico in 1997, envisioning a " boy meets girl " story where the two main characters would hold hands during their adventure, forming a bond between them without communication.

Ueda believed this version had too much detail for the graphics engine they had developed, and as part of the " subtracting design ", replaced the warriors with the shadow creatures.

Ueda purposely left the ending vague, not stating whether Yorda was alive, whether she would travel with Ico, or if it was simply the protagonist's dream.

A film adaption of Ico may come about based on the success of the adaptation of Shadow of the Colossus being created by Misher Films in conjunction with Sony and Fumito Ueda.

Ueda, when asked about the connection between the two games, stated that Shadow of the Colossus is a prequel to Ico, specifically citing the ending of Shadow where a child is born with two horns.

In 1908 he was one of the founding members of the literary circle, through which he became acquainted with Kafū Nagai, Rokuzan Ogiwara, Kaoru Osanai, Kōtarō Takamura, Jun ' ichirō Tanizaki, Bin Ueda and other noted figures in the Japanese literary and artistic world.

In 1989 Kenji Ueda, bassist for Kenzi & The Trips, left the band with former Kenzi's drummer Sninichiro Sato and invited The Coin Locker Babies vocalist Sawao Yamanaka to form a new band.

Shortly after the release of White Incarnation, Ueda left the pillows due to disagreements with other members and musical differences.

In 1994 the pillows changed to King Records and with Ueda no longer in the band to combat Sawao's eccentric diversity and rapidly changing musical interests, the pillows ' style started drifting away from their style of eclectic pop rock, and the band wildly experimented between varying genres ; during this time, the band's style of music could best be described as jazz, but with the ever-present sixties pop rock influence.

Before the duel with Denshichirō begins, Ueda draws a matchlock pistol on Musashi, who dispatches his weapon.

Ueda Ryōhei, now head of the Yoshioka clan and hell-bent on vengeance, plans to ambush Musashi with all seventy Yoshioka members when Musashi attempts to leave Kyoto.

He spies the Yoshioka amassing under the same great pine as where Musashi had his confrontation with Ueda Ryōhei.

It is twinned with Ueda, Nagano.

After 87 years, Ueda was merged with the towns of Maruko and Sanada, and the village of Takeshi, all from Chiisagata District, to form the new city of Ueda.

Masaaki Ueda argued that " Himiko's was a despotic state with a generalized slave system " ( Farris 1998: 21 ), while Mitsusada Inoue idealized Yamatai as a " balance of small states " with communal property and popular political expression.

* Ueda, Makoto, Modern Japanese Poets and the Nature of Literature, Stanford University Press © 1983 ISBN 0-8047-1166-6 Takuboku is one of the eight poets profiled in the book, with forty two pages devoted to him.

Fortifying Ueda Castle, Masayuki fought against Tokugawa Hidetada's 38, 000 men with only 2, 000 soldiers.

Born to an Osaka prostitute and an unknown father, Ueda was adopted in his fourth year by a wealthy merchant who reared him in comfort and provided him with a good education.

Ueda took a highly independent position within these circles, and his vigorous polemical dispute with the leading scholar of the movement, Motoori Norinaga, is recorded in the latter's dialogue Kagaika ( 呵刈葭 1787-1788 ).