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Page "Ico" ¶ 9
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Ueda and also
Ueda also brought in a number of people outside the video game industry to help with development.
Sakaiminato was also where the photographer Shōji Ueda was born and ran a studio.
Just after the noon unofficial meeting was held in the Palace by Araki, Mazaki, Hayashi, and also other members of the Supreme War Council Abe Nobuyuki, Ueda Kenkichi, Terauchi Hisaichi, Nishi Giichi, Prince Asaka Yasuhiko, Prince Nashimoto Morimasa, and Prince Higashikuni Naruhiko.
Taking the fire as opportunity to leave the business world, Ueda began studying medicine under Tsuga Teishō, who in addition to teaching Ueda to be a doctor also taught him about colloquial Chinese fiction.
Some argue that Ueda also worked out this conflict in stories such as Tales of Moonlight and Rain by beginning his stories grounded on Chinese stories and moral and intellectual discourses and that he then foregrounded a Japanese sensibility by calling on supernatural elements and having his characters feel deep emotion ( as opposed to Chinese reliance on the intellect ).
The track that Miina and her childhood friend run on is said to be in Ueda, Nagano, also on the Nagano Shinkansen and Shinano Railway lines just south of Nagano City.
Rose of Versailles has also been dramatized for Takarazuka Revue by Shinji Ueda.
It also seriously injured Kenkichi Ueda, Division 9 commander of the Japanese Imperial Army,, Japanese Consul-General in Shanghai, and Shigemitsu Mamoru, Japanese Envoy in Shanghai.
She was also the character " Hiromi Ueda " in the 1995 TV series Kimi To Deatte Kara.
** Ueda also voices Barriered ( named Mr. Mime and voiced by Kayzie Rogers in the English adaption ), a Pokémon who serves Hanako / Delia.
" Heartbeat ~ Perfect Harmony ~") primarily by Asumi Nakata, Hitomi Terakado, Mayumi Asano, and Ema Kogure ( second version includes Satomi Arai and Ryoko Nagata ; third version also includes Kana Ueda )
It was directed by Fumito Ueda and developed at SCEI's International Production Studio 1, also known as Team Ico ; the same development team responsible for the cult hit Ico.
Though limiting the presence of enemies to only bosses was partly intended to differentiate the game from others, Ueda also expressed that it was to ensure that the programmers ' focus was entirely on the colossi so that their quality would be as high as possible.
Voiced by Miyuki Ueda, who also played as the voice of Chizuru Nanbara in Combattler V, as Erika in the Daimos series, and as Marie Antoinette in Rose of Versailles ; the latter was another series on which Nagahama, the creator of Voltes V, was one of the contributing directors.

Ueda and cited
* In an issue of Official U. S. PlayStation Magazine, Japanese game designer Fumito Ueda cited Another World as an influence for his creation of Ico for the PlayStation 2.

Ueda and original
is a Japanese animated television series directed by Hiroshi Hamazaki, from a screenplay by Chiaki Konaka, and produced by Yasuyuki Ueda, with original character design by Yoshitoshi ABe.
He is voiced by Yuji Ueda in the original Japanese dub, and by Jason Douglas in the English dub.
It is the band's last record to feature the original lineup, as bassist Kenji Ueda left shortly after.

Ueda and games
Ueda commented that he purposely tried to distance Ico from conventional video games due to the negative image that video games were receiving at that time, in order to draw more people to the title.
Ueda, when asked about the connection between the two games, stated that Shadow of the Colossus is a prequel to Ico, specifically citing the ending of Shadow where a child is born with two horns.
Ueda wished the game to have a unique presentation and change how both players and developers perceived the idea of what bosses should be in video games.

Ueda and animation
With the help of an assistant, Ueda created an animation in Lightwave to get a feel for the final game and to better convey his vision.

Ueda and gameplay
All elements of the game — including audio, gameplay and visuals — were used to achieve an atmosphere of a " lonely hero ", which Ueda considered important in the development of the game.

Ueda and style
In 1994 the pillows changed to King Records and with Ueda no longer in the band to combat Sawao's eccentric diversity and rapidly changing musical interests, the pillows ' style started drifting away from their style of eclectic pop rock, and the band wildly experimented between varying genres ; during this time, the band's style of music could best be described as jazz, but with the ever-present sixties pop rock influence.
* September 10, 1921-< span style =" color :# 990099 ;"> (-) </ span > The village of Sakashita merged into the city of Ueda.
* April 1, 1954-< span style =" color :# 990099 ;"> (-) </ span > The villages of Shiojiri and Kawabe merged into the city of Ueda ( 4 towns, 26 villages )
**< span style =" color :# 990099 ;"> (-) </ span > The villages of Kamigawa and Izumida merged into the city of Ueda.
* August 1, 1957-< span style =" color :# 990099 ;"> (-) </ span > The village of Kamishina merged into the city of Ueda ( 4 towns, 9 villages )
* April 1, 1958-< span style =" color :# 990099 ;"> (-) </ span > The village of Toyotono merged into the city of Ueda ( 4 towns, 8 villages )
* April 1, 1970-< span style =" color :# 990099 ;"> (-) </ span > The town of Shiota was merged into the city of Ueda.
* April 1, 1973-< span style =" color :# 990099 ;"> (-) </ span > The village of Kawanishi was merged into the city of Ueda.
* March 6, 2006-< span style =" color :# 990099 ;"> (-) </ span > The towns of Maruko and Sanada, and the village of Takeshi merged with the city of Ueda to create the new city of Ueda.
| < span style =" display: none "> Ueda </ span > Masakatsu Ueda

Ueda and .
KL1 is an implementation of Flat GHC ( a subset of the Guarded Horn Clauses language by Kazunori Ueda ), making it a parallelised Prolog variant.
* Makoto Ueda, Light Verse from the Floating World: An Anthology of Premodern Japanese Senryu, Columbia University Press, 1999.
Until the mid-1960s, males vastly outnumbered the handful of females ( for example: Toshiko Ueda, Hideko Mizuno, Masako Watanabe, and Miyako Maki ) amongst the artists working on shōjo manga.
* Ueda, Makoto, Modern Japanese Tanka: An Anthology, NY: Columbia University Press, 1996 ISBN 0-231-10432-4 cloth ISBN 978-0-231-10433-3 pbk pp. 400 tanka by 20 poets
* August 8 – Ueda Akinari, Japanese author and scholar ( b. 1734 )
* July 25 – Ueda Akinari, Japanese author and scholar ( d. 1809 )
* Abe T, Akakura K, Kawaguchi M, Ueda T, Ichikawa T, Ito H, et al.
It was designed and directed by Fumito Ueda, who wanted to create a minimalist game around a " boy meets girl " concept.
Lead developer Fumito Ueda came up with the concept for Ico in 1997, envisioning a " boy meets girl " story where the two main characters would hold hands during their adventure, forming a bond between them without communication.
Ueda stated that having this movie that represented his vision helped to keep the team on track for the long development process, and he reused this technique for the development of Shadow of the Colossus, the team's next effort.
Ueda began working with producer Kenji Kaido in 1998 to develop the idea and bring the game to the PlayStation.
Ueda believed this version had too much detail for the graphics engine they had developed, and as part of the " subtracting design ", replaced the warriors with the shadow creatures.
These consisted of two programmers, four artists, and one designer in addition to Ueda and Kaido, forming the base of what is now known as Team Ico.
On reflection, Ueda noted that the subtracting design may have taken too much out of the game, and did not go to as great an extreme with Shadow of the Colossus.
Ueda purposely left the ending vague, not stating whether Yorda was alive, whether she would travel with Ico, or if it was simply the protagonist's dream.
The cover used for releases in Japan and PAL regions was drawn by Ueda himself, and was inspired by the surrealist artist Giorgio de Chirico and his work, The Nostalgia of the Infinite.
Ueda opted not to provide the translation for Yorda's words as it would have overcome the language barrier between Ico and Yorda, and detracted from the " holding hands " concept of the game.
A film adaption of Ico may come about based on the success of the adaptation of Shadow of the Colossus being created by Misher Films in conjunction with Sony and Fumito Ueda.
Two yomihon masterpieces were written by Ueda Akinari: Ugetsu monogatari and Harusame monogatari wrote the extremely popular fantasy / historical romance Nansō Satomi Hakkenden in addition to other yomihon.
With Yoshisuke Ueda.

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