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Ueda and Yamanaka
In 1989 Kenji Ueda, bassist for Kenzi & The Trips, left the band with former Kenzi's drummer Sninichiro Sato and invited The Coin Locker Babies vocalist Sawao Yamanaka to form a new band.
: He is voiced by Mitsuo Iwata ( radio drama ) and Yūji Ueda ( OVA ), and portrayed by Sō Yamanaka ( TV series ), Shinnosuke Fukushima ( web series ), Riki Miura ( 1st film ) and Hikaru Okada ( 2nd film ).

Ueda and were
Ueda commented that he purposely tried to distance Ico from conventional video games due to the negative image that video games were receiving at that time, in order to draw more people to the title.
Two yomihon masterpieces were written by Ueda Akinari: Ugetsu monogatari and Harusame monogatari wrote the extremely popular fantasy / historical romance Nansō Satomi Hakkenden in addition to other yomihon.
* Ueda, Nagano Prefecture ( since the former city of Ueda and the former town of Izushi were sister cities before the recent creation of both Toyooka and Ueda )
This was the Second Battle of Ueda Castle, and, whilst it was not exactly a victory, Masayuki was able to deliver a heavy blow to Hidetada and delay his forces for long enough that they were unable to show up at the main battlefield on time.
Older Fossil cards were illustrated by Keiji Kinebuchi ; newer ones are illustrated by Ryo Ueda.
One year later, the duo were joined by bassist Takeshi Ueda and drummer " Seto ", at which point the quartet began performing at concerts and entering Battle of the Bands competitions.
All elements of the game — including audio, gameplay and visuals — were used to achieve an atmosphere of a " lonely hero ", which Ueda considered important in the development of the game.
After the Takeda clan was destroyed by joint Oda and Tokugawa army, Nobuyuki fled to Ueda Castle, the stronghold of the Sanada Clan and where his family were.

Ueda and main
Lead developer Fumito Ueda came up with the concept for Ico in 1997, envisioning a " boy meets girl " story where the two main characters would hold hands during their adventure, forming a bond between them without communication.

Ueda and writers
Teikoku Bungaku ( 帝国文学, teikoku empire + bungaku literature ) was a literature magazine from 1895 to 1920 published by Japanese writers, Inoue Tetsujiro, Ueda Kazutoshi, Takayama Chogyu and Ueda Bin.
This work places Ueda Akinari alongside Takizawa Bakin among the most prominent writers of yomihon — a new genre that represented a dramatic change in reading practices from the popular fiction that came before it.

Ueda and pillows
Shortly after the release of White Incarnation, Ueda left the pillows due to disagreements with other members and musical differences.
In 1994 the pillows changed to King Records and with Ueda no longer in the band to combat Sawao's eccentric diversity and rapidly changing musical interests, the pillows ' style started drifting away from their style of eclectic pop rock, and the band wildly experimented between varying genres ; during this time, the band's style of music could best be described as jazz, but with the ever-present sixties pop rock influence.

Ueda and released
The film was released in Japan on July 13, 2002, and stars the regular television cast of Rica Matsumoto, Yuji Ueda, Mayumi Iizuka, Megumi Hayashibara, Shin-ichiro Miki and Ikue Ōtani.
* DRFTDVL by Takeshi Ueda ( THE MADCAPSULEMARKETS ) ( not released on soundtrack )

Ueda and their
The men are outraged that someone who has killed one of their own is invited as an honored guest, but Ueda stifles the furor.
Musashi takes his early arrival to his advantage and descends upon the Yoshioka swiftly and silently, successfully carving a swath through their ranks to Ueda.
Ueda and producer Kenji Kaido held their team to a high standard throughout production.
Though limiting the presence of enemies to only bosses was partly intended to differentiate the game from others, Ueda also expressed that it was to ensure that the programmers ' focus was entirely on the colossi so that their quality would be as high as possible.
Original bassist, Kenji Ueda, left the band after their previous album, White Incarnation, for musical differences.

Ueda and first
Another character that appears during Masashi's new lifestyle is Nozomi Ueda, a first year who shows interest in Masashi ( impersonating Yuna ).

Ueda and 1990
Fukumoto felt no ill-will towards Ueda and went on to coach for Orix in 1989 and 1990.

Ueda and under
He spies the Yoshioka amassing under the same great pine as where Musashi had his confrontation with Ueda Ryōhei.
Taking the fire as opportunity to leave the business world, Ueda began studying medicine under Tsuga Teishō, who in addition to teaching Ueda to be a doctor also taught him about colloquial Chinese fiction.
The force was supported by the 14th Tank Regiment, equipped with 66 assorted tanks, under Lieutenant Colonel Nobuo Ueda and the 3rd Heavy Artillery Regiment under Lieutenant Colonel Kazuo Mitsui.

Ueda and .
KL1 is an implementation of Flat GHC ( a subset of the Guarded Horn Clauses language by Kazunori Ueda ), making it a parallelised Prolog variant.
* Makoto Ueda, Light Verse from the Floating World: An Anthology of Premodern Japanese Senryu, Columbia University Press, 1999.
Until the mid-1960s, males vastly outnumbered the handful of females ( for example: Toshiko Ueda, Hideko Mizuno, Masako Watanabe, and Miyako Maki ) amongst the artists working on shōjo manga.
* Ueda, Makoto, Modern Japanese Tanka: An Anthology, NY: Columbia University Press, 1996 ISBN 0-231-10432-4 cloth ISBN 978-0-231-10433-3 pbk pp. 400 tanka by 20 poets
* August 8 – Ueda Akinari, Japanese author and scholar ( b. 1734 )
* July 25 – Ueda Akinari, Japanese author and scholar ( d. 1809 )
* Abe T, Akakura K, Kawaguchi M, Ueda T, Ichikawa T, Ito H, et al.
It was designed and directed by Fumito Ueda, who wanted to create a minimalist game around a " boy meets girl " concept.
Ueda also cited Lemmings, Flashback and the original Prince of Persia games as influences, specifically regarding animation and gameplay style.
With the help of an assistant, Ueda created an animation in Lightwave to get a feel for the final game and to better convey his vision.
Ueda stated that having this movie that represented his vision helped to keep the team on track for the long development process, and he reused this technique for the development of Shadow of the Colossus, the team's next effort.
Ueda began working with producer Kenji Kaido in 1998 to develop the idea and bring the game to the PlayStation.
Ueda believed this version had too much detail for the graphics engine they had developed, and as part of the " subtracting design ", replaced the warriors with the shadow creatures.
Ueda also brought in a number of people outside the video game industry to help with development.
These consisted of two programmers, four artists, and one designer in addition to Ueda and Kaido, forming the base of what is now known as Team Ico.
On reflection, Ueda noted that the subtracting design may have taken too much out of the game, and did not go to as great an extreme with Shadow of the Colossus.
Ueda purposely left the ending vague, not stating whether Yorda was alive, whether she would travel with Ico, or if it was simply the protagonist's dream.
The cover used for releases in Japan and PAL regions was drawn by Ueda himself, and was inspired by the surrealist artist Giorgio de Chirico and his work, The Nostalgia of the Infinite.
Ueda opted not to provide the translation for Yorda's words as it would have overcome the language barrier between Ico and Yorda, and detracted from the " holding hands " concept of the game.
A film adaption of Ico may come about based on the success of the adaptation of Shadow of the Colossus being created by Misher Films in conjunction with Sony and Fumito Ueda.
Ueda, when asked about the connection between the two games, stated that Shadow of the Colossus is a prequel to Ico, specifically citing the ending of Shadow where a child is born with two horns.
With Yoshisuke Ueda.

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