Retrace your steps a few yards on the Via Di Santa Sabina and turn right on the Via Di S. Alessio, a street lined with stately homes.

Turn left a block or so before the street ends, and then turn right down the Via Di Santa Prisca to the Viale Aventino.

Start on the Via D. Teatro Di Marcello at the foot of the Capitoline Hill.

Climb the steps from the theatre to the Via Della Tribuna Di Campitelli for an even better view of the Columns of Apollo.

Turn to the right along a narrow street to the tiny Piazza Campitelli, then proceed along the Via Dei Funari to the Piazza Mattei.

Keep straight ahead on the Via Falegnami, cross the wide Via Arenula, and you will come to the Piazza B. Cairoli, where you should look in at the Church of San Carlo Ai Catinari to see the frescoes on the ceiling.

Follow the colorful and busy Via D. Giubbonari for a hundred yards or so.

Now turn left at the Via dell' Arco Del Monte to the Piazza Dei Pellegrini.

Just a few yards to the right on the Via Capo Di Ferro will bring you to the Palazzo Spada, built in 1540 and now occupied by the Council of State.

From the Palazzo Spada you continue another block along the Via Capo Di Ferro and Vicolo De Venti to the imposing Palazzo Farnese, begun in 1514 and considered by many to be the finest palace of all.

Directly in front of the palace along the Via D. Baullari you will come to the Campo Di Fiori, the famous site of executions during the turbulent days of Renaissance Rome.

Continue on the Via D. Baullari to the Corso Vittorio Emanuele, then turn right for a couple of hundred yards to the Church of Sant' Andrea Della Valle.

As you approach the church on the Via D. Baullari you are passing within yards of the remains of the Roman Theatre of Pompey, near which is believed to have been the place where Julius Caesar was assassinated.

At this point you cross the wide Corso Vittorio Emanuele 2,, walk along the Corso Del Rinascimento a couple of hundred yards, then turn left on the Via Dei Canestrani to enter the splendid Piazza Navona, one of the truly glorious sights in Rome.

Take the Via Di S. Agnese in Agone, next to the church and opposite the center of the square, then turn right after about two hundred yards to reach the beautiful Church of Santa Maria Della Pace.

Walk by the side of the palazzo and after two blocks along the Via Giustiniani you will come to the Piazza Della Rotonda.

As you leave the Pantheon, take the narrow street to the right, the Via Del Seminario, a block to Sant' Ignazio, one of the most splendid baroque churches in the city.

One block along the Via De Burro ( in front of the church ) will bring you to the Stock Exchange in the old Temple of Neptune.

A few yards farther, on the Via Dei Bergamaschi, is the Piazza Colonna.

`` Via must have it '', I answered readily enough, recalling her last visit.

`` Via '', she was frowning.

It was Dolly and Mrs. Thaxter who were calling Via, everybody.

Then Via called to say they had decided to cremate her -- as they had Ellen, the thought leaped to my mind -- and did I want to meet her at the funeral home the next morning.

" Nietzsche, who was heavily influenced by Schopenhauer, wrote: " Every concept originates through our equating what is unequal.

Epicurus was also a significant source of inspiration and interest for both Arthur Schopenhauer, having particular influence on the famous pessimist's views on suffering and death, as well as one of Schopenhauer's successors: Friedrich Nietzsche.

In addition the philosopher Schopenhauer ( 1788 – 1860 ) ( The World as Will and Idea, 1819 ) called into question the previous optimism, and his ideas had an important influence on later thinkers, including Nietzsche.

One such reaction to the loss of meaning is what Nietzsche calls ' passive nihilism ', which he recognises in the pessimistic philosophy of Schopenhauer.

* Hegel, Oxford University Press, Oxford and New York, 1982 ; reissued as Hegel: A Very Short Introduction, Oxford University Press, 2001 ; also included in full in German Philosophers: Kant, Hegel, Schopenhauer, Nietzsche, Oxford University Press, Oxford, 1997

By the 19th century the philosophers Schopenhauer and Nietzsche could access the Indian scriptures for discussion of the doctrine of reincarnation, which recommended itself to the American Transcendentalists Henry David Thoreau, Walt Whitman and Ralph Waldo Emerson and was adapted by Francis Bowen into Christian Metempsychosis.

In addition, Western philosophers such as Baruch Spinoza, Gottfried Leibniz, Arthur Schopenhauer, Søren Kierkegaard, and Friedrich Nietzsche, developed a western view of the mind which foreshadowed Freud's theories.

Some of the main philosophers who have dealt with this issue are Marcus Aurelius, Omar Khayyám, Thomas Hobbes, Baruch Spinoza, Gottfried Leibniz, David Hume, Baron d ' Holbach ( Paul Heinrich Dietrich ), Pierre-Simon Laplace, Arthur Schopenhauer, William James, Friedrich Nietzsche, Albert Einstein, Niels Bohr, Ralph Waldo Emerson and, more recently, John Searle, Ted Honderich, and Daniel Dennett.

A long line of philosophers — which includes Plato, Aristotle, Saint Augustine, Voltaire, Hume, Diderot, Hegel, Schopenhauer, Kierkegaard, Nietzsche, Freud, Benjamin, Camus, Lacan, and Deleuze — have analysed, speculated upon, and criticised the tragic form.

In opposition to Schopenhauer, Nietzsche viewed tragedy as the art form of sensual acceptance of the terrors of reality and rejoicing in these terrors in love of fate ( amor fati ), and therefore as the antithesis to the Socratic Method, or the belief in the power of reason to unveil any and all of the mysteries of existence.

Friedrich Wilhelm Nietzsche was influenced by Schopenhauer when younger, but later felt him to be wrong.

Born in Bielefeld, Murnau had inspirations of Schopenhauer, Nietzsche, Shakesphere, and Ibsen plays he had seen at the age of 12, and made friends with director Max Reinhardt.

Their villa was often turned into a stage for little plays, directed by Murnau, who already read books of Schopenhauer, Nietzsche, Shakespeare and Ibsen plays at the age of 12.

Primary influences on the style of Russian Symbolism were the irrationalistic and mystical poetry and philosophy of Fyodor Tyutchev and Vladimir Solovyov, the novels of Fyodor Dostoyevsky, the operas of Richard Wagner, the philosophy of Arthur Schopenhauer and Friedrich Nietzsche, French symbolist and decadent poets ( such as Stéphane Mallarmé, Paul Verlaine and Charles Baudelaire ), and the dramas of Henrik Ibsen.

via Arthur Schopenhauer and the Orientalist Friedrich Maier through Friedrich Nietzsche ´ s writings.

He also wrote extensively on the philosophy of Schopenhauer and Nietzsche, as well on art, most notably his book Rembrandt: An Essay in the Philosophy of Art ( 1916 ).

* Schopenhauer und Nietzsche, Leipzig: Duncker & Humblot, 1907

* Schopenhauer and Nietzsche, University of Illinois Press, 1991, ISBN 0-252-06228-0

Um — um — Schopenhauer, Nietzsche, and so we go on.

That some atheists, such as Schopenhauer and Nietzsche, were not included was due to the general ( Tridentine ) rule that heretical works ( i. e., works that contradict Catholic dogma ) are ipso facto forbidden.

German philosophy, here taken to mean either ( 1 ) philosophy in the German language or ( 2 ) philosophy by Germans, has been extremely diverse, and central to both the analytic and continental traditions in philosophy for centuries, from Leibniz through Kant, Hegel, Schopenhauer, Marx, Nietzsche, Heidegger and Wittgenstein to contemporary philosophers.

Friedrich Nietzsche ( 1844 – 1900 ) was initially a proponent of Arthur Schopenhauer.

The biography reveals Beckmann's contemplations on writers and philosophers such as Dostoyevsky, Schopenhauer, Nietzsche, and Richard Wagner.

Friedrich Nietzsche, first influenced by Schopenhauer, developed afterward quite another attitude, exalting the will to power, despising weak compassion or pity, and recommending us to embrace willfully the ' eternal return ' of the greatest sufferings.