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it: Jean-Jacques Nattiez
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Jean-Jacques and Nattiez
* Nattiez, Jean-Jacques.
" Musicologist Jean-Jacques Nattiez summarizes the relativist, post-modern viewpoint: " The border between music and noise is always culturally defined — which implies that, even within a single society, this border does not always pass through the same place ; in short, there is rarely a consensus ... By all accounts there is no single and intercultural universal concept defining what music might be.
A more extreme view is offered by Jean-Jacques Nattiez ( 1987 ; trans.
This process of discretization or segmentation is often considered, as by Jean-Jacques Nattiez ( 1990 ), necessary for music to become accessible to analysis.
The French musicologist Jean-Jacques Nattiez contends that ‘ the narrative, strictly speaking, is not in the music, but in the plot imagined and constructed by the listeners ’.
* Nattiez, Jean-Jacques.
* Nattiez, Jean-Jacques ( 1987 ).
Jean-Jacques Nattiez writes that musical analyses are determined by analytical situations especially in regard to the tripartition, plots, and transcendent principles.
* Nattiez, Jean-Jacques ( 1990 ).
* Nattiez, Jean-Jacques ( 1987 ).
Jean-Jacques Nattiez, OC, CQ, FRSC ( born December 30, 1945, Amiens, France ) is a musical semiologist or semiotician and professor of Musicology at the Université de Montréal.
fr: Jean-Jacques Nattiez
In the opinion of Jean-Jacques Nattiez, " in the last analysis, it is a human being who decides what is and is not musical, even when the sound is not of human origin.
His students include Jean-Jacques Nattiez.
# REDIRECT Jean-Jacques Nattiez
Cited in Nattiez, Jean-Jacques ( 1990 ).
* Nattiez, Jean-Jacques ( 1990 ).
* Nattiez, Jean-Jacques ( 1990 ).
* Nattiez, Jean-Jacques ( 1990 ).
* Nattiez, Jean-Jacques ( 1990 ).
* Nattiez, Jean-Jacques ( 1990 ).
Writers on music semiology include Kofi Agawu ( on topical theory, Schenkerian analysis ), Robert Hatten ( on topic, gesture ), Raymond Monelle ( on topic, musical meaning ), Jean-Jacques Nattiez ( on introversive taxonomic analysis and ethnomusicological applications ), Anthony Newcomb ( on narrativity ), and Eero Tarasti ( generally considered the founder of musical semiotics ).
* Nattiez, Jean-Jacques ( 1987 ).
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