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Her film choices were often unconventional ; she sought roles as manipulators and killers in an era when actresses usually preferred to play sympathetic characters, and she excelled in them.
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Her and film
Her stories have been retold in song, film, ballet and animation.
Her private discussions with Prime Minister Tony Blair were dramatised in Stephen Frears ' film The Queen ( 2006 ).
Her final feature, the comedy film With Six You Get Eggroll, was released in 1968.
Her deadite serves as the main antagonist of the film.
Her film credits also include a featured role in Marked For Death opposite Steven Seagal, Pass The Ammo with Tim Curry, and the CBS feature 83 Hours Till Dawn with Peter Strauss and Robert Urich.
Her film career began in earnest in 1937 when she appeared in the films Oh Doctor and Stage Door.
Her first film under RKO was The Most Dangerous Game ( 1932 ), co-starring Joel McCrea and shot at night on the same jungle sets that were being used for King Kong during the day, with the leads from both films, Wray and Robert Armstrong, appearing in both movies.
Her final public appearance was at an after-party at the Sardi's restaurant in New York City, following the premiere of the documentary film Broadway: The Golden Age, by the Legends Who Were There.
Her character is usually renamed in film adaptations because of difficulties with pronunciation.
* Richard Dysart in both the television film Marilyn & Bobby: Her Final Affair ( 1993 ) and in the 1995 film Panther.
Her parents were the film producer Wilbur Stark ( 1912 – 1995 ) and New York television host Kathi Norris ( 1919 – 2005 ).
Her best known and most controversial performance was the lead role in the erotic film Emily
Her later film assignments included Father Goose ( 1964 ), with Cary Grant ; Ken Russell's Valentino ( 1977 ), in the role of silent-screen legend Alla Nazimova ; and Louis Malle's Damage ( 1992 ).
Her most famous film was Triumph of the Will, a documentary film made at the 1934 Nuremberg congress of the National Socialist, or Nazi, Party.
Her next film, The Taming of The Shrew, made with husband Douglas Fairbanks, was a disaster at the box office.
Her film credits also include Robert Altman's Kansas City ( 1996 ), Robert Duvall's The Apostle ( 1997 ) and Richard E. Grant's Wah-Wah ( 2005 ).
Her three act play, " The Whipping " was optioned by Paramount Studios, but never made into a film.
Her performance was well received by critics, with BBC film critic Brandon Graydon saying that Cruz " is an enchanting screen presence ," and Ethan Alter of the Film Journal International noting that Cruz and her co-star Cruise were " able to generate some actual chemistry.
" Her next film was Blow, adapted from Bruce Porter's 1993 book Blow: How a Small Town Boy Made $ 100 million with the Medellin Cocaine Cartel and Lost It All.
" Her final 2005 film was Don't Move playing Italia.
Her family pointed out that, although she had been omitted, R & B singer / actress Aaliyah, who died a few months earlier, was included though having been in only one moderately successful film, Romeo Must Die ( Queen of the Damned had yet to be released ).
As of August 2012, Jonze's next project is Her, a science fiction romance film starring Joaquin Phoenix, Amy Adams, Samantha Morton, Olivia Wilde, and Rooney Mara.
Her final screen appearance was in the 1991 film The Shepherd and the Women, directed by her ex-husband Ali Badrakhan.
Her and choices
Her life, if not her actions, made the decisions and choices of her sister's children, three of whom divorced, easier than they otherwise would have been.
" Her choices were: Symphony No. 41 ( Mozart ), " Casta Diva " from Norma ( Bellini ), " Ode to Joy " ( Beethoven ), Die Walküre ( Wagner ), Liebestod ( Wagner ), " L ' amour est un oiseau rebelle " from Carmen ( Bizet ), " A Whiter Shade Of Pale " ( Procol Harum ) and " Polonaise ", Op.
Her journey to finding her self and making the hardest choices of her life begins when her mother says she can ’ t afford to keep her and sends Sybylla to her rich grandmother's house where she learns to love.
Her closeness with the supernatural world causes issues with her job as a U. S. Marshall, with Lt. Rudolph " Dolph " Storr expressing extreme disapproval of her romantic and sexual choices and attempting to have one of her lovers, Jason, imprisoned for being a shapeshifter.
Her influence helped guide Tamayo to be very precise with his color choices.
Her character in the show is mainly portrayed as a manipulative, morally wrong woman, but as the show progresses you begin to understand why she makes her choices.
Her concept of gender performativity is the idea that people choose to perform gender in a context in which we are given very little socially acceptable choices, but can be explained as being similar to what actors do in front of the camera.
Her ultimate fate depends on player choices.
" Her biggest mantra was perhaps, ' in your choices lies your talent ,' she would encourage actors to find the most grand character interpretation possible in a scene, another favourite phrase of hers regarding this was ' don't be boring.
Her mother is happy that she lives somewhere where she is able to make those choices, unlike in Afghanistan.
Her music choices range from black hip hop to Jewish chants.
Her and were
Her eyes were glazed as if she didn't hear or even see him.
Her blond hair was frowzy, her dress torn in several places, and her shoes were so completely worn out that they were practically no protection.
Her legs were the full, sexy kind, full bodied like a rare wine and just as tantalizing to the appetite ; ;
Her glance swung past the trailer where the two drivers were standing.
Her long thin arms moved in a slow rhythmical gesture over the family possessions which were placed in front of her.
Her quarters were on the right as you walked into the building, and her small front room was clogged with heavy furniture -- a big, round, oak dining table and chairs, a buffet, with a row of unclaimed letters inserted between the mirror and its frame.
Her thoughts were not discrete.
Her eyebrows were definite and heavy and formed two lines moving upward toward a high forehead and a great head of brown hair that fell to her shoulders.
Her services to the School for many years were of a very high character, and I have often thought that one of the buildings should be named for her ''.
Her eyes were bright with anticipation.
Her `` Rockabye Your Baby '' was as good as it can be done, and her really personal songs, like `` The Man That Got Away '' were deeply moving.
Her hesitation was only momentary and she hoped he didn't notice it, as she settled herself, asked quickly how Miss Jenny and the babies were getting on.
Her nose was higher of bridge, her complexion so pale as to be quite susceptible to sunburn, and the fish and vegetable diet of her forebears had given her teeth that were white and regular and strong.
Her bright eyes were twinkling.
Her hair never seemed to be in place and her skirts were never quite the correct length.
Her eyes were wild.
Her dark cool caresses were sweeter than any woman's ; ;
Her eyes were smiling, too, but so sadly, and there was tiredness and infinite wisdom in them.
Her extendibles were diverted, connected or augmented and the final, delicate-beyond-description brain taps were completed while Helva remained anesthetically unaware of the proceedings.
Her book titles, changed by American publishers, for example Ten Little Niggers to Ten Little Indians, were kept the same across the Atlantic, after bushels of fan mail.
Her two children by Philip II, Philip, count of Clermont ( died 1234 ), and Mary, who married Philip I of Namur, were legitimized by the pope in 1201 at the request of the king.
Her remaining children were raised between her, Livia Drusilla and Germanicus ’ mother Antonia Minor.
Her reputed last words, uttered as the assassin was about to strike, were " Smite my womb ", the implication here being she wished to be destroyed first in that part of her body that had given birth to so " abominable a son.
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