* Breckman, Warren, “ Times of Theory: On Writing the History of French Theory ,” Journal of the History of Ideas, vol.

* In 2008, The Library of America selected Runyon ’ s story “ The Eternal Blonde ” for inclusion in its two-century retrospective of American Crime Writing.

Writing in 1872, church historian William Stephens said “ The Patriarch of the Eastern Rome appeals to the great bishops of the West, as the champions of an ecclesiastical discipline which he confesses himself unable to enforce, or to see any prospect of establishing.

* 2010: “ Working Nation ( s ): Seamus Heaney ’ s ‘ Digging ’ and the Work Ethic in Post-Colonial and Minority Writing ”, by Ivan Cañadas

Sheldon Richman, editor of the libertarian journal, The Freeman, also sees the IMF imposing “ corporatist-flavored ‘ neoliberalism ’ on the troubled countries of the world .” The policies of spending cuts coupled with tax increases give “ real market reform a bad name and set back the cause of genuine liberalism .” Paternalistic supranational bureaucrats foster “ long-term dependency, perpetual indebtedness, moral hazard, and politicization, while discrediting market reform and forestalling revolutionary liberal change .” Free market economist Richard M. Salsman goes further and argues the IMF “ is a destructive, crisis-generating global welfare agency that should be abolished .” “ In return for bailouts, countries must enact such measures as new taxes, high interest rates, nationalizations, deportations, and price controls .” Writing in Forbes, E. D. Kain sees the IMF as " paving the way for international corporations entrance into various developing nations " and creating dependency.

“ What a Comfort a Woman Doctor Is !’ Medical Women in the Life and Writing of Charlotte Perkins Gilman.

Writing for the Court majority in Wesberry, Justice Black argued that a reading of the debates of the Constitutional Convention demonstrated conclusively that the Framers had meant, in using the phrase “ by the People ,” to guarantee equality of representation in the election of Members of the House of Representatives.

Minsky, however, supported traditional banking regulation and advocated further controls of finance to “ promote smaller and simpler organizations weighted more toward direct financing .” Writing from a similar “ neo-Keynesian perspective, Jan Kregel concluded that after World War II non-regulated financial companies, supported by regulatory actions, developed means to provide bank products (“ liquidity and lending accommodation ”) more cheaply than commercial banks through the “ capital markets .” Kregel argued this led banking regulators to eliminate Glass-Steagall restrictions to permit banks to “ duplicate these structures ” using the capital markets “ until there was virtually no difference in the activities of FDIC-insured commercial banks and investment banks .”

Writing in 1993, Jane D ’ Artista and Tom Schlesinger noted that “ the ongoing integration of financial industry activities makes it increasingly difficult to separate banking and securities operations meaningfully ” but rejected Glass-Steagall repeal because “ the separation of banking and securities functions is a proven, least-cost method of preventing the problems of one financial sector from spilling over into the other ” ( which they stated was “ most recently demonstrated in the October 1987 market crash .”)

Writing for the New York Times, Ralph Thompson states, “ the normal life of Negroes in the South today – the life with its holdovers from slave times, its social difficulties, childish excitements, and endless exuberances … compared to this sort of story, the ordinary narratives of Negroes in Harlem or Birmingham seem ordinary indeed .” For the New York Herald Tribune, Sheila Hibben described Hurston as writing “ with her head as with her heart ” creating a “ warm, vibrant touch .” She praised Their Eyes as filled with “ a flashing, gleaming riot of black people, with a limitless sense of humor, and a wild, strange sadness .” New York Times critic Lucille Tompkins described Their Eyes, “ It is about Negroes … but really it is about every one, or at least every one who isn ’ t so civilized that he has lost the capacity for glory .”

Fenton judges the Parsons based on their attractiveness and is agitated when they do not “ fulfil stereotypical female roles ,” as author Anne Cranny-Francis describes it ( Feminist Science Fiction, 30 ).

* Wenger, Tisa J .. “ Female Christ and Feminist Foremother: The Many Lives of Ann Lee .” Journal of Feminist Studies in Religion.

“ Introduction .” Herland: A Lost Feminist Utopian Novel by Charlotte Perkins Gilman.

* Lanser, Susan S. “ Feminist Criticism, ` The Yellow Wallpaper ,’ and the Politics of Color in America .” Rpt.

“ Charlotte Perkins Gilman: Forerunner of a Feminist Social Science .” Discovering Reality: Feminist Perspectives on Epistemology, Metaphysics, Methodology and Philosophy of Science.

Feminist empiricism: Challenging gender bias and “ setting the record straight .” In Hesse-Biber, S. N.

* Sana Masood is runner up in the International Red Cross ’ “ Young Reporter ” competition for a digital story she created about an acid attack survivor at a Feminist Tech Exchange workshop in Pakistan.

“ Buchi Emecheta: If Not a Feminist, Then What ?”, Aduke Adebayo, ed., Feminism and African Women ’ s Creative Writings: Theory, Practice and Criticism.

Campaigns against the film continued throughout production, the Feminist Majority Foundation condemning the film as “ misogynist ,” and the Canadians Concerned About Violence in Entertainment ( C-CAVE ) convincing restaurant owners to deny Harron permission to film in their establishments.

Feminist theories first emerged as early as 1792 (– 1920s ) in publications such as “ The Changing Woman ”, “ Ain ’ t I a Woman ”, “ Speech after Arrest for Illegal Voting ”, and so on.

" And “ How does the knowledge women produce about themselves differ from that produced by patriarchy ?” ( Bartowski and Kolmar 2005, 45 ) Feminist theorists have also proposed the “ feminist standpoint knowledge ” which attempts to replace “ the view from nowhere ” with the model of knowing that expels the “ view from women ’ s lives ”.

Feminist sexology shares many principles with the wider field of sexology ; in particular, it does not try to prescribe a certain path or “ normality ” for women's sexuality, but only observe and note the different and varied ways in which women express their sexuality.

Feminist archaeology engages in challenging and changing interpretive frameworks employed by archaeologists: “ Feminism is a politics aimed at changing gender-based power relations .”.

Showalter acknowledges the difficulty of “ efining the unique difference of women ’ s writing ” which she says is “ a slippery and demanding task ” in “ Feminist Criticism in the Wilderness ” ( New, 249 ).

Source: Ron Mixer, “ The Genealogy of the Strategic Air Command ”, Battermix.

“ Etymology, Genealogy, and the Immutability of Origins .” Renaissance Quarterly, Volume 43, No. 2.

Ben Scott & Robert W. McChesney, “ A Century of Radical Media Criticism in the USA .” In David Berry and John Theobold, editors, Radical Mass Media Criticism: A Cultural Genealogy.

“ Twin Tales: Narrative Profusion and Genealogy in Fall on Your Knees .” Canadian Review of American Studies.

“ Suggestions Toward a Genealogy of the ‘ Man of Feeling .’” ELH 1. 3 ( 1934 ): 205-230.

“ The Unrestful Cure: Charlotte Perkins Gilman and ` The Yellow Wallpaper.

“ Restraining Order: The Imperialist Anti-Violence of Charlotte Perkins Gilman .” Arizona Quarterly 56. 2 ( Summer 2000 ): 1-36.

“ The Intellectualism of Charlotte Perkins Gilman: Evolutionary Perspectives on Race, Ethnicity, and Gender .” Charlotte Perkins Gilman: Optimist Reformer.

“ She in Herland: Feminism as Fantasy .” Charlotte Perkins Gilman: The Woman and Her Work.

“ Charlotte Perkins Gilman and the Journey From Within .” In A Very Different Story: Studies on the Fiction of Charlotte Perkins Gilman.

* Karpinski, Joanne B., “ The Economic Conundrum in the Lifewriting of Charlotte Perkins Gilman.

“ The Fictional World of Charlotte Perkins Gilman .” The Charlotte Perkins Gilman Reader.

“ The Yellow Wallpaper ”: Charlotte Perkins Gilman.

“ Charlotte Perkins Gilman v. Ambrose Bierce: The Literary Politics of Gender in Fin-de-Siècle California .” Journal of the West ( July 1993 ): 52-60.

“ Charlotte Perkins Gilman ’ s Library: A Reconstruction .” Resources for American Literary Studies 23: 2 ( 1997 ): 181-219.

* Tuttle, Jennifer S. “ Rewriting the West Cure: Charlotte Perkins Gilman, Owen Wister, and the Sexual Politics of Neurasthenia .” The Mixed Legacy of Charlotte Perkins Gilman.

“ Barney ” and Charlotte Barnhart in the 1940s-1950s ; the Williamsburg Focus ( 1960s-1990s ) edited by Dr. Marion Morelli ; the Williamsburg Gap ( 1996 ) and the Williamsburg Focus ( 1990s ).

After busing was enforced in 1971, throughout the 1970s and the 1980s, Charlotte was known across the nation as the “ city that made desegregation work .” It paved the way for many different school systems to use the busing plan to force integration in the school systems.

In 1796, three days after Caroline gave birth to their daughter, Princess Charlotte of Wales, on 10 January, the Prince of Wales wrote his last will and testament, bequeathing all his “ worldly property.

Thus, the creation of Rhoda ’ s own series stifled the representation of “ Jewish-ness ” – as Charlotte Brown, the executive producer of Rhoda, conveyed in an interview the display of “ Jewish-ness ”, “ was just ‘ set dressing ’ – Ida ’ s brisket, her plastic on the furniture ”.