Critic Roger Ebert was and remains today a champion of the film, including it on his all-time top ten best films list.

Critic Roger Ebert, in a review dated January 1, 1972, did not care for the film.

Critic Roger Ebert stated that Gellar and co-star Ryan Phillippe " develop a convincing emotional charge " and that Gellar is " effective as a bright girl who knows exactly how to use her act as a tramp ".

Critic Roger Ebert has included the film in his series of " Great Movies " reviews.

Critic Roger Ebert wrote of Keaton's " extraordinary period from 1920 to 1929, he worked without interruption on a series of films that make him, arguably, the greatest actor-director in the history of the movies.

Critic and artist Roger Fry did something to restore it in the 1930s, when he described Lawrence as having a " consummate mastery over the means of artistic expression " with an " unerring hand and eye ".

Critic Roger Ebert wrote an article entitled, " Attacks on ' Roger & Me ' completely miss point of film " that defends Moore's manipulation of his film's timeline as an artistic and stylistic choice that has less to do with his credibility as a filmmaker and more to do with the flexibility of film as a medium to express a viewpoint using the same methods that satirists have used.

Critic Roger Ebert said of the film that it " somehow does succeed in treating the awesome and scary subject of sexual initiation with some of the dignity it deserves.

Critic Roger Ebert wrote in his review, " The best shot in this film is the first one.

Critic Roger Kimball suggests that Opium is " a seminal book of the twentieth century.

Critic Roger Ebert's review was four out of four stars ; at the end of the year, he named it the best film of 1999.

Critic Roger Ebert reviewed Deep Throat in an early 1973 column, giving it a no-stars rating and writing, " It is all very well and good for Linda Lovelace, the star of the movie, to advocate sexual freedom ; but the energy she brings to her role is less awesome than discouraging.

Critic Roger Ebert gave the film two out of four stars, praising the film's visual artistry but stating that there is " no narrative engine to pull us past the visual scenery ", and that he " suspected the filmmakers began with a lot of ideas about how the movie should look, but without a clue about pacing, plotting or destination.

Critic Roger Ebert gave the film four stars, calling it " a very funny movie sometimes, and very touching at other times.

Critic Roger Ebert called it " one of the great films.

Critic Roger Ebert called it " one of the best horror films ever made ".

Critic Roger Ebert of the Chicago Sun-Times remarked that " Here, using big movie stars and asking them to play each other, Woo and his writers find a terrific counterpoint to the action scenes: All through the movie, you find yourself reinterpreting every scene as you realize the ' other ' character is ' really ' playing it.

Critic Roger Ebert stated, " I am gradually developing a suspicion, or perhaps it is a fear, that Jim Carrey is growing on me ", as he had given bad reviews for his previous films Dumb and Dumber and Ace Ventura: Pet Detective.

" Critic Roger Ebert praised the film as " an original, intelligent thriller, well-directed by Joel Schumacher ," and called the cast " talented young actors, inhabit the shadows with the right mixture of intensity, fear and cockiness.

Critic Roger Ebert gave the film three stars, stating " When you hear that Dr. T is a gynecologist played by Richard Gere, you assume he is a love machine mowing down his patients.

Critic Roger Ebert lauded the film in his film review, writing, " The Official Story is part polemic, part thriller, part tragedy.

Critic Roger Ebert had read the novel and believed the film is true to its themes.

Critic Roger Ebert gave the movie three stars out of four, saying " Gibson gives an interesting performance, showing a man trying to think his way out of a crisis, and Sinise makes a good foil: Here are two smart men playing a game with deadly stakes.

" Top Critic Roger Ebert went further, saying of the film " In a genre where a lot of movies are retreads of the predictable, ' Deep Blue Sea ' keeps you guessing.

In 1995, Ebert, along with colleague Gene Siskel, guest starred on an episode of the animated TV series The Critic.

Critic Roger Ebert wrote in the Chicago Sun-Times: " The film is a masterful achievement on all the technical levels -- it does an especially good job of convincing us with its Asian locations -- but the best moments are the human ones, the conversations, the exchanges of trust, the waiting around, the sudden fear, the quick bursts of violence, the desperation.

Critic Roger Ebert said that " Pedro Almodóvar's films are an acquired taste, and with High Heels I am at last beginning to acquire it.

Critic Roger Ebert explains:

Critic Jack Sommersby's comments typified the contemporary criticism directed at non-political matters such as character development and the changes made when the film was transferred from a novel to a film :< ref >

Critic Robin Roberts opines that this character " is shaped more by her femininity than by her medical, scientific training.

* Jay Sherman, the main character in The Critic

In the episode of The Critic, Jay Sherman shows a clip of a movie entitled " Field Of Dreams 2 " where after Kevin Costner's character completes his new ball field, Martin emerges and punches Costner.

However, they both " could not resist " appearing on an episode of the animated television series The Critic, the title character of which was a television film critic.

Groening felt that the episode was a thirty-minute advertisement for Brooks ' show The Critic, ( which had moved to Fox from ABC for its second season ) and was created by former The Simpsons show runners Al Jean and Mike Reiss, and whose lead character Jay Sherman appears in the episode.

In the series The Critic, he played the title character of Jay Sherman ( using his regular speaking voice ).

He has made several appearances on The Simpsons, including as Marge's prom date Artie Ziff in " The Way We Was ", the art teacher in " Brush with Greatness ", theater director Llewellyn Sinclair and his sister who owned a daycare center in " A Streetcar Named Marge ", Andre in " Homer's Triple Bypass ", and numerous other appearances ( including the character of Jay Sherman in the episode A Star Is Burns, which was a crossover with The Critic ).

A notable example of this is The Simpsons episode A Star Is Burns, in which the character of Jay Sherman ( from The Critic ) appeared.

Critic Alfred Habegger has claimed that the main character of Portrait was inspired by Christie Archer, the protagonist from Anne Moncure Crane's novel, Reginald Archer ( 1871 ).

The sketch was parodied on the animated show The Critic when the main character watches " Yesterday Night Live " and the Australian host comes out and says, " She's a girl mate, I saw her backstage ," and pulls her wig off with her saying, " You ruined my career!

* One episode of the short lived TV series, The Critic, features main character Jay Sherman reviewing a movie titled Dennis the Menace II Society, in which Dennis the Menace pulls out two machine guns and shoots up George Wilson's house.

" Critic Ian Lace said of her theme: " One has to suppose that the main character of this new game, Manon, inspired by the exploits of Hélène Déschamps is French.

Critic Akshay Shah wrote " Arjun Rampal displays talent, looks smashing on screen, but one can ’ t help feel that he isn ’ t given a character to match his acting potential.

He resembles the character Jay Sherman from The Critic as well as the actor who plays Jay Sherman, Jon Lovitz.

On November 28, 1828 a contest was posted in the New York Critic by American actor, Edwin Forrest, offering a prize of 500 dollars for an original play which met such criteria as, “ a tragedy, in five acts, of which the hero, or principal character, shall be an aboriginal of this country .” Forrest, looking to produce a play suiting his strengths, created the contest as an opportunity to boost his acting career.

Critic Dennis Schwartz liked the film and acting in the drama and wrote, " A schematic film noir by Nicholas Ray ( They Live by Night ) that overcomes its artificial contrivances to become a touching psychological drama about despair and loneliness -- one of the best of this sort in the history of film noir ... Robert Ryan's fierce performance is superb, as he's able to convincingly assure us he has a real spiritual awakening ; while Lupino's gentle character acts to humanize the crime fighter, who has walked on the " dangerous ground " of the city and has never realized before that there could be any other kind of turf until meeting someone as profound and tolerant as Mary.

Bart Simpson is watching the film The Flintstones Meet the Jetsons and after he criticizes the " cheap " crossover, Jay Sherman, the main character of the animated TV show The Critic, introduces himself to Bart.