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Czukay: " We could achieve an excellent dry and ambient sound ... Bamyasi reflects the group being in a lighter mood.
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Czukay and ambient
Holger Czukay has recorded several ambient albums and collaborated with David Sylvian among others, while Jaki Liebezeit has played extensively with bassists Jah Wobble and Bill Laswell, and in a drum ensemble called Drums of Chaos, and in 2005 with Datenverarbeiter on the online album Givt.
Described by critic Jason Ankeny as " successfully bridg the gap between pop and the avant-garde ," Czukay is also notable for creating early important examples of ambient music, for exploring " world music " well before the term was coined, and for being a pioneer of sampling.
His record label, Tone Casualties, founded in 1994, released several industrial, noise, ambient and experimental music releases, including discs by Holger Czukay, Drew Neumann, Paul Schütze, Kuroi Mori, Borut Kržišnik, Wahorn, Controlled Bleeding and his own works.
Czukay and sound
Co-written by their live sound mixer Peter Gilmour, it reached No 26 in the UK charts in October 1976, which prompted an appearance on Top of the Pops, where Czukay performed with a double bass.
* Holger Czukay – bass guitar, sound engineer, electronics ( 1968 – 1977, 1986 – 1991 )
Rosko Gee, former bassist of the British band Traffic joined the band in 1977, with Czukay handling only tapes and sound effects on Saw Delight, his final LP with the group before departing for a solo career.
Czukay and group
Upon his return to Cologne later that year, an inspired Schmidt formed a group with American avant-garde composer and flautist David C. Johnson and music teacher Holger Czukay with the intention of exploring his newly broadened horizons.
The group was soon fleshed out by with guitarist Michael Karoli, a 19-year-old pupil of Czukay, and drummer Jaki Liebezeit, who had grown disenchanted with his work in free jazz groups.
Czukay: "' Bel Air ' 20 minute-long track which took up the whole of side two on the Future Days original vinyl LP showed Can in a state of being an electric symphony group performing a peaceful though sometimes dramatic landscape painting.
Holger Czukay ( born Holger Schüring ; 24 March 1938 ) is a German musician, probably best known as a co-founder of the krautrock group Can.
Czukay and .
The album mixed psychedelic, krautrock and electropop influences, and featured contributions from Holger Czukay and Jaki Liebezeit ( of Can ), drummer Clem Burke ( of Blondie ), Robert Görl ( of Deutsch Amerikanische Freundschaft ), and flautist Tim Wheater.
In fact, both Schmidt and Czukay had directly studied under the influential composer Karlheinz Stockhausen.
Schmidt chose to play organ and piano, while Czukay played bass and was able to record their music with a basic two-track tape machine.
He was replaced by the more understated Kenji " Damo " Suzuki, a young Japanese traveller found busking outside a Munich cafe by Czukay and Liebezeit.
Czukay: "( Tago Mago ) was an attempt in achieving a mystery musical world from light to darkness and return.
During this period Holger Czukay was pushed to the fringes of the group's activity ; in fact he just made sounds using shortwave radios, Morse code keys, tape recorders and other sundry objects.
Holger Czukay and Irmin Schmidt were both pupils of Karlheinz Stockhausen, and Can inherited a strong grounding in his musical theory ; the latter was trained as a classical pianist, while Michael Karoli was a pupil of Holger Czukay and brought the influence of gypsy music through his esoteric studies.
Czukay and Teo Macero ( Davis's producer and editor ) both had roots in the musique concrète of the 1940s and ' 50s.
Asked later by Czukay what he had thought of the music, Niven replied: " It was great, but I didn't know it was music.
The final cut of tracks, dating from 1968-1977, features studio material recorded at Schloss Nörvenich and Can Studio, Weilerswist with the Can line up of Holger Czukay on bass, Michael Karoli on guitars, Jaki Liebezeit on drums and Irmin Schmidt on keyboards, and on most tracks, vocals from Malcolm Mooney or Damo Suzuki.
The album included contributions from Ryuichi Sakamoto, trumpeter Jon Hassell, and former Can bassist Holger Czukay.
In 1985, Sylvian released an instrumental mini-album Alchemy: An Index of Possibilities, in collaboration with Jansen, Hassell and Czukay, a recording that, when re-released in 2003, included the addition of Sylvian's Steel Cathedrals, the soundtrack to his video release of the same name.
Never one to conform to commercial expectations, Sylvian then collaborated with Holger Czukay.
Unlike their past work, Sylvian decided to use methods of improvisation like those he explored in his work with Holger Czukay.
Czukay studied music under Karlheinz Stockhausen from 1963 to 1966 and then worked for a while as a music teacher.
We and could
We collected `` lucky stones '' -- all the creamy translucent pebbles, worn smooth and round, that we could find in the driveway.
We were forbidden to swing on the gates, lest they sag on their hinges in a poor-white-trash way, but we could stand on them, when they were latched, rest our chins on the top, and stare and stare, committing to memory, quite unintentionally, all the details that lay before our eyes.
We had been walking quite briskly, for despite your being so small and me so tall, your stride in those days could easily match mine.
We got Dr. Glenn to him as quickly as we could, and we wired Tom of Papa's desperate condition.
`` We tried to settle this dispute '', he said, `` but could never come to an agreement.
We were less than a quarter of a mile from the road, and we could trace its shape from the ribbon of powder smoke and dust that hung over it.
We came on as soon as we could ''.
We have the technology today with which to build aircraft shelters which could withstand at least 200 Aj.
We could put a portion of our strategic bombers in such shelters.
We quickly ran into the same trouble that plagued Bill Ruger in his first experiments: Three or four bullets would be placed well in a six-inch bull at 100 yards and then, unaccountably, one could stray far out of the group.
We could scarcely find eighty in our great land of over 180 million people.
`` We have tried to make both paths attractive, so that good men could find opportunity and satisfaction in either.
Says Clarence Thompson: `` We dealers must earn our mark-up by performing a service for the builder cheaper than he could do it himself ''.
We may conclude that all six points of information, ostensibly given by the dream priest, could have been furnished by Dr. Hilprecht's subconscious reasoning.
We could see maggots moving.
We planned ahead only one step, a rendezvous for tomorrow when we could swap notes.
We have to tell ourselves that when Parker spoke in this vein, he believed what he said, because he could continue, `` But the truth, which cost me bitter tears to say, I must speak, though it cost other tears hotter than fire ''.
`` We could put up cribs on the second floor sleeping porch and turn the front bedroom into a playroom where it's nice and sunny, but of course it would entail quite a bit of running up and down stairs and Chris said you were to be careful about that ''.
`` We had concluded that no race as ephemeral as yours could have had time to develop a sense of justice.
We could, alternatively, choose an encoding for Turing machines, where an encoding is a function which associates to each Turing Machine M a bitstring < M >.
We entered a small, narrow doorway, and went down two steps, but beyond those one could see nothing.
Patterson claimed to have screened the film for unnamed technicians " in the special effects department at Universal Studios in Hollywood ... Their conclusion was: ' We could try ( faking it ), but we would have to create a completely new system of artificial muscles and find an actor who could be trained to walk like that.
' We may take this literally, understanding that by a purely mechanical process one which could be carried out by a machine.
We can distinguish two groups of computer-generated music: music in which a computer generated the score, which could be performed by humans, and music which is both composed and performed by computers.
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