Her post-war theatre credits included Miss Prism in The Importance of Being Earnest again at the Haymarket Theatre in 1946 and Lady Bracknell when the same play transferred to New York in 1947.

Her other writings include discussions about the aftermath of apartheid ( South from the Limpopo ) and the Rwandan genocide ( Visiting Rwanda ), the displacement of tribal peoples ( One Foot in Laos ), and post-war reconstruction of the Balkans ( Through the Embers of Chaos ).

Her advice and books were instrumental in improving the quality of British cookery in the post-war years, when rationing meant that more exotic dishes were impossible to prepare.

Her Japanese identity was not officially revealed until her post-war persecution nearly led to her execution as a treacherous Chinese traitor.

Her approach suggests an interest in the social reformism that became a feature of British post-war society.

Her brother was John Ryan, a well known artist and man of letters in bohemian Dublin of the 1940s and 50's, who was a friend and benefactor of a number of struggling writers in the post-war era, such as Patrick Kavanagh.

Her known works include hymns to the goddess Inanna, the Exaltation of Inanna and In-nin sa-gur-ra.

Her works also include landscapes, portraits, garden settings and boating scenes.

Her success stems from a wide range of innovative writing and rhetorical techniques that critically challenged renowned male writers, such as Jean de Meun who incorporated misogynist beliefs within their literary works.

On the other hand, " Her grades are so good that she's either very bright or studies hard " allows for the possibility that the person is both bright and works hard.

Her works include:

Almost all the women who attended this service walked out with her, as well as a few men .” Her works include: The Church and the Second Sex ( 1968 ), Beyond God the Father ( 1973 ), Gyn / ecology: The Metaethics of Radical Feminism ( 1978 ), Pure Lust: Elemental Feminist Philosophy ( 1984 ), Webster ’ s First Intergalactic Wickedary of the English Language ( 1987 ), and Outercourse: The Be-Dazzling Voyage ( 1992 ).

Her frequent visits to the estate also allowed her to contrast the wealth in which the local landowner lived with the lives of the often much poorer people on the estate, and different lives lived in parallel would reappear in many of her works.

Her seminal works among laypeople are her memoir An Unquiet Mind, which details her experience with severe mania and depression, and Night Falls Fast: Understanding Suicide, providing historical, religious, and cultural responses to suicide, as well as the relationship between mental illness and suicide.

The 583-item Collection La Caze donated in 1869, included works by Chardin ; Fragonard ; Rembrandt – such as Bathsheba at Her Bath – and Gilles by Watteau.

Northern European works include Johannes Vermeer's The Lacemaker and The Astronomer ; Caspar David Friedrich's The Tree of Crows ; Rembrandt's The Supper at Emmaus, Bathsheba at Her Bath, and The Slaughtered Ox.

Her outspoken defense of capitalism in works like Capitalism: The Unknown Ideal ( 1967 ), and her characterization of her position as a defence of the ' virtue of selfishness ' in her essay collection of the same title published in 1964, also brought notoriety, but kept her out of the intellectual mainstream.

Her on screen chemistry with Alec Baldwin was either criticized or praised, with Eye For Film commenting, " The film works best when Baldwin and Gellar are together – aside from the fact that Gellar seriously needs to eat a bun or two ".

Her work was allied to the worldly tradition of Cremona, influenced greatly by the art of Parma and Mantua, in which even religious works were imbued with extreme delicacy and charm.

Her most notable works are listed here.

Her works are deeper than that, however.

* American — Bloch, Albert: Many works, including Harlequinade ( 1911 ), Piping Pierrot ( 1911 ), Harlequin and Pierrot ( 1913 ), Three Pierrots and Harlequin ( 1914 ); Bradley, Will: Various posters and illustrations ( see, e. g., " Banning " under Poetry below ); Heintzelman, Arthur William: Pierrot ( n. d .); Hopper, Edward: Soir Bleu ( 1914 ); Kuhn, Walt: The White Clown ( 1929 ); Parrish, Maxfield: Pierrot's Serenade ( 1908 ), The Lantern-Bearers ( 1908 ), Her Window ( 1922 ); Sloan, John: Clown Making Up ( 1909 ).

Her old house is now home to the writer and historian Geoffrey Ashe, who is known for his works on local legends.

Her works have been translated into many languages from Chinese to Russian.

Her legacy survives in numerous works of art and the many dramatizations of her story in literature and other media, including William Shakespeare's tragedy Antony and Cleopatra, Jules Massenet's opera Cléopâtre and the film Cleopatra ( 1963 ).

Her academic training emphasized development of an alla prima technique and painting out of doors, which inspired her to produce bold impasto works quickly.

Her life becomes entwined with theirs as she cares for Rosa during her pregnancy and works for Huma as her personal assistant and even acts in the play as an understudy for Nina during one of her drug abuse crises.

Her works include novels, plays, stories, libretti and poems written in a highly idiosyncratic, playful, repetitive, and humorous style.

Under Tree, however, Her ( later His ) Majesty's Theatre was most famous for its work with Shakespeare, building an international reputation as the premier British playhouse for his works during the Edwardian era, which had for so long belonged to Henry Irving at the Lyceum Theatre during the Victorian period.

Her works were also published in periodicals and newspapers such as The New Idea, The Native Companion, Australia Today and the British-Australasian.

Her second book, now the best known of her works, was Out of Africa, published in 1937, and its success firmly established her reputation as an author.

Her mouth, which had been so much in my thoughts, was warm and moist and tender.

Her stern was down and a sharp list helped us to cut loose the lifeboat which dropped heavily into the water.

Her long thin arms moved in a slow rhythmical gesture over the family possessions which were placed in front of her.

Her uniform was of rich, raw silk, in a shade which matched her hair, skin, housepaint, and cats, and since she was so thin as to be almost shapeless, she rather resembled a frozen fish stick.

Her day starts early, but no matter how many pressing letters there are to be written ( and during May, which is National Salvation Army Week, there are plenty ), schedules to be made or problems to be solved, Mrs. Marr's office is always open and the welcome mat is out.

Her bouffant coiffure was fortunately combed on the left which happened to be the direction from which a brisk breeze was blowing.

Her hair was the color of those blooms which in seed catalogues are referred to as `` black '', but since no flower is actually without color contain always a hint of grape or purple or blue -- he wanted to draw the broad patina of hair through his fingers, searching it slowly for a trace of veining which might reveal its true shade beneath the darkness.

Her statement was a hope, not a truth in which they could believe.

Her time spent at the many locations featured in her books is very apparent by the extreme detail in which she describes them.

Her first appearance was in a short story published in The Sketch magazine in 1926, " The Tuesday Night Club ", which later became the first chapter of The Thirteen Problems ( 1932 ).

Her symbolic role in this unique mission to the Spanish Court was intended to emphasize the international links which were forged by her 16th-century ancestor, Ieyasu Tokugawa.

Her second and last novel, The Tenant of Wildfell Hall, which is considered to be one of the first sustained feminist novels, appeared in 1848.

Her acquaintance with him parallels her writing a number of poems, which may suggest she fell in love with him.

Everything thus turns upon the status and meaning of clause 2 in the Commonwealth of Australia Constitution Act 1900, which provides: " The provisions of this Act referring to the Queen shall extend to Her Majesty's heirs and successors in the sovereignty of the United Kingdom.

Her first published work was a critical evaluation of D. H. Lawrence called D. H. Lawrence: An Unprofessional Study, which she wrote in sixteen days.

Her journals, which span several decades, provide a deeply explorative insight into her personal life and relationships.

Her films of the early and mid 1950s were generally lightweight romantic dramas, some historical, in which she was cast as ingénue or siren, often in varying states of undress.

Her wish to be buried there was granted after she left an estate sworn at under £ 40, 000, of which Disraeli received over £ 30, 000.

Her work was selected for exhibition in six subsequent Salons until, in 1874, she joined the " rejected " Impressionists in the first of their own exhibitions, which included Paul Cézanne, Edgar Degas, Claude Monet, Camille Pissarro, Pierre-Auguste Renoir, and Alfred Sisley.

Her early pious activities in Siena attracted a group of followers, both women and men, while they also brought her to the attention of the Dominican Order, which called her to Florence in 1374 to interrogate her for possible heresy.

Her report, Work Accidents and the Law ( 1910 ), became a classic and resulted in the first workers ' compensation law, which she drafted while serving on a New York state commission.

Her early stories were notable for their emphasis on the senses and emotions, which was highly unusual at the time.

Her popularity as a radio performer and vocalist, which included a second hit record " My Dreams Are Getting Better All the Time ", led directly to a career in films.