A relative newcomer in outdoor signs is Mylar polyester film, now used as a printed overlay for trans-illuminated signs ( see below ).

The copy itself, including any text or illustrations, is reproduced in full color directly on a thin Mylar polyester film by a photo screen process.

For example, when the film is only four minutes old, Neitzbohr refers to a small, Victorian piano stool as `` Wilhelmina '', and we are thereupon subjected to a flashback that informs us that this very piano stool was once used by an epileptic governess whose name, of course, was Doris ( the English equivalent, when passed through middle-Gaelic derivations, of Wilhelmina ).

The effect, needless to say, is almost terrifying, and though at times a bit obscure, the film is certainly a much-needed catharsis for the `` repressed '' movie-goer.

Since the removal force is a function of coating thickness, a differential transformer pickup has been incorporated into the instrument to accurately measure film thickness.

If the force required to remove the coatings is plotted against film thickness, a graph as illustrated schematically in Fig. 5 may characteristically result.

Here, H is the coatings removal force measured parallel to the surface of the substrate and T is the film thickness.

If the cutting force, Af, is plotted against film thickness, a straight line should result passing through the origin and having slope Af.

This signifies that **yc, the rake angle, is no longer a constant to zero film thickness.

The resultant friction force, Af is thus directly proportional to Af and consequently also to film thickness.

The first two forces are directly interrelated and depend upon film thickness, whereas Af is independent of these two and is a constant for a given knife/coating combination.

Of the two, Porter is justly the better known, for he went far beyond the vital finding of fiction for films to take the first step toward fashioning a language of film, toward making the motion picture the intricate, efficient time machine that it has remained since, even in the most inept hands.

In a series of fairy tales and fantasies, Melies demonstrated that the film is superbly equipped to tell a straightforward story, with beginning, middle and end, complications, resolutions, climaxes, and conclusions.

In narrative, time is essential, as it is in film.

Almost everything about the movies that is peculiarly of the movies derives from a tension created and maintained between narrative time and film time.

The Great Train Robbery is a one-reel film.

The material of the Porter film is simplicity itself ; ;

The plane of the action in the scene is not parallel with the plane of the film in the camera or on the screen.

The physical film is cut with a knife at the end of one complete sequence, and the cut edge is joined physically, by cement, to the cut edge of the beginning of the next sequence.

The `` chase '' as a standard film device probably dates from The Great Train Robbery, and there is a reason for the continued popularity of the device.

Even the knowledge that she was losing another boy, as a mother always does when a marriage is made, did not prevent her from having the first carefree, dreamless sleep that she had known since they dropped down the canyon and into Bear Valley, way, way back there when they were crossing those other mountains.

Let me pass over the trip to Sante Fe with something of the same speed which made Mrs. Roebuck `` wonduh if the wahtahm speed limit '' ( 35 m.p.h. ) `` is still in ee-faket ''.

I seized the rack and made a western-style flying-mount just in time, one of my knees mercifully landing on my duffel bag -- and merely wrecking my camera, I was to discover later -- my other knee landing on the slivery truck floor boards and -- but this is no medical report.

He speaks your language too, for he is the grandson of a chieftain on Taui who made much magic and was strong and cunning.

It became the sole `` subject '' of `` international law '' ( a term which, it is pertinent to remember, was coined by Bentham ), a body of legal principle which by and large was made up of what Western nations could do in the world arena.

It is well then that in this hour both of `` national peril '' and of `` national opportunity '' we can take counsel with the men who made the nation.

`` I have just come from viewing a man who had made the fortune of his country, but now is working all night in order to support his family '', he reflected.

If his dancers are sometimes made to look as if they might be creatures from Mars, this is consistent with his intention of placing them in the orbit of another world, a world in which they are freed of their pedestrian identities.

Another, more interesting explanation, is hinted at by Watson when he observes on several occasions that Holmes would have made a magnificent criminal.

Since the hazards of poor communication are so great, p can be justified as a habitable site only on the basis of unusual productivity such as is made available by a waterfall for milling purposes, a mine, or a sugar maple camp.

But what a super-Herculean task it is to winnow anything of value from the mud-beplastered arguments used so freely, particularly since such common use is made of cliches and stereotypes, in themselves declarations of intellectual bankruptcy.

The making of distinctions, like the perception of the great distinctions made, is an inordinately difficult business.

Civilization is what man has made of himself.

The rocking, I realized, is the single element in the story that carries the erotic message, the unspoken and unconscious undercurrent that would mar the innocence of a child's fantasy and disturb the effects of the work if it were made explicit.

It is to say rather, I believe, that he has brought to bear on the history, the traditions, and the lore of his region a critical, skeptical mind -- the same mind which has made of him an inveterate experimenter in literary form and technique.

He is a utopian with a stake in tomorrow and he is a vulnerable human made captive by the circumstances of today.

No attempt is made by Ptolemy to weld into a single scheme ( a-la-Aristotle ), these independent predicting-machines.

Although it is constantly made to look foolish ( too simple to come in out of the rain, people say, who have found in the innocent an impediment ), it does not mind looking foolish because it is not concerned with how it looks.

This is the principal point made in this final section of Englishman No. 57, and it caps Steele's efforts in his other writing of these months to counteract the notion of the Tories as a `` Church Party '' supported by the body of the clergy.

We know that much is made of the multiplicity and ambiguity of the identities that cluster around the key symbol of the Jew.

The symposium provides an opportunity to confront the self with specific statements which were made at particular times by identifiable communicators who were addressing definite audiences -- and throughout several hundred pages everyone is talking about the same key symbol of identification.

One, a reservation on the point I have just made, is the phenomenon of pseudo-thinking, pseudo-feeling, and pseudo-willing, which Fromm discussed in The Escape From Freedom.