the administration's official budget review, which estimates a 6.9 billion dollar deficit for the current fiscal year, isn't making anyone happy.

We sympathize with Mr. Kennedy, but we feel bound to say that his budget review doesn't please us either, although for very different reasons.

Every few minutes she would awaken for a moment to review things: Stowey, yes, was on his way south, and the two boys were away in school, and nothing was burning on the stove, and Lucretia was coming for dinner and bringing three guests of hers.

Probably the most important of all matters for review are the broad administrative policies governing the purchase, assignment, use, and management of state vehicles.

The demand for teaching sets continues unabated since they provide the means for the military physicians to review the pathology of selected disease processes or organ systems for review of basic sciences and correlation of clinical physiological behavior with structural changes.

There we held `` that the statutory scheme for review, within the selective service system, entitles [ conscientious objectors ] to no guarantee that the FBI reports must be produced for their inspection ''.

To avoid passing over quiet, unaggressive teachers as well as to decide whether others merit promotion, review of the right of faculty members to promotion or salary increases should be made periodically whether or not they have been recommended for advancement by their departments.

For almost a hundred years we relied upon state courts ( subject to review by the Supreme Court ) for the protection of most rights arising under national law.

About 70 North Providence taxpayers made appeals to the board of tax assessors for a review of their 1961 tax assessments during the last two days at the town hall in Centredale.

A measure passed by Congress just before adjourning softened the ruling's impact, on prior-year returns still under review, for clay-mining companies that make brick and tile products.

In United States appellate procedure, an appeal is a petition for review of a case that has been decided by a court of law.

There are many types of standard of review for appeals, such as de novo and abuse of discretion.

" Appellate review " is the general term for the process by which courts with appellate jurisdiction take jurisdiction of matters decided by lower courts.

It is distinguished from judicial review, which refers to the court's overriding constitutional or statutory right to determine if a legislative act or administrative decision is defective for jurisdictional or other reasons ( which may vary by jurisdiction ).

In Anglo-American common law courts, appellate review of lower court decisions may also be obtained by filing a petition for review by prerogative writ in certain cases.

This might be the proper standard of review, for example, if the lower court resolved the case by granting a pre-trial motion to dismiss or motion for summary judgment which is usually based only upon written submissions to the trial court and not on any trial testimony.

* 1967 – Film critic Roger Ebert published his very first film review in the Chicago Sun-Times.

In a review in the Chicago Sun-Times, Roger Ebert states: " Barrymore is the right actress for this role precisely because she approaches it with such grave calm.

" However, in his review for the Chicago Reader, Dave Kehr, wrote " it fails to satisfy – it gives us too little of too much.

" Conversely, Pat Graham of Chicago Reader disliked the mix of horror and comedy, writing in his review that " The pop-up humor and smirkiness suggest Raimi's aspiring to the fashionable company of the brothers Coen, though on the basis of this strained effort I'd say he's overshot the mark.

Chicago Tribune critic Chris Jones, noted in his review of the Broadway musical, " Bloody, Bloody, Andrew Jackson " that the hybrid had become the most viable of the contemporary formats.

* Brian Whitaker, " Distorting Desire ", review, Joseph Abbad, Desiring Arabs, Chicago: University of Chicago Press, 2007, from Al-Bab. com, on Reflections of a Renegade blog site

The Chicago Sun-Times dubbed the Park Grill the " Clout Cafe " and included the contract award process in a year-end review of 2005 Daley administration scandals.

* Roger Ebert, review, The Last Emperor, Chicago Sun-Times, December 9, 1987.

In his review in the Chicago Sun-Times, a disappointed Roger Ebert wrote, " The characters in this movie may look like adults, but they think like teenagers.

Ebert is known for his film review column ( appearing in the Chicago Sun-Times since 1967, and later online ) and for the television programs Sneak Previews, At the Movies with Gene Siskel and Roger Ebert, and Siskel and Ebert and The Movies, all of which he co-hosted for a combined 23 years with Gene Siskel.

In 1975, Ebert and Gene Siskel of the Chicago Tribune began co-hosting a weekly film review television show, Sneak Previews, which was locally produced by the Chicago public broadcasting station WTTW.

Roger Ebert of the Chicago Sun-Times gave the film a three-star rating in his review, while Peter Rainer of the The Los Angeles Times wrote that " the action upstaged the actors.

Two months after the showing in Chicago and Wilmington's review, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being " culturally, historically, or aesthetically significant.

In his review for the Chicago Sun-Times, Roger Ebert wrote, " Diane Keaton gives us a fresh and nicely edged New York intellectual.

Roger Ebert awarded the film four out of four stars and wrote in his review for the Chicago Sun-Times, " The movie is a satire that contains just enough realistic ballast to be teasingly plausible ; like Dr. Strangelove, it makes you laugh, and then it makes you wonder.

Jonathan Rosenbaum, in his review for the Chicago Reader, praised Holly Hunter's performance as " something of a revelation: her short, feisty, socially gauche, aggressive-compulsive character may be the most intricately layered portrait of a career woman that contemporary Hollywood has given us ".

Film critic Roger Ebert of the Chicago Sun-Times wrote a positive review of the film, enjoying the story as well as the animation.

Roger Ebert's review for the Chicago Sun-Times was :" Any attempt to defend this movie on rational grounds is futile.

Roger Ebert derided the film with two stars in his review for the Chicago Sun-Times, and mentioned, " it lacks much of the flash, fire and humor of Muhammad Ali and is shot more in the tone of a eulogy than a celebration ".

Roger Ebert of the Chicago Sun-Times awarded the film three out of four stars, concluding his review by stating, " It's one of the most expensive B-pictures ever made, and I think that helps it fit the subject.

However, Jonathan Rosenbaum gave the film a mixed review in the Chicago Reader.

Roger Ebert, in his review for the Chicago Sun-Times, criticized the film for being " a mediocre movie with a good one trapped inside, wildly signaling to be set free ".

Dave Kehr, in his review for the Chicago Reader, wrote, " The first-time director, Harold Ramis, can't hold it together: the picture lurches from style to style ( including some ill-placed whimsy with a gopher puppet ) and collapses somewhere between sitcom and sketch farce ".

" Dave Kehr of the Chicago Reader gave a positive review, claiming that " Argento works so hard for his effects — throwing around shock cuts, colored lights and peculiar camera angles — that it would be impolite not to be a little frightened ".< ref > Although J. Hoberman of The Village Voice gave a positive review as well, he calls it " a movie that makes sense only to the eye ".

Dave Kehr of The Chicago Reader offered a positive review and wrote: " Terrence Malick's remarkably rich second feature is a story of human lives touched and passed over by the divine, told in a rush of stunning and precise imagery.

" Dave Kehr of the Chicago Reader gave the film a favorable review, calling the film, " clearly an extension of Taxi Driver and the " uncenteredness of the film is irritating, though it's irritating in an ambitious, risk-taking way.

In his review for the Chicago Reader, J. R. Jones wrote, " This debut feature by Kerry Conran is a triumph not only for its technical mastery but for its good taste ".

* Pre-release Reader review copies of the first issue of several series, some in black and white.

In his review for The Chicago Reader, Jonathan Rosenbaum wrote, " What emerges is a powerhouse thriller full of surprises, original touches, and rare political lucidity ".

* In her New Yorker review of A. A. Milne's The House at Pooh Corner ( 1928 ) Dorothy Parker, writing under the book reviewer pen name Constant Reader, purposefully mimics baby talk when dismissing the book's syrupy prose style: " It is that word ' hummy ,' my darlings, that marks the first place in The House at Pooh Corner at which Tonstant Weader fwowed up.

The Chicago Reader gave a favorable review of the film, referring to it as a " gorgeously animated surrealist adventure ".

Chicago Reader gave the film a generally positive review, saying " Amazingly, this 1953 picture isn't half bad ".

In his review for the Chicago Reader, Jonathan Rosenbaum wrote, " At the same time that Dante has a field day brutally satirizing our desire to scare ourselves and others, he also re-creates early-60s clichés with a relish and a feeling for detail that come very close to love ".

" Jonathan Rosenbaum of the Chicago Reader gave the film a favorable review, writing " You have to bring a lot of yourself to this film if you want it to give something back, but the rewards are considerable.

In his own review of Kiarostami's film, critic Jonathan Rosenbaum of the Chicago Reader awarded it a total of 4 out of 4 stars, and hailed it as a masterpiece.

In his review for the Chicago Reader, Jonathan Rosenbaum wrote, " The movie starts off as a narrative, but gradually grows into something much more abstract — it's unsettling, but also beautiful ".

The 1989 Reader review was titled " Cafe Largo mixes food and music-memorably ".

" The only top critic to give a positive review of the film ( according to Rotten Tomatoes ) was Dave Kehr of the Chicago Reader.

In his review for the Chicago Reader, Dave Kehr wrote, " Chase and Ritchie make a strong, natural combination: the union of their two flip, sarcastic personalities produces a fairly definitive example of the comic style of the 80s, grounded in detachment, underreaction, and cool contempt for rhetorically overblown authority figures ".

* Editor The Fundamental Holmes: A Free Speech Chronicle and Reader ( Cambridge University Press, 2010 ) ( review here )