Bryn Mawr Drive is only two or three miles from the Spartan, and it took me less than five minutes to get there.

Actually, only two men know what the formula is, Blake and '' -- He stopped and looked at Thor's body.

In fact it has caused us to give serious thought to moving our residence south, because it is not easy for the most objective Southerner to sit calmly by when his host is telling a roomful of people that the only way to deal with Southerners who oppose integration is to send in troops and shoot the bastards down.

This is the only case in modern history of a people of Britannic origin submitting without continued struggle to what they view as foreign domination.

Recognizing that the Rule of Law is `` a dynamic concept which should be employed not only to safeguard the civil and political rights of the individual in a free society '', the Congress asserted that it also included the responsibility `` to establish social, economic, educational and cultural conditions under which his legitimate aspirations and dignity may be realized ''.

It is the gait of the human who must run to live: arms dangling, legs barely swinging over the ground, head hung down and only occasionally swinging up to see the target, a loose motion that is just short of stumbling and yet is wonderfully graceful.

They are huge areas which have been swept by winds for so many centuries that there is no soil left, but only deep bare ridges fifty or sixty yards apart with ravines between them thirty or forty feet deep and the only thing that moves is a scuttling layer of sand.

Others are confined to vast reservations, and not only does the Australian government justifiably not wish them to be viewed as exhibits in a zoo, but on their reservations they are extremely fugitive, shunning camps, coming together only for corroborees at which their strange culture comes to its highest pitch -- which is very low indeed.

`` Now that Bruno Walter is virtually in retirement and my dear friend Dimitri Mitropoulos is no longer with us, I am probably the only one -- with the possible exception of Leonard Bernstein -- who has this special affinity for and champions the works of Bruckner and Mahler ''.

Thus, there is freshness not only in the individual movements of the dance but in the shape of their continuity as well.

The answers derived by these means may determine not only the temporal organization of the dance but also its spatial design, special slips designating the location on the stage where the movement is to be performed.

I think it is essential, however, to pinpoint here the difference between the two concepts of sovereignty that went to war in 1861 -- if only to see better how imperative is our need today to clarify completely our far worse confusion on this subject.

To my knowledge, Lincoln remains the only Head of State and Commander-in-Chief who, while fighting a fearful war whose issue was in doubt, proved man enough to say this publicly -- to give his foe the benefit of the fact that in all human truth there is some error, and in all our error, some truth.

It is all around us and our only chance now is to let it in.

( Since the time-span of the nation-state coincides roughly with the separate existence of the United States as an independent entity, it is perhaps natural for Americans to think of the nation as representative of the highest form of order, something permanent and unchanging.

And it is expressed, at least to their taste, in a perfect form.

The unit of form is determined subjectively: `` the Heart, by the way of the Breath, to the Line ''.

The test of form is fidelity to the experience, a gauge also accepted by the abstract expressionist painters.

But in this approach it is the artist's ultimate insight, rather than his immediate impressions, that gives form to the work.

It is through the metamorphosed dancer that the germ of form is discovered.

It only means that there will be new form, and that this form will be of such a type that it admits the chaos and does not try to say that the chaos is really something else.

That is why the form itself becomes a preoccupation, because it exists as a problem separate from the material it accommodates.

To find a form that accommodates the mess, that is the task of the artist now ''.

Though sex in some form or other enters into all human activity and it was a good thing that Freud emphasized this aspect of human nature, it is fantastic to explain everything in terms of sex.

How is the beat poet to achieve unity of form when he is at the same time engaged in a systematic derangement of senses.

But the highroad, according to the description of its traffic, belongs to life as it is lived in unawareness of death, while the way to the churchyard belongs to some other sort of life: a suffering form, an existence wholly comprised in the awareness of death.

And if I have gone into so much detail about so small a work, that is because it is also so typical a work, representing the germinal form of a conflict which remains essential in Mann's writing: the crude sketch of Piepsam contains, in its critical, destructive and self-destructive tendencies, much that is enlarged and illuminated in the figures of, for instance, Naphta and Leverkuhn.

All such imitations of negative quality have given rise to a compensatory response in the form of a heroic and highly individualistic humanism: if man can neither know nor love reality as it is, he can at least invent an artistic `` reality '' which is its own world and which can speak to man of purely personal and subjective qualities capable of being known and worthy of being loved.

Whitehead contends that the human way of understanding existence as a unity of interlocking and interdependent processes which constitute each other and which cause each other to be and not to be is possible only because the basic form of such an understanding, for all its vagueness and tendency to mistake the detail, is initially given in the way man feels the world.

In a bold, sometimes careless, form there is nothing academic ; ;

This is brought out in the next to last chapter of the book, `` A Hero's Funeral '', written in the form of an impassioned prose poem.

But let us not complain of the evils of capitalism by referring to a form that is not truly capitalistic.

The smell is sexual, but so powerfully so that a civilized nose must deny it.

Jazz is sex, marijuana is a stimulus to sex, the beat tempo is adjusted to the orgiastic release of the sexual impulse.

it is a mystique, and their private language is rich in the multivalent ambiguities of sexual reference so that they dwell in a sexualized universe of discourse.

The dance is but a disguised ritual for the expression of ungratified sexual desire.

It is therefore not surprising that they resist the lure of marriage and the trap of domesticity, for like cats they are determined not to tame their sexual energy.

If Wilhelm Reich is the Moses who has led them out of the Egypt of sexual slavery, Dylan Thomas is the poet who offers them the Dionysian dialectic of justification for their indulgence in liquor, marijuana, sex, and jazz.

And Zen Buddhism, though it is extremely difficult to understand how these internal contradictions are reconciled, helps them in their struggle to achieve personal salvation through sexual release.

The style of life chosen by the beat generation, the rhythm and ritual they have adopted as uniquely their own, is designed to enhance the value of the sexual experience.

Jazz is good not only because it promotes wholeness but because of its decided sexual effect.

indeed, it is maintained that the sexual element in jazz, by freeing the listener of his inhibitions, can have therapeutic value.

This confession serves to make clear in part what is behind this sexual revolution: the craving for sensation for its own sake, the need for change, for new experiences.

Discussions of the giants one by one will include, as far as possible, data on these aspects of growth: size at which life is started and at which sexual maturity is reached ; ;

He felt certain for the first time in his teaching experience that the men in the class understood that orgasm, as a criterion, is not nearly so essential for a satisfying female sexual experience as most males might think.

The accumulated information on this point shows that first intercourse, even when it is achieved with minimum pain or difficulty, is seldom an overwhelming sexual experience to a woman.

In a growing number of American homes, marriage counselors report, the wife is taking a commanding role in sexual relationships.

It is she who decides the time, the place, the surroundings, and the frequency of the sexual act.

It is she who says aye or nay to the intimate questions of sexual technique and mechanics -- not the husband.

It is only natural that she assert herself in the sexual role.

A world in which wives have taken a more active role is likely to produce sexual relationships in which wives are more self-assertive, too ''.