[permalink] [id link]
* Cobbing: Players must not make excessive use of their elbows against opponents.
from
Wikipedia
Some Related Sentences
Cobbing and use
During the first half of the 1970s, Cobbing was able to use the facilities of the Poetry Society to produce Writers Forum books.
Cobbing and their
Around this time, Cobbing, Finch and others established the Association of Little Presses ( ALP ) to promote and support small press publishers and organise book fairs at which they could sell their productions.
Cobbing brought in his own equipment and allowed it to be used by anyone wishing to print their own book of poetry.
Contemporary and post-conceptual artists also made artist's books an important aspect of their practice, notably William Wegman, Bob Cobbing, Martin Kippenberger, Raymond Pettibon, and Suze Rotolo.
In a paper published in the Journal of African History in 1988, Cobbing argued persuasively that the Mfecane had been the construct of Apartheid politicians and historians attempting to justify the longstanding oppression of black South Africans by their white colonisers.
Cobbing and against
In the mid-1970s, against tremendous opposition of the rump of the old guard on the Poetry Society General Council, Cobbing and others opened a public print shop on the society's premises.
Cobbing and .
The work of John Wright ( history professor at University of KwaZulu-Natal, Pietermaritzburg ), Julian Cobbing and Dan Wylie ( Rhodes University, Grahamstown ) have been among a number of writers who have modified these stories.
Several important concrete poets have also been significant sound poets, among them Henri Chopin, Ernst Jandl, and Bob Cobbing.
These included Charles Tomlinson, Gael Turnbull, Roy Fisher and Bob Cobbing.
Zaum ), and Dada poets ( such as Raoul Hausmann or Kurt Schwitters ) had already been doing, and what subsequent sound poets and concrete poets ( such as Bob Cobbing, Eduard Ovčáček or Henri Chopin ) would later be doing.
These poets, who included Tom Raworth, Bob Cobbing, Gael Turnbull and others formed the nucleus of the British Poetry Revival.
Cobbing's hypothesis ( now known by many historians as the " Cobbing Controversy ") remains controversial.
Eldredge also asserts that Cobbing downplays the importance of the ivory trade in Delagoa Bay, and the extent to which African groups and leaders sought to establish more centralized and complex state formations in order to control ivory routes and the wealth associated with the trade.
Together with Bob Cobbing, he founded the influential Writers Forum Press and writers workshop.
These poets included Roy Fisher, Gael Turnbull, Ian Hamilton Finlay, Bob Cobbing, Jeff Nuttall, Tom Raworth, Michael Horovitz, Eric Mottram, Peter Finch, Edwin Morgan, Jim Burns, Elaine Feinstein, Lee Harwood and Christopher Logue.
In the 60s and early 70s Peter Finch, an associate of Bob Cobbing, ran the No Walls Poetry readings and the ground breaking inclusive magazine, second aeon.
Nuttall and MacSweeney both served as chairperson of the society during this period and Bob Cobbing used the photocopying facilities in the basement of the society's building to produce Writers Forum books.
Bob Cobbing ( 30 July 1920 – 29 September 2002 ) was a British sound, visual, concrete and performance poet who was a central figure in the British Poetry Revival.
Cobbing was born in Enfield and grew up within the Plymouth Brethren.
Cobbing had his own equipment elsewhere throughout the 40 years of his ( largely solo ) operation of Writers Forum.
Cobbing also explored his interest in performance works for multiple voices and musical instruments in groups like Bird Yak and Konkrete Canticle, which included poets Paula Claire and Bill Griffiths and musician Michael Chant.
Cobbing was a prolific writer and performer and continued to work right up to his death.
The meeting had been called by Bob Cobbing of Writers Forum and Stuart Montgomery of Fulcrum Press and was attended by representatives of a number of other small press publishers.
Later prominent sound poets include Henri Chopin, Bob Cobbing, Ada Verdun Howell, Allen Ginsberg, bpNichol, William S. Burroughs, Giovanni Fontana, Bernard Heidsieck, Enzo Minarelli, Mathias Goeritz, Andras Petocz, and Jaap Blonk, a Dutch sound poet who often works with improvising musicians.
O ' Sullivan's work is influenced by Kurt Schwitters, Joseph Beuys, Jerome Rothenberg, Bob Cobbing and Basil Bunting.
Players and must
Players must navigate one side of the double diamond, hit the stake, then navigate the opposite side of the double diamond and hit the starting stake to win the game.
Players must have good aim throughout the entire game, even as they become increasingly inebriated.
Players must release the disc while inside the box, but may step out / off of it after the release.
Players are allowed to keep four progress cards ( five in a five to six player game ), and any additional ones must be discarded on the spot ( unless the 5th card is a victory point, which is played immediately and the original progress cards remain ).
Players must convert their pirate fortresses and have 10 victory points before being able to claim victory.
Players begin with both settlements on one of the islands, and must build ships connecting settlements between the two islands.
Players must pay attention to how many cards other players change, but should not take too much for granted in this phase.
Players must learn to coordinate two hands and use them independently.
Players must follow suit, unless they have no cards of the led suit, in which case they may play any card.
Players must then " make it work " to move on to the next round.
Players are limited to some finite number of actions, and in some cases must split their resources between these actions ( so that additional actions make each less effective ).
Players must be retired and must have played at least four years with the Phillies or Athletics.
Players on the main adult tour who are under 18 must have documents signed by a parent or guardian.
# Players must alternate hitting the ball.
Players must unravel clues in order to achieve some of victory condition, which will then allow them to advance to the next level.
Players must master techniques such as blocking, counter-attacking, and chaining together sequences of attacks known as " combos ".
Players must learn which attacks and defenses are effective against each other, often by trial and error.
Players must remove any other pieces first before removing a piece from a formed mill.
* Players must be capable of being produced in high volume, parts must be interchangeable, and must be easy to service.
* Players must not stray over the boundary lines of the pitch, although they may fly as high as desired.
* Players may take their wands onto the pitch, but they must not be used on or against any players, any player's broomstick, the referee, any of the four balls, or the spectators.
0.478 seconds.