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* Folio 3 recto: Creation of man ( Genesis, 1: 26-28, 31 ; 2: 1-2 ).
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Folio and 3
" Working from a translation of the First Folio text by Wolf Graf von Baudissin, Dürrenmatt altered much of the dialogue and changed elements of the plot ; the fly killing scene ( 3. 2 ) and the interrogation of Aaron ( 5. 1 ) were removed ; Titus has Aaron cut off his hand, and after he realises he has been tricked, Marcus brings Lavinia to him rather than the other way around as in the original play.
All references to Henry VI, Part 3, unless otherwise specified, are taken from the Oxford Shakespeare ( Martin ), based on the First Folio text of 1623.
There have been no new versions of Monster Manual II or Fiend Folio for the 3. 5 edition of Dungeons & Dragons, however update errata for both volumes and for the original third edition Monster Manual are available for download from the publishers website.
The Fiend Folio was released before the 3rd edition rules were revised to the 3. 5 edition ; the book's designers tried to anticipate changes due to appear in the revised Monster Manual and implement them in the Fiend Folio.
The courtiers always appear as a pair, except in editions following the First Folio text, where Guildenstern enters four lines after Rosencrantz in Act IV, Scene 3.
" ( Journal of Emilius Simpson ; HBC Archives ' accession B223 / a / 3 1826 Folio 39D-41 ) Source: included with note
Folio and recto
Folio 56 recto of the Aberdeen Bestiary has a miniature ( illuminated manuscript ) | miniature of the Phoenix ( mythology ) | Phoenix.
* Folio 7 recto: Lion ( Leo ) ( Physiologus, Chapter 1 ; Isidore of Seville, Etymologiae, Book XII, ii, 3-6 )
* Folio 9 recto: Panther ( Panther ) ( Physiologus, Chapter 16 ; Isidore of Seville, Etymologiae, Book XII, ii, 8-9 )
* Folio 10 recto: Elephant ( Elephans ) ( Isidore of Seville, Etymologiae, Book XII, ii, 14 ; Physiologus, Chapter 43 ; Ambrose, Hexaemeron, Book VI, 35 ; Solinus, Collectanea rerum memorabilium, xxv, 1-7 )
Folio and Creation
Folio and man
Due to his intimate involvement in the creation of the First Folio, readers have found it both tempting and easy to idealize Heminges ; one early critic, exercising more admiration than objectivity, wrote that " He was a fine actor, a trustworthy man, and had a good head for business.
The lizard king, a more intelligent and evil relative to the more common lizard man, was introduced in the Fiend Folio ( 1981 )
Folio and Genesis
Folio and 1
The back or second ( verso ) side of Folio 1, in a half-page illustration, depicts the initial stages of the creation of the Libro de juegos, accompanied by text on the bottom half of the page, and the front or first ( recto ) side of Folio 2 depicts the transmission of the game of chess from an Indian Philosopher-King to three followers.
* The Folio Society published a limited edition ( 1, 000 copies ) of the Rubáiyát to mark the 150th anniversary.
Popular plays like 1 Henry IV and Pericles were reprinted in their quarto editions even after the First Folio appeared, sometimes more than once.
The modern text of King Lear derives from three sources: two quartos, published in 1608 ( Q < sub > 1 </ sub >) and 1619 ( Q < sub > 2 </ sub >) respectively, and the version in the First Folio of 1623 ( F < sub > 1 </ sub >).
All references to Henry VI, Part 1, unless otherwise specified, are taken from the Oxford Shakespeare ( Taylor ), based on the First Folio text of 1623.
Additionally, in Act 1, Scene 4, during the conjuration, there is no separate spirit in the scene ; all the spirit's dialogue is spoken ' through ' Jourdayne, and her lines from the Folio are omitted.
" Most significant is in Act 5, Scene 1, where the incident involving Clarence's return to the Lancastrian side is completely different to the text found in the Folio, and is taken entirely from the octavo text of The True Tragedy of Richard Duke of York ( 1595 ).
Some may be collaborations between Shakespeare and other dramatists ( yet it must be remembered that the First Folio includes plays such as Henry VIII, Henry VI, part 1 and Timon of Athens that are believed to be collaborative, according to modern stylistic analysis ).
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