Critic Taran Adarsh wrote of his performance in the film, " he's sure to win the hearts of millions of moviegoers with a terrific portrayal in this film.

Critic, Taran Adarsh said, " Raveena Tandon lends credibility to the role of a battered wife and walks away with the honours.

Critic, Taran Adarsh wrote, " Raveena Tandon delivers a bravura performance.

Critic Taran Adarsh described the subject matter as a delicate one which could have easily been disastrous and praised the way in which director Karan's boldly constructed the film, citing it has his finest work to date.

Critic William Kuhn argued that much of his fiction can be read as " the memoirs he never wrote ", revealing the inner life of a politician for whom the norms of Victorian public life appeared to represent a social straitjacket – particularly with regard to his allegedly " ambiguous sexuality.

Critic Jon Savage would later say that their singer Ian Curtis wrote " the definitive Northern Gothic statement ".

Critic Alexander Woollcott wrote of Bogart's early work that he " is what is usually and mercifully described as inadequate.

Critic and humorist Louis Leroy wrote a scathing review in the newspaper Le Charivari in which, making wordplay with the title of Claude Monet's Impression, Sunrise ( Impression, soleil levant ), he gave the artists the name by which they became known.

Critic Janet Maslin of The New York Times wrote that the film was the greatest adaptation of the novel and remarked on Dunst's performance, " The perfect contrast to take-charge Jo comes from Kirsten Dunst's scene-stealing Amy, whose vanity and twinkling mischief make so much more sense coming from an 11-year-old vixen than they did from grown-up Joan Bennett in 1933.

Critic Billy Altman, whose work has appeared in many publications including Entertainment Weekly and The New York Times, wrote the following for Amazon. com: " One of rock's most overlooked masterpieces, this third album by the L. A. folk-rock outfit led by inscrutable singer-songwriter Arthur Lee sounds as fresh and innovative today as it did upon its original release in 1968.

Critic John Clute wrote of M. John Harrison's early writing that it "... reveals its New-Wave provenance in narrative discontinuities and subheads after the fashion of J. G. Ballard ".

Critic Rex Reed wrote, " If you want to see what turns a B movie into a classic [...] don't miss Night of the Living Dead.

Critic Stewart Mason wrote, " Over their brilliant first three albums, Wire expanded the sonic boundaries of not just punk, but rock music in general.

Critic Roger Ebert wrote of Keaton's " extraordinary period from 1920 to 1929, he worked without interruption on a series of films that make him, arguably, the greatest actor-director in the history of the movies.

Critic Henry Prunières wrote, “ From the opening measures, we are plunged into a world in which Ravel has but rarely introduced us .”

Critic Bosley Crowther, film critic for The New York Times, liked the screenplay, the message of the film, and John Ford's direction, and wrote, " John Ford has truly fashioned a modern Odyssey — a stark and tough-fibered motion picture which tells with lean economy the never-ending story of man's wanderings over the waters of the world in search of peace for his soul ... it is harsh and relentless and only briefly compassionate in its revelation of man's pathetic shortcomings.

Critic Dennis Schwartz appreciated the acting ensemble in the film and wrote, " The film was too stagebound to be effective cinema, but it scores points in its unsentimental portrait of the loser life of the lonely and desperate merchant seamen.

Critic Edward Dannreuther, wrote, in the 1905 edition of The Oxford History of Music, " Mussorgsky, in his vocal efforts, appears wilfully eccentric.

Critic and author Eddie Muller wrote, " Joseph H. Lewis's direction is propulsive, possessed of a confident, vigorous simplicity that all the frantic editing and visual pyrotechnics of the filmmaking progeny never quite surpassed.

Critic John Krewson lauded the work of Ida Lupino, and wrote, " As a screenwriter and director, Lupino had an eye for the emotional truth hidden within the taboo or mundane, making a series of B-styled pictures which featured sympathetic, honest portrayals of such controversial subjects as unmarried mothers, bigamy, and rape ... in The Hitch-Hiker, arguably Lupino's best film and the only true noir directed by a woman, two utterly average middle-class American men are held at gunpoint and slowly psychologically broken by a serial killer.

Critic Dennis Schwartz wrote, " A remarkable indy classic, made on a shoestring budget by a group of still photographers.

Critic Frederic and Mary Ann Brussat wrote, " Here's a nice little movie about the baby boom generation ... Novelist John Sayles wrote, directed, and edited this movie.

Critic Pare Lorentz wrote, " The Warner brothers have declared war on Germany with this one.

Critic Roger Ebert wrote an article entitled, " Attacks on ' Roger & Me ' completely miss point of film " that defends Moore's manipulation of his film's timeline as an artistic and stylistic choice that has less to do with his credibility as a filmmaker and more to do with the flexibility of film as a medium to express a viewpoint using the same methods that satirists have used.

Critic Robert Cantwell wrote in his unpublished memoir Twigs of Folly:

Critic Jerry Renshaw wrote, " A Double Life is an unusually intelligent, literate noir that is a classy departure from the pulpy " B " atmospherics often associated with the genre.

Critic Scott Yanow wrote, " Tatum's quick reflexes and boundless imagination kept his improvisations filled with fresh ( and sometimes futuristic ) ideas that put him way ahead of his contemporaries ... Art Tatum's recordings still have the ability to scare modern pianists.

Critic Jason Ankeny wrote, " With their politically charged raps, taut rhythms, and dedication to raising African-American consciousness, the Last Poets almost single-handedly laid the groundwork for the emergence of hip-hop.

Critic Dave Marsh suggests it is this moment that gives the recording greatness: " went for it so avidly you'd have thought he'd spotted the jugular of a lifelong enemy, so crudely that, at that instant, Ely sounds like Donald Duck on helium.

*" Critic At Large ", where Gilbert Smythe Bite-Me ( Abbott ), an entertainment critic, gives negative reviews, and takes regular potshots at the Women's Television Network, describing them as ' a bunch of scrotally-deprived, estrogen-sodden non-males ', and ' not just because three of ( his ) ex-wives work there.

Critic Vincent Canby wrote, " Ms. Tomei gives every indication of being a fine comedian, whether towering over Mr. Pesci and trying to look small, or arguing about a leaky faucet in terms that demonstrate her knowledge of plumbing.

Critic Jitesh Pillai analyzed, " Ultimately your heart leaps out to the magical Shah Rukh Khan, who unarguably gives his career's finest performance.

Critic Peter Bradshaw of The Guardian gives the film a score of 3 out of 5.

Critic Roger Ebert gave the movie three stars out of four, saying " Gibson gives an interesting performance, showing a man trying to think his way out of a crisis, and Sinise makes a good foil: Here are two smart men playing a game with deadly stakes.

Critic John Sutherland ( 1989 ) described the work as " the most sensationally successful of all the sensation novels.

Critic W. S. Di Piero noted " Whatever the occasion, childhood, farm life, politics and culture in Northern Ireland, other poets past and present, Heaney strikes time and again at the taproot of language, examining its genetic structures, trying to discover how it has served, in all its changes, as a culture bearer, a world to contain imaginations, at once a rhetorical weapon and nutriment of spirit.

" Critic Howard Halle said of it that " Using distance and attendant shifts of scale within the very fabric of the city, Horizon creates a metaphor for urban life and all the contradictory associations – alienation, ambition, anonymity, fame – it entails.

Critic Dennis Schwartz called the film, " A fresh smelling film noir directed with great skill by George Marshall from the screenplay of Raymond Chandler ( the only one he ever wrote for the screen, his other films were adapted from novels of others and, ironically, film adaptations of his novels were all written by other screenwriters ).

Critic Mark Demming writes " Quine's eclectic style embraced influences from jazz, rock, and blues players of all stripes, and his thoughtful technique and uncompromising approach led to rewarding collaborations with a number of visionary musicians.

Critic Roger Ebert reviewed Deep Throat in an early 1973 column, giving it a no-stars rating and writing, " It is all very well and good for Linda Lovelace, the star of the movie, to advocate sexual freedom ; but the energy she brings to her role is less awesome than discouraging.

Critic Thomas Ward called this recording " one of the most astonishing accomplishments in all of twentieth century music.

Critic and scholar John Sutherland says that of all the books Gardner published, " it's the one that most deserves to survive.

Critic Roger Ebert wrote in the Chicago Sun-Times: " The film is a masterful achievement on all the technical levels -- it does an especially good job of convincing us with its Asian locations -- but the best moments are the human ones, the conversations, the exchanges of trust, the waiting around, the sudden fear, the quick bursts of violence, the desperation.

Critic Roger Ebert said of his performance that he " seems to have become the latter-day version of Christopher Walken – not all the time, but when you need him, he's your go-to guy for weirdness.

Critic Roger Ebert of the Chicago Sun-Times called the film "... quite an improvement on Cooper's all but unreadable book, and a worthy successor to the Randolph Scott version ," going on to say that " The Last of the Mohicans is not as authentic and uncompromised as it claims to be — more of a matinee fantasy than it wants to admit — but it is probably more entertaining as a result.

Screwattack named it the second worst Mario game of all time., while others were much more positive, like The Video Game Critic, who gave it an A rating, calling it " a satisfying mix of strategy and arcade action " and " a must have for Virtual Boy owners.

[...] This episode doesn't say ' Watch The Critic all over it.

" Critic Robert Christgau graded the album as a B + though he felt that Beefheart's " much-bruited commercial bid turns out to have all the mass appeal of King of the Delta Blues Singers ".

* There is also some programming seen on all Newfoundland systems, such as One Chef One Critic ( produced in St. John's ), hosted by Central Dairies chef Steve Watson and The Telegram food critic ( and former CBNT weather personality ) Karl Wells.

Critic Jason Ankeny declares that " Weston's name and fingerprints are all over the American underground rock of the post-punk era, producing and engineering dates for a seemingly endless number of bands.

The Video Game Critic gave the game an A-stating " David Crane clearly pulled out all the stops with this one, and the result is an exciting adventure that really pushes the limits of the system.

Critic Jeffrey M. Anderson of the San Francisco Examiner said, " Each episode is beautifully crafted, with an eye on lush, shadowy visuals and a pulsing, jazz-like rhythm ... the show is almost consistently funny, consistently brilliant, and, best of all, compulsively watchable.