Her line-by-line translations, complete with brackets where the ancient papyrus sources break off, are meant to capture both the original's lyricism and its present fragmentary nature.

Her talent in composition and translation is evidenced in her fine translations of the works of poets writing in French, English, Italian, Armenian, and Korean.

In 1985 he published his translated version of one short story " The Circular Ruins " of Jorge Luis Borges which was published in a book of sixteen story translations ( all by Bowles ) called " She Woke Me Up So I Killed Her ".

Her translations of Pāli texts were at times idiosyncratic but her contribution was considerable.

Her translations of Turgenev were highly regarded by Rachel May, in her study on translating Russian classics.

Her works include several translations from French, e. g. " Elizabeth, or the Exiles of Siberia "

Her influence — through literary patronage, through publishing her brother's works and through her own verse forms, dramas, translations and theology ( e. g. she translated Philippe de Mornay's Discourse of Life and Death — cannot be easily quantified.

Her English translation of The Accordionist's Son by the Basque author Bernardo Atxaga was published by Harvill Secker ( 2007 ) and won a Times Literary Supplement Translation Prize in January 2010 ; while her previous translations of Atxaga's work include The Lone Man ( 1996 ) and The Lone Woman ( 1999 ).

Her linguistic abilities and her intimate knowledge of traditional and Christianised Sioux culture, together with her deep commitment both to Native American culture and to scholarship, allowed Deloria to carry out important, often ground-breaking work in anthropology and ethnology, as well as to produce translations in to English of historical and scholarly texts in Sioux ( such as the Lakota texts of George Bushotter and the Santee texts of Gideon and Samuel Pond ).

Her translations and introduction to Cristina Peri Rossi's poetry appeared in State of Exile, Number 58 in the City Lights Pocket Poets Series.

Her 2002 book Tender Taxes is a collection of English versions ( or translations ) of Rainer Maria Rilke's French poems.

Her translations are separate works themselves as they provide distinct insights into her own personal interpretations of both Baudelaire's poems and Baudelaire himself.

Her translation of Cervantes ' Don Quixote, published in 2003, is considered one of the finest translations of the Spanish masterpiece in the English language, praised by such author / critics as Carlos Fuentes and Harold Bloom.

Her eyes were glazed as if she didn't hear or even see him.

Her blond hair was frowzy, her dress torn in several places, and her shoes were so completely worn out that they were practically no protection.

Her legs were the full, sexy kind, full bodied like a rare wine and just as tantalizing to the appetite ; ;

Her glance swung past the trailer where the two drivers were standing.

Her long thin arms moved in a slow rhythmical gesture over the family possessions which were placed in front of her.

Her quarters were on the right as you walked into the building, and her small front room was clogged with heavy furniture -- a big, round, oak dining table and chairs, a buffet, with a row of unclaimed letters inserted between the mirror and its frame.

Her thoughts were not discrete.

Her eyebrows were definite and heavy and formed two lines moving upward toward a high forehead and a great head of brown hair that fell to her shoulders.

Her services to the School for many years were of a very high character, and I have often thought that one of the buildings should be named for her ''.

Her eyes were bright with anticipation.

Her `` Rockabye Your Baby '' was as good as it can be done, and her really personal songs, like `` The Man That Got Away '' were deeply moving.

Her hesitation was only momentary and she hoped he didn't notice it, as she settled herself, asked quickly how Miss Jenny and the babies were getting on.

Her nose was higher of bridge, her complexion so pale as to be quite susceptible to sunburn, and the fish and vegetable diet of her forebears had given her teeth that were white and regular and strong.

Her bright eyes were twinkling.

Her hair never seemed to be in place and her skirts were never quite the correct length.

Her eyes were wild.

Her dark cool caresses were sweeter than any woman's ; ;

Her eyes were smiling, too, but so sadly, and there was tiredness and infinite wisdom in them.

Her extendibles were diverted, connected or augmented and the final, delicate-beyond-description brain taps were completed while Helva remained anesthetically unaware of the proceedings.

Her book titles, changed by American publishers, for example Ten Little Niggers to Ten Little Indians, were kept the same across the Atlantic, after bushels of fan mail.

Her two children by Philip II, Philip, count of Clermont ( died 1234 ), and Mary, who married Philip I of Namur, were legitimized by the pope in 1201 at the request of the king.

Her remaining children were raised between her, Livia Drusilla and Germanicus ’ mother Antonia Minor.

Her reputed last words, uttered as the assassin was about to strike, were " Smite my womb ", the implication here being she wished to be destroyed first in that part of her body that had given birth to so " abominable a son.

Her nose is fairly smooth and even, save that it is somewhat broad at the tip and flattened, yet it is no snub-nose.

Her nostrils are also broad, her mouth fairly wide.

Her fairly young mother has died the previous autumn.

Her touring troupe La Troupe du bon vieux temps gave fairly consistent performances.

Her more childish mannerisms are fairly constant, but Lilith sometimes shows considerable wisdom and knowledge.

Her best friends are Aubrey ( frequently being her accomplice ) and Davan, and she is characterized by nearly always having her hair dyed in odd colours ( a fairly consistent color is purple and her natural black during her first years on Texas ).

Her first language is English, but she speaks German fluently and French fairly well ; this was incorporated into her Scrubs character, Elliot Reid, who also speaks German and French at the same skill levels.

Her prospects seemed fairly bleak until a chance encounter with Augustus Freeman IV.

Her letters, which were usually fairly long, had a cheerful tone about them, and many other readers took a liking to them.

Her personality tends to be fairly consistent ; she is usually seen as a calm, kind, and patient woman, often in contrast to Santa himself, who can be prone to acting too exuberant.

Her father had pushed her to attend law school because she was a fairly outspoken woman by the standards of the time.

Her music is centered on her singing, in a fairly low register and a traditional blues-jazz style, and her piano playing, which is technically accomplished.

Her abilities are based on her fencing skills, including fairly powerful melee attacks and a blinding light from her rapier.

Her albums The Heat and More Than a Woman are fairly underrepresented, as only two and one songs are included from each album, respectively.

Her LPGA career started fairly slowly ; she broke into the top fifty on the money list in her third season in 1999, but did not win until her sixth season.

* Causative_of and Inchoative_of: There is a fairly systematic relationship between stative descriptions ( e. g. the < tt > Position_on_a_scale </ tt > frame, " She had a high salary ") and causative descriptions (< tt > Cause_change_of_scalar_position </ tt >, " She raised his salary ") or inchoative descriptions (< tt > Change_position_on_a_scale </ tt >, e. g. " Her salary increased ").

Her books were generally regarded as accurate and fairly complete although at times falling prey to " outdated interpretations ".

Her age varies on the version being performed, in the film she is fairly young ( 31-32 in real life ) but most stage musicals portray her as elderly or middle aged.

Her family moved to Montreal when she was fairly young.