She continued.

She continued to show regularly in the Salon, to generally favorable reviews, until 1873, the year before the first Impressionist exhibition.

She continued as CEO until Beech was purchased by Raytheon Company on 8 February 1980.

She continued to write, illustrate and design spin-off merchandise based on her children ’ s books for Warne until the duties of land management and diminishing eyesight made it difficult to continue.

She subsequently withdrew it realising that some of her samples were contaminated, but continued her microscopic studies for several more years.

She continued to campaign for occupational safety and health while working as an investigating attorney for the U. S. Commission on Industrial Relations during Woodrow Wilson's presidency.

She continued to counter abusive literary treatments of women.

She continued to make minor and frequently nostalgic period musicals such as Starlift, The West Point Story, On Moonlight Bay, By the Light of the Silvery Moon, and Tea For Two for Warner Brothers.

She continued to have hits with " Heartbreaker " ( 1978 ), " Baby I'm Burning " and " You're the Only One " ( both 1979 ), all of which charted in the pop singles Top 40, and all of which also topped the country-singles chart ; 1979's " Sweet Summer Lovin '" became the first Parton single in two years to not top the country singles chart ( though it still nonetheless reached the top ten ).

She also continued to explore new business and entertainment ventures such as her Dollywood theme park, that opened in 1986 in Pigeon Forge, Tennessee.

She continued touring in 1986 with the Think About Love Tour, and 1989 for the White Limozeen Tour.

She continued to enjoy steady success during the 1990s and 2000s ; her 2000 album A Day Without Rain sold 15 million copies, and became the top selling new age album of the 2000s in the US, according to Nielsen SoundScan.

She continued to work there for the rest of her career and was as dean of the school from 1883 to 1902.

She then continued her career in the United States, as did Maurice Tourneur and Léonce Perret after World War I.

She continued to star in various films, but by the early 1940s, her appearances became less frequent.

She continued on at UCLA, receiving a Ph. D. in 1975, and became a faculty member at the university.

She continued appearing in Hollywood films until 1949.

She has continued to act, appearing in the film Chocolat ( 2000 ).

She continued to advance her trademark interests of education and literacy by establishing the semi-annual National Book Festival in 2001 and encouraged education on a worldwide scale.

She continued as an important counselor to the king until her death in 1252.

She continued to act in the theatre for most of her career, and became noted for her portrayal of Nora in Henrik Ibsen's A Doll's House, but became wider known once she started to work with eminent Swedish film director Ingmar Bergman.

She later directed Blanchett in A Streetcar Named Desire ( play ) at the Sydney Theatre Company in Australia, which ran September through October 2009, and then continued from 29 October to 21 November 2009 at the Kennedy Center for the Performing Arts in Washington, DC, where it won a

She continued to produce films for others, including Sleep, My Love ( 1948 ) with Claudette Colbert and Love Happy ( 1949 ) with the Marx Brothers.

She continued her studies from 1861 through 1865, the duration of the American Civil War.

She continued to travel around the nation, speaking out against drug and alcohol abuse.

She has appeared on PBS's To The Contrary, KQED's Forum, ABC ’ s Politically Incorrect, Fox News Channel's The O ' Reilly Factor and stations such as C-SPAN, MSNBC and CNBC.

She has guest-hosted several shows, including Hannity and Colmes, sitting in for Sean Hannity, and To the Contrary, sitting in for Erbé.

She stared at him, her eyes wide as she thought about what he had said ; ;

She did not pause to consider what she would do if her plan should fail ; ;

She wondered what had taken place in town, between him and his wife.

She placed her palms, fingers outspread, on the desk in an odd gesture as if to say, `` Now, what next ''??

She came from Ohio, from what she called a `` small farm '' of two hundred acres, as indeed it was to farmer-type farmers.

She regretted what she described as the `` unwarrantable & unnecessary '' check to their friendship and said that she felt that they understood one another perfectly.

She showed us what had happened to her.

She said, `` My dear, do you know what Kent House is ''??

She was the only kind of Negro Laura Andrus would want around: independent, unservile, probably charging double what ordinary maids did for housework -- and doubly efficient.

She disciplined herself daily to do what must be done.

She had begun to turn back toward the house, but his look caught her and she stood still, waiting there for what his expression indicated would be a serious word of farewell.

She stammered, `` You heard what he said about police??

She didn't mind working hard, not as if she figured to do anything wrong to live easy and soft -- all she wanted was a chance, where she wasn't marked as what she was.

She ate what she could and went out along the covered passageway, with the rain dripping from the vines.

She doled out what Glendora vaguely guessed were the right amounts of dried peas, eggs, cornmeal, a little salt.

She could always predict what Stanley was going to do, ever since she first met him.

She didn't tell anyone, even her mother, what was wrong.

She calmly repeated what Moore had told me.

She felt mindless, walking, and almost easy until the church spire told her she was near the cemetery, and she caught herself wondering what she would say to Doaty.

She managed a missionary drive for the church once and got the books so confused that old Mr. Webber, the eldest elder, who'd never donated more than five dollars to anything, had to cough up five hundred dollars to avoid a scandal in what Edythe called `` the bosoms of the church ''.

She knew what people were thinking ; ;

She said what she meant and let it be.

She discovered the quality and depth of her feelings in the wordless transitions between what she could say and what she could not say.

She contended that this understanding was what enabled the biblical Jesus to heal and accords with the Scripture: " We are of God: he that knoweth God heareth us ; he that is not of God heareth not us.