Critic William Kuhn argued that much of his fiction can be read as " the memoirs he never wrote ", revealing the inner life of a politician for whom the norms of Victorian public life appeared to represent a social straitjacket – particularly with regard to his allegedly " ambiguous sexuality.

DirkJan was first published in Critic, the magazine for the local union of psychology students.

The Athenaeum reviewer praised Ellis Bell's work for its music and power, and the Critic reviewer recognized " the presence of more genius than it was supposed this utilitarian age had devoted to the loftier exercises of the intellect.

Critic Roger Ebert, in a review dated January 1, 1972, did not care for the film.

Critic Lynn Hirschberg declared Stranger than Paradise in a 2005 profile of the director for The New York Times to have " permanently upended the idea of independent film as an intrinsically inaccessible avant-garde form ".

Critic Billy Altman, whose work has appeared in many publications including Entertainment Weekly and The New York Times, wrote the following for Amazon. com: " One of rock's most overlooked masterpieces, this third album by the L. A. folk-rock outfit led by inscrutable singer-songwriter Arthur Lee sounds as fresh and innovative today as it did upon its original release in 1968.

* According to The TV IV, nine new scripts for the third season of The Critic were written for UPN.

Critic David Hurwitz offers an alternative explanation for the piece's structure: that " Jupiter " is the centrepoint of the suite and that the movements on either side are in mirror images.

* Doug Walker of " ThatGuywiththeGlasses. com " stated that he drew a lot of inspiration for the Nostalgia Critic from Daffy.

In the late 1940s and early 1950s, Stone's role as Chief Design Critic and Associate Professor of Architecture at the Yale University School of Architecture gave him the opportunity to recruit many skilled young staff members for his office.

Critic Bosley Crowther, film critic for The New York Times, liked the screenplay, the message of the film, and John Ford's direction, and wrote, " John Ford has truly fashioned a modern Odyssey — a stark and tough-fibered motion picture which tells with lean economy the never-ending story of man's wanderings over the waters of the world in search of peace for his soul ... it is harsh and relentless and only briefly compassionate in its revelation of man's pathetic shortcomings.

Critic Lawrence van Gelder, writing for The New York Times, did not like the film.

Critic John Krewson lauded the work of Ida Lupino, and wrote, " As a screenwriter and director, Lupino had an eye for the emotional truth hidden within the taboo or mundane, making a series of B-styled pictures which featured sympathetic, honest portrayals of such controversial subjects as unmarried mothers, bigamy, and rape ... in The Hitch-Hiker, arguably Lupino's best film and the only true noir directed by a woman, two utterly average middle-class American men are held at gunpoint and slowly psychologically broken by a serial killer.

Critic Steve Turner suggests that Plant's early and continued experiences in Wales served as the foundation for his broader interest in the mythologies he revisits in his lyrics ( including those myth systems of Tolkien and the Norse ).

Critic Johnny Loftus writes, " Rock critics usually reserve a special place for Deftones above or at least away from the rest of the turn-of-the-century metal movement Deftones have always seemed more curious, more willing to incorporate traditionally revered sounds like D. C. hardcore and dream pop into their Northern California alt-metal.

Critic Joshua Klein said that " the emphasis this time sounds less on unfocused experimentation and more on melody ... a breezy and welcome return to form for the British band.

Short films such as The Critic, Bambi Meets Godzilla, Lupo the Butcher, and many others were almost unknown to mainstream audiences ; however, these independent animated films continued to keep the yearly category of the Academy Award for Animated Short Film alive, as well as introducing a number of new names into the field of animation — names that would begin to bring change to the industry in the 1980s.

Critic Dave Marsh suggests it is this moment that gives the recording greatness: " went for it so avidly you'd have thought he'd spotted the jugular of a lifelong enemy, so crudely that, at that instant, Ely sounds like Donald Duck on helium.

Critic Geoff Barton coins the term " New Wave of British Heavy Metal " in a review of the show for Sounds magazine.

Pattison was at this time a Puseyite, and greatly under the influence of John Henry Newman, for whom he worked, helping in the translation of Thomas Aquinas's Catena Aurea, and writing in the British Critic and Christian Remembrancer.

Critic Jason Ankeny wrote, " With their politically charged raps, taut rhythms, and dedication to raising African-American consciousness, the Last Poets almost single-handedly laid the groundwork for the emergence of hip-hop.

He has also written for The Independent, and was Restaurant Critic for Harpers & Queen magazine from 1995 to 1998.

He was also Restaurant Critic for The Guardian between 2004 and 2005.

" Critic Peter Bradshaw's review of the film in The Guardian concludes that Meet the Parents " is somehow less than the sum of its parts.

Critic Peter Bradshaw of The Guardian gives the film a score of 3 out of 5.

In 2011 at the Guardian Student Media Awards, Deputy Editor Camilla Apcar and Music Editor Tom Killingbeck were shortlisted for Best Feature Writer and Best Critic, respectively, and Charlotte-Hogarth Jones came runner up for Best Columnist.

Leo Robson was nominated for Best Critic at the Guardian awards every year from 2006 to 2009.

Critic Michael Billington, writing in The Guardian commented that the production " proves the prolific Morton is unjustly neglected ", praising Bell's productions.

Critic Grace Dent has likened Dot and Jim to Coronation Streets Hilda and Stan Ogden, comparing a scene in EastEnders where Dot nags Jim and he prays for a quiet life to a similar one from Coronation Street, that aired decades before.

Critic Stephen Thomas Erlewine has described Francis's writing as containing " bizarre, fragmented lyrics about space, religion, sex, mutilation, and pop culture ".

Critic Christopher Sharrett argues that since Alfred Hitchcock's Psycho ( 1960 ) and The Birds ( 1963 ), the American horror film has been defined by the questions it poses " about the fundamental validity of the American civilizing process ", concerns amplified during the 1970s by the " delegitimation of authority in the wake of Vietnam and Watergate ".

Critic Roger Ebert has included the film in his series of " Great Movies " reviews.

" Critic Stuart Byron calls his early Pink Panther films " two of the best comedies an American has ever made.

Critic Stephen Farber has described the film as " One of the most skillful and entertaining summaries of Marilyn's endlessly fascinating rise and fall.

Critic Henry Prunières wrote, “ From the opening measures, we are plunged into a world in which Ravel has but rarely introduced us .”

Critic W. S. Di Piero noted " Whatever the occasion, childhood, farm life, politics and culture in Northern Ireland, other poets past and present, Heaney strikes time and again at the taproot of language, examining its genetic structures, trying to discover how it has served, in all its changes, as a culture bearer, a world to contain imaginations, at once a rhetorical weapon and nutriment of spirit.

NDP Finance Critic Bob Rae attached a rider to a budget bill declaring that " this House has lost confidence in the government.

Critic Pauline Kael warmly embraced Topol's performance, and he has appeared in several stage revivals of the show.

Critic Roger Ebert wrote an article entitled, " Attacks on ' Roger & Me ' completely miss point of film " that defends Moore's manipulation of his film's timeline as an artistic and stylistic choice that has less to do with his credibility as a filmmaker and more to do with the flexibility of film as a medium to express a viewpoint using the same methods that satirists have used.

Cartwright has voiced dozens of animated characters, including Chuckie Finster in Rugrats and All Grown Up !, Rufus in Kim Possible, Mindy in Animaniacs, Margo Sherman in The Critic and Chip in The Kellys.

In addition to her work on The Simpsons, Cartwright has voiced many other characters on several animated series, including Chuckie Finster in Rugrats and All Grown Up !, Margo Sherman in The Critic, Mindy in Animaniacs and Rufus the naked mole rat in Kim Possible.

" As an exegete and biblical Critic no less than as a grammarian he has left his abiding mark.

Kardec's own introductory book on Spiritism, What is Spiritism ?, published only two years after The Spirits Book, includes a long dialogue between his persona and three idealized critics, " The Critic ", " The Skeptic ", and " The Priest ", which as a whole summed up most of the criticism Spiritism has received since then: of being charlatanism, pseudoscience, heresy, anti-Catholic, witchcraft, and / or a form of Satanism.

M. M. Bakhtin, a Russian philosopher and Literary Critic has been credited with introducing the Dialogical process in Philosophy.

Critic Jack Sullivan has kinder words for Tiomkin's score for Strangers than does biographer Spoto: " o seamlessly and inevitably does it fit the picture's design that it seems like an element of Hitchcock's storyboards ", he writes It is a score that " goes largely uncelebrated.

Critic Bosley Crowther noted that its " striking and authentic documentary quality has been imported to the whole film in every detail, attitude and word.

Critic Peter Craven writes that " Two Friends is arguably the most accomplished piece of screenwriting the country has seen and it is characterised by a total lack of condescension towards the teenage girls at its centre ".

Critic Ned Chaillett has described Sink the Belgrano !, a critical take on the Falklands War, which premiered at the Half Moon Theatre, in Stepney, on 2 September 1986, as " a diatribe in punk-Shakespearean verse "; and Berkoff himself described it as " even by my modest standards ... one of the best things I have done ".

Sublett has also documented the Austin music scene in his music-themed crime novels, " Rock Critic Murders ," " Tough Baby ," and " Boiled in Concrete.

Brison has served as the Liberal Party's Finance Critic since September 2010.

Art Critic Guillaume Apollinaire praised those works of the exhibition and proclaimed Delaunay as “ an artist who has a monumental vision of the world .”