The libretto to Armida was by Marco Coltellini the house poet for the imperial theaters.

Armida was translated into German and widely performed, especially in the northern German states, where it helped to establish Salieri's reputation as an important and innovative modern composer It would also be the first opera to receive a serious preparation in a piano and vocal reduction by Carl Friedrich Cramer in 1783.

Armida was soon followed by Salieri's first truly popular success ; a commedia per musica in the style of Carlo Goldoni La fiera di Venezia ( The Fair of Venice ).

His opera ' Rinaldo and Armida ' has recently been published in the Recent Researches of the Music of the Baroque Era series ( A-R Editions ), edited by Steven Plank.

* Armida abbandonata ( Naples, 1770 ) – libretto by Francesco Saverio de ' Rogati

At the beginning of the 20th century, the Casa de Cultura Jesús Reyes Heroles was inhabited by María Concepción Armida, who is being considered for beatification by the Catholic Church.

* Rinaldo in Armida by Josef Mysliveček ( Milan, 1780 )

* Rinaldo in Armida abbandonata by Niccolò Jommelli ( Naples, 1780 )

Rinaldo and Armida, by Francois Boucher, 1734 ; this painting gained Boucher entrance to the Academie ( Louvre Museum )

He contributed to the society's exhibitions upwards of three hundred portraits and other works, among them being " The Enchantress Armida ", exhibited in 1831 ; " Haidee aroused from her Trance by the sound of Music ", 1834 ; " Eros ", 1836 ; " Italian Boys playing at the National Game of Mora " and the " Prisoner of Chillon ", 1837 ; " The Scene in St. Peter's, Rome, from Byron's Deformed Transformed ", 1839 ; " The Convent of St. Isidore: the Monks giving away provisions ", 1841 ; and a " Scene in a Spanish Posada in Andalusia ", 1843.

Rinaldo and Armida, by François Boucher.

The witch Armida ( modeled on Circe in Homer and the witch Alcina in Ariosto's epic ) enters the Christian camp asking for their aid ; her seductions divide the knights against each other and a group leaves with her, only to be transformed into animals by her magic.

Two Christian knights seek out the hidden fortress, brave the dangers that guard it and, by giving Rinaldo a mirror of diamond, force him to see himself in his effeminated and amorous state and to return to the war, leaving Armida heartbroken.

* Armida by Benedetto Ferrari ( Venice, 1639 ) music lost

* Armida by Marco Marazzoli ( Ferrara, 1641 )

* Amori di Rinaldo con Armida by Teofilo Orgiani ( Brescia, 1697 ) music lost

* Armida abbandonata by Giovanni Maria Ruggieri ( Venice, 1707 )

* Armida al campo by Giuseppe Boniventi ( Venice, 1708 )

* Armida regina di Damasco by Teofilo Orgiani ( Verona, 1711 ) music lost

* Armida in Damasco by Giacomo Rampini ( Venice, 1711 )

* Armida abbandonata by Giuseppe Maria Buini ( Bologna, 1716 )

* Armida al campo d ' Egitto by Antonio Vivaldi ( Venice, 1718 )

* Armida delusa by Giuseppe Maria Buini ( Venice, 1720 )

* Das eroberte Jerusalem, oder Armida und Rinaldo by Georg Caspar Schurmann ( Brunswick, 1722 )

Gioachino Rossini, Vincenzo Bellini and Richard Wagner were some of the first composers to use the tam-tam in their works ; Rossini in the final of act 3 of Armida ( 1817 ), Bellini in Norma ( 1831 ) and Wagner in Rienzi ( 1842 ).

She created the leading female role in Elisabetta, regina d ' Inghilterra ( 1815 ), Otello ( 1816 ), Armida ( 1817 ), Mosè in Egitto ( 1818 ), Maometto II ( 1820 ), and five other Rossini operas up to and including his final contribution to the genre, Semiramide, which was also written with Colbran in the major role.

In 1993, Fleming sang the role of Alaide in Bellini's La straniera with the Opera Orchestra of New York, made her debut at the Rossini Opera Festival in the title role of Rossini's Armida, and her debut with the Lyric Opera of Chicago in the title role of Carlisle Floyd's Susannah.

She also scored triumphant successes in Italy in the great bel canto roles of that era's composers, including Rossini, specifically Armida ; in Bellini's Norma and I puritani ; and in Donizetti's Lucia di Lammermoor.

Rossini, for instance, had recourse to a baritenor as a lover in Elisabetta, regina d ' Inghilterra, at a time when his company included two major singers of that type, and also for Torvaldo e Dorliska and Armida, where, beside the amatory protagonist, Rinaldo, created by the very prince of Rossini baritenors, Andrea Nozzari, there appear additionally five or six baritonal tenors in secondary roles.

Elsewhere in 1988, Anderson focused on Rossini roles: playing her first Armida in Aix-en-Provence, appearing in Otello at the Pesaro Festival, and debuting as Anna in Maometto II ( an early version of Rossini's Le siège de Corinthe ) at the San Francisco Opera ( she had previously recorded this work with Samuel Ramey in 1983 ).

* Armida ( 1817 ) by Rossini

Though her voice soon began to show signs of strain, Colbran continued to have a fertile career, creating the roles of Armida ( Armida ), Elcia ( Mosè in Egitto ), Zoraide ( Ricciardo e Zoraide ), Ermione ( Ermione ), Elena ( La donna del lago ), Anna ( Maometto II ), and Zelmira ( Zelmira ), all written by Rossini for Naples.

* L ' Armida immaginaria ( summer 1777 Naples Teatro ( San Giovanni ) dei Fiorentini )

In addition, Farnese commissioned various oil paintings from Carracci, including his Rinaldo and Armida now in the Capodimonte Museum in Naples.

* Armida abbandonata by Niccolò Jommelli ( Naples, 1770 )

These were Elisabetta, regina d ' Inghilterra ( 1815 ), La gazzetta, Otello, ossia il Moro di Venezia ( 1816 ), Armida ( 1817 ), Mosè in Egitto, Ricciardo e Zoraide ( 1818 ), Ermione, Bianca e Falliero, Eduardo e Cristina, La donna del lago ( 1819 ), Maometto II ( 1820 ), and Zelmira ( 1822 ).

One significant eschatological myth, introduced by Gioacchino da Fiore's theology of history, was the " myth of an imminent third age that will renew and complete history " in a " reign of the Holy Spirit "; this " Gioacchinian myth " influenced a number of messianic movements that arose in the late Middle Ages.

* Hedviga is a character in the opera Guglielmo Tell by Gioacchino Rossini.

File: Tantalus Gioacchino Assereto circa1640s. jpg | Oil painting by Gioacchino Assereto ( circa 1640s )

), later set to music by more than 40 other composers, including Johann Adolph Hasse ( 1735 ), Giuseppe Arena ( 1738 ), Francesco Corradini ( 1747 ), Christoph Willibald Gluck ( 1752 ), Andrea Adolfati ( 1753 ), Niccolò Jommelli ( 1753 ), Ignaz Holzbauer ( 1757 ), Vincenzo Legrezio Ciampi ( 1757 ), Gioacchino Cocchi ( 1760 ), Marcello Bernardini ( 1768 ), Andrea Bernasconi ( 1768 ), Pasquale Anfossi ( 1769 ), and Wolfgang Amadeus Mozart ( 1791 ).

In his opera La Cenerentola, Gioacchino Rossini inverted the tale of Cinderella to have her oppressed by her stepfather.

Fra Dolcino, a former member, became in 1300 the leader of the movement of Apostolics, and influenced by the millenarist theories of Gioacchino da Fiore gave birth to the Dulcinian movement, which existed between the years 1300 and 1307.

* Saverio Mercadante is invited to Paris by Gioacchino Rossini.

The genre was developed further in the 19th century by Gioacchino Rossini in his masterpieces such as The Barber of Seville ( 1816 ) and La Cenerentola ( 1817 ).

The 19th century saw the presentation of twenty operas by Gioacchino Rossini, while seven of Vincenzo Bellini's ten operas were presented in the 1830s.

* Gioacchino Rossini by Giuseppe Cassioli

The vaults of the naves and the presbytery were decorated with Rococo gilted stuccoes by Giuseppe and Gioacchino Gianforma, also authors of the two statues in the niches of the transept.

Turkish music also appears in works of Jean-Philippe Rameau, Michael Haydn, Gioacchino Rossini, Ludwig Spohr, in two operas of Gluck's, Iphigenie auf Tauris ( 1764 ) and Die Pilger von Mekka ( 1779 ), and in Symphony No. 6 A minor (" Sinfonie turque ") by Friedrich Witt ( 1770 – 1836 ).

Another famous example is La Boutique fantasque, an arrangement of Gioacchino Rossini's music by Ottorino Respighi in 1919.

Fra Dolcino was inspired by the millenarist theories of Gioacchino da Fiore.

He was brought on to hedge the company's bets with a different engine family than the small V12s designed by Gioacchino Colombo.

* " Stabat mater " by Gioacchino Rossini, conductor Ferenc Fricsay, Melodram ( 1994 )

She was also helped by musicians Gioacchino, Pierre Jaconelli, Jean-Pierre Pilot, and William Rousseau.

*" Largo al factotum " ( 1816 )-from Il Barbiere di Siviglia ( The Barber of Seville ), by Gioacchino Rossini ( music ) and Cesare Sterbini ( libretto ), sung by Charles Igor Gorin

He studied philosophy in Rome and theology at Perugia, where on May 17, 1856, he was ordained by Gioacchino Cardinal Pecci, then Archbishop of Perugia.

Music arranged by Ludwig Minkus from the airs of Giacomo Meyerbeer, Giuseppe Verdi, Vincenzo Bellini and Gioacchino Rossini.

Investigations held by police telecommunication expert Gioacchino Genchi attested the presence of an undercover SISDE seat in the Castello Utveggio, a liberty-style castle on the Monte Pellegrino, a mountain overlooking Palermo and Via D ' Amelio, the street in which Borsellino was killed.

He contributed to scientific publications, led the Pax Christi movement in the Netherlands, and was created Cardinal-Priest of San Gioacchino ai Prati di Castello by Pope John XXIII in the consistory of 28 March 1960.