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She argues in her 2008 text Electronic Literature that, " electronic literature, generally considered to exclude print literature that has been digitized, is by contrast ' digital born ,' and ( usually ) meant to be read on a computer.
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She and argues
She argues that the convergence of sexism and racism during slavery contributed to black women having the lowest status and worst conditions of any group in American society.
She argues that slavery allowed white society to stereotype white women as the pure goddess virgin and move black women to the seductive whore stereotype formerly placed on all women.
She argues that in order for women to be equally represented in the workplace, women must be portrayed as men are: as lacking sexual objectification.
She argues that Bacon's movement for the advancement of learning was closely connected with the German Rosicrucian movement, while Bacon's New Atlantis portrays a land ruled by Rosicrucians.
She argues that the legacy of Christian misogyny was consolidated by the so-called " Fathers " of the Church, like Tertullian, who thought a woman was not only " the gateway of the devil " but also " a temple built over a sewer.
She argues that they undertook their research using a novel and previously untested methodology in order to confirm a predetermined theory about the age of these structures.
She argues that symbolic work with these personal symbols or core images can be as useful as working with dream symbols in psychoanalysis or counseling.
She argues that subversion occurs through the enactment of an identity that is repeated in directions that go back and forth which then results in the displacement of the original goals of dominant forms of power.
She argues " The provision on the establishment of “ secure and recognized boundaries ” would have been meaningless if there had been an obligation to withdraw from all the territories.
She argues that a stage direction in A Shrew seems to indicate a part to be played by the minor actor Simon Jewell, who died in August 1592.
She argues that if Knack borrows from both The Shrew and A Shrew, it means The Shrew must have been on stage by mid-June 1592 at the latest, and again suggests a date of composition of somewhere in late 1591 / early 1592.
She argues unflinchingly with Creon about the morality of the edict and the morality of her actions.
She argues that anger originates at age 18 months to 3 years to provide the motivation and energy for the individuation developmental stage whereby a child begins to separate from their carers and assert their differences.
She argues against the institution of slavery yet, at least initially, feels repulsed by the slaves as individuals.
She argues that the church is not an example of Jean Baudrillard's concept of hyperreality, arguing that " they create, rather than consume, popular culture in the practice of their spirituality ".
She argues that the youths ' agreement on the way the night's events unfolded proves that things occurred just as they say.
She argues with Destiny, declaring there is more to existence than what is in his book.
She argues that their intellectual debts to Locke are most evident when one looks at the 1865 debates in the Province of Canada ’ s legislature on whether or not union with the other British North American colonies would be desirable.
She argues that the later evidence suggests that:
She argues that wit is natural, whereas learning is artificial, and that, in her time, men have more opportunity to educate themselves than women do.
She argues that organizations and political bodies in the Mideast like Hamas and Hezbollah " have a greater interest in maintaining a state of hostility with Israel than in improving the lives of the people they claim to represent ".
She also argues that Eliade's theories have been able to accommodate " new data to which Eliade did not have access ".
She also argues that this is actually changing the nature of Fa ' afafines itself, and making it more ' homosexual.
" She argues that Dissenters deserve the same rights as any other men: " We claim it as men, we claim it as citizens, we claim it as good subjects.
She argues that Arthur was betrothed to Catherine of Aragon from the age of two: if he had been weak and sickly it would have been reported to Isabel of Castile and Ferdinand of Aragon, Catherine's parents.
She and her
She lay there, making no effort to get back on her feet.
She drank greedily, and murmured, `` Thank you '', as he lowered her head.
She rubbed her eyes and stretched, then sat up, her hands going to her hair.
She stared at him, her eyes wide as she thought about what he had said ; ;
She got to her feet, staggered, and almost fell.
She sat down at the table, shaking her head.
She clung to him, talking to him, and dabbing at her eyes.
She was carrying a quirt, and she started to raise it, then let it fall again and dangle from her wrist.
She showed her surprise by tightening the reins and moving the gelding around so that she could get a better look at his face.
She said, and her tone had softened until it was almost friendly.
She had picked up the quirt and was twirling it around her wrist and smiling at him.
She swung the quirt again, and this time he caught her wrist and pulled her out of the saddle.
She came down against him, and he tried to break her fall.
She wiped it off with the sleeve of her coat.
She brought up her free hand to hit him, but this time he was quicker.
She finally regained her balance and got up in the saddle.
She had offered to walk, but Pamela knew she would not feel comfortable about her child until she had personally confided her to the care of the little pink woman who chose to be called `` Auntie ''.
She remembered little of her previous journey there with Grace, and she could but hope that her dedication to her mission would enable her to accomplish it.
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