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Critic William Winter said, “ He was followed as a marvel.
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Critic and William
Critic William Kuhn argued that much of his fiction can be read as " the memoirs he never wrote ", revealing the inner life of a politician for whom the norms of Victorian public life appeared to represent a social straitjacket – particularly with regard to his allegedly " ambiguous sexuality.
Critic William Baer notes that throughout his career " he constantly rose to the challenge of his own aspirations ", adding that " he was a pioneer and visionary who greatly affected the history of both stage and cinema ".
Critic William Michael Rossetti considered Leaves of Grass a classic along the lines of the works of William Shakespeare and Dante Alighieri.
He gave assistance to William Beloe in one or two articles in the British Critic, and probably wrote also in the Analytical Review and the Critical Review.
* F. H. Armstrong, " William Lyon Mackenzie, First Mayor of Toronto: A Study of a Critic in Power ", Canadian Historical Review 48 ( 1967 )
Also that year, the Boston Critic dedicated a special issue to Lowell on his seventieth birthday to recollections and reminiscences by his friends, including former presidents Hayes and Benjamin Harrison and British Prime Minister William Ewart Gladstone as well as Alfred Tennyson and Francis Parkman.
Critic William Burrill dismissed the game's visuals as " Dim Boy graphics are nothing to write home about ".
Critic Stephen Burt at the Boston Review commented: " William Carlos Williams and Emily Dickinson together taught Armantrout how to dismantle and reassemble the forms of stanzaic lyric — how to turn it inside out and backwards, how to embody large questions and apprehensions in the conjunctions of individual words, how to generate productive clashes from arrangements of small groups of phrases.
Critic Harold Bloom remarked several years later that Fields ', " croaking his ghastly dirge to the uncertain sound of his dulcimer, is a parodic version of the Bard of Sensibility, a figure out of the primitivism of Thomas Gray or William Blake.
Critic William Lawrence Schroeder described Holmes's prose style as " attractive " in that it " made no great demand on the attention of the reader.
Critic William Ruhlman agreed, writing that the album " is a highly referential work from an artist who started where most end and has been earnestly seeking the right direction ever since.
* 1985 – William Dudley for The Mysteries, The Real Inspector Hound, The Critic, The Merry Wives of Windsor and Mutiny
Critic William Fulwiler argues that Edgar Rice Burroughs ' At the Earth's Core was one of Lovecraft's primary inspirations for " The Nameless City ", citing " the reptile race, the tunnel to the interior of the earth, and the ' hidden world of eternal day '" as elements common to both tales.
Critic and said
The visitor was supposed to help them converse by typing in to ' Artist ' what ' Critic ' said, and vice versa.
Critic and musicologist Robert Palmer said their endurance and relevance stems from being " rooted in traditional verities, in rhythm-and-blues and soul music " while " more ephemeral pop fashions have come and gone ".
Critic Adam Roberts said of the novel: “ It is really quite hard to respond to this masterful book, except by engaging with its political content ; and yet we need to make the effort to see past the ideological to the formal and thematic if we are fully to appreciate the splendour of Heinlein's achievement here .”
Critic Joshua Klein said that " the emphasis this time sounds less on unfocused experimentation and more on melody ... a breezy and welcome return to form for the British band.
Critic Mike Gee of iZINE said of this time, " The Verve, as he ( Richard Ashcroft ) promised, had become the greatest band in the world.
Critic Roger Ebert said of the film that it " somehow does succeed in treating the awesome and scary subject of sexual initiation with some of the dignity it deserves.
" Critic Howard Halle said of it that " Using distance and attendant shifts of scale within the very fabric of the city, Horizon creates a metaphor for urban life and all the contradictory associations – alienation, ambition, anonymity, fame – it entails.
Critic Dale Krueger said that the system is difficult to implement, and that companies often wind up overemphasizing control, as opposed to fostering creativity, to meet their goals.
Critic David Shipman said his personal notices for his performance in The Secretary Bird ( 1968 ) " must be among the best accorded any light comedian during this century ".
Critic Joe Balthai wrote she was " the darling of the 1998 Sundance Film Festival " and Internet movie writer Harry Knowles said she was the " discovery of the fest ", but the film was not commercially released in the U. S. and went direct-to-video.
" Critic Ian Lace said of her theme: " One has to suppose that the main character of this new game, Manon, inspired by the exploits of Hélène Déschamps is French.
Critic, Taran Adarsh said, " Raveena Tandon lends credibility to the role of a battered wife and walks away with the honours.
Critic Harry Sumrall of the San Jose Mercury News said that Rabbitt was " like a hot corn dog: nothing fancy, nothing frilly.
Critic Roger Ebert said that " Pedro Almodóvar's films are an acquired taste, and with High Heels I am at last beginning to acquire it.
Critic Roger Ebert said of his performance that he " seems to have become the latter-day version of Christopher Walken – not all the time, but when you need him, he's your go-to guy for weirdness.
Critic Leonard Feather once said, " It is almost indisputable that Dr. Billy Taylor is the world's foremost spokesman for jazz.
Critic Tony Rayns describes The Spirit of the Beehive as " a haunting mood piece that dispenses with plot and works its spells through intricate patterns of sound and image " and of El Sur it has been said that " Erice creates his film as a canvas, conjuring painterly images of slow dissolves and shafts of light that match Caravaggio in their power to animate a scene of stillness, or freeze one of mad movement.
In one of its highest scoring reviews, The Video Game Critic gave the game an A-and said it's " hard to put down.
Critic Josip Novakovich, who compared One of the Guys to A Confederacy of Dunces, has said, " If you read the book in public, you will laugh so much and go through so many facial expressions that you'll run the risk of having the police called to check you out.
Critic Robert Christgau said of the record: " Beefheart's famous five-octave range and covert totalitarian structures have taken on a playful undertone, repulsive and engrossing and slapstick funny.